Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.Dr. Jekyll allows his dark side to run wild after he drinks a potion that turns him into the evil Mr. Hyde.
- Nominated for 3 Oscars
- 3 nominations total
Frederick Worlock
- Dr. Heath
- (as Frederic Worlock)
Storyline
Did you know
- TriviaDue to the Hays Code, much of the film had to be watered down from the 1931 version. The character of Ivy Peterson had to be changed from a prostitute to a barmaid.
- GoofsAfter attacking Ivy in her room, Jekyll runs away from her house. As he approaches a carriage, his hat flies off and he keeps running around a corner. In the next shot, from the other end of the corner, his hat is securely on his head.
- Quotes
Mr. Edward Hyde: As you were leaving the room, you turned at the door, didn't you? And you said, "For a moment, I thought..." What did you think? What did you think? Did you think that Dr. Jekyll was falling in love with you? You, with your cheap little dreams? Or did you think, perhaps - that in him, you saw a bit of me, *Hyde*?
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsFeatured in You Can't Fool a Camera (1941)
- SoundtracksSee Me Dance the Polka
(uncredited)
Music and Lyrics by George Grossmith
Additional Lyrics by John Lee Mahin
Sung by Alice Mock in the "Palace of Frivolties" show
Reprised by Ingrid Bergman
Whistled by Spencer Tracy (whistling dubbed by Robert Bradford)
Featured review
Unlike Universal, MGM was never a studio associated much with out-and-out horror films (A notable exception: 1932's great "The Mask of Fu Manchu," with Boris Karloff, Myrna Loy, and Jean Hersholt). But, when they did make them, they made them with the legendary MGM class and gloss. And such a one was the 1941 version of Stevenson's "Dr. Jekyll and Mr. Hyde." Unlike the March version, this wasn't a particularly scary film, but more of a suspenseful one. As befits the director who made "Wizard of Oz," "Red Dust," and "Gone with the Wind," Victor Fleming turns the story into a thinking man's horror film, and succeeds brilliantly.
As to the cast, Spencer Tracy, like Frederick March, was effectively cast against type for the part, and delivers a good, understated performance. His Hyde is very much the Hyde of the book, an evil, decayed version of Jekyll himself, rather than a monster. This last was accomplished by Jack Dawn's equally understated makeup. Lana Turner, and Jekyll's fiance, Beatrix, is little more than pretty set decoration. Let's face it, she wouldn't really prove she could act until "Peyton Place" and "Imitation of Life" in the late '50's. But Ingrid Bergman, now, that's another story! In one of her first U.S. films, she delivers a brilliant performance as Ivy Peterson, the Cockney barmaid unwillingly cought up in Hyde's insane reign of terror. Her scenes with Tracy, both as Jekyll and as Hyde, fairly crackle with energy. These are two comsummate pros working together, and they don't disappoint. In the only other supporting roles of any importance, Donald Crisp, Ian Hunter, Barton McLane, and Sara Allgood all aquit themselves beautifully.
As to the cast, Spencer Tracy, like Frederick March, was effectively cast against type for the part, and delivers a good, understated performance. His Hyde is very much the Hyde of the book, an evil, decayed version of Jekyll himself, rather than a monster. This last was accomplished by Jack Dawn's equally understated makeup. Lana Turner, and Jekyll's fiance, Beatrix, is little more than pretty set decoration. Let's face it, she wouldn't really prove she could act until "Peyton Place" and "Imitation of Life" in the late '50's. But Ingrid Bergman, now, that's another story! In one of her first U.S. films, she delivers a brilliant performance as Ivy Peterson, the Cockney barmaid unwillingly cought up in Hyde's insane reign of terror. Her scenes with Tracy, both as Jekyll and as Hyde, fairly crackle with energy. These are two comsummate pros working together, and they don't disappoint. In the only other supporting roles of any importance, Donald Crisp, Ian Hunter, Barton McLane, and Sara Allgood all aquit themselves beautifully.
Details
Box office
- Gross US & Canada
- $3,924,000
- Gross worldwide
- $5,125,180
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.37 : 1
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