That opening sequence in the railroad car is unusual for an oater. It's almost sparkling in an unexpected way, thanks to a lively Woodbury, a handsome Rogers, and a clever script. Anyway, there's more shooting in this hour's runtime than in WWII, but nobody falls no matter what. It's almost like they're shooting cap-pistols. For sure, I don't expect hard-nosed realism in a matinee oater, but this one really goes overboard in that key regard. Then too, maybe you can follow the plot, I couldn't, what with all the twists, turns and impersonations crammed in a short 60-minutes.
All in all, for me, the flick's mainly a personality western thanks to actresses Woodbury, and a feisty Payne who can cowgirl and sidle up to Roy with the best of them. And shouldn't forget crusty old Gabby, who's more here than just a funny sidekick. In fact, the flick has a number of lighter moments even with the baddies. So, despite the drawbacks, there are compensations for a front-row geezer like me.