An author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.An author writing a book on jealousy discovers his wife is an expert on the subject.
Gino Corrado
- Party Waiter
- (uncredited)
Cecil Cunningham
- Party Guest
- (uncredited)
Mark Daniels
- Student
- (uncredited)
Jay Eaton
- Party Guest
- (uncredited)
Julie Gibson
- Singer in Nightclub
- (uncredited)
Herschel Graham
- Nightclub Patron
- (uncredited)
Robert Homans
- Policeman in Subway Train
- (uncredited)
Max Linder
- Party Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDon Ameche's first film for MGM. He had made a screen test there in 1935 and was rejected, but was signed the following year by 20th Century-Fox.
- Quotes
Nellie Woods: Sorry I'm not what you were expecting.
Elliott Morgan: What makes you think I'm expecting anybody?
Nellie Woods: What makes me think that dogs like liver?
Elliott Morgan: I don't get the analogy, but I expect it's very clever. It so happens that you're wrong; there's no one coming.
Nellie Woods: You're right. She's gone out with her husband.
Elliott Morgan: [feigning confusion] Uh... who has?
Nellie Woods: The liver.
- ConnectionsFeatures The Wizard of Oz (1939)
- SoundtracksJealous
(uncredited)
Music by Jack Little
Lyrics by Dick Finch and Tommie Malie
Sung by Julie Gibson
Sung a cappella by Rosalind Russell
[Played as background music during the opening and end credits; played as background music often; performed by the nightclub singer]
Featured review
Charming goof-ball comedy played by experts. Roz, looking great, is sassy and fun one of the greatest at the slow burn ever. She comes across as a bit addle-pated at times but she also has an enormous amount of patience with her husband, a good but not very sensitive man.
This was Kay Francis' last part in an A level film and a shame since she is both humorous and chic. Her slide into low grade junk and obscurity within a few years of this is an example of the way Hollywood wastes talented performers once they are no longer as big at the box office. Since this is an MGM film and she made a good showing in the picture it's surprising they didn't take her on. Her brand of sophistication seems right up their alley and even if no longer a leading lady she could have done well in support.
Ameche's character as I said is a rather clueless blow-hard but his natural charm makes him less irksome than he would normally be. Heflin, fresh off his Oscar for Johnny Eager, is well cast as a would be gigolo who thinks he is more suave and irresistible than he in fact is.
Overall a bit dated in it's attitudes, unsurprisingly, but the four stars make it worth watching.
This was Kay Francis' last part in an A level film and a shame since she is both humorous and chic. Her slide into low grade junk and obscurity within a few years of this is an example of the way Hollywood wastes talented performers once they are no longer as big at the box office. Since this is an MGM film and she made a good showing in the picture it's surprising they didn't take her on. Her brand of sophistication seems right up their alley and even if no longer a leading lady she could have done well in support.
Ameche's character as I said is a rather clueless blow-hard but his natural charm makes him less irksome than he would normally be. Heflin, fresh off his Oscar for Johnny Eager, is well cast as a would be gigolo who thinks he is more suave and irresistible than he in fact is.
Overall a bit dated in it's attitudes, unsurprisingly, but the four stars make it worth watching.
Details
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.37 : 1
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