After Gene discovers copper on his ranch, Bennett tries to get control of the fortune by framing him in a jail-break.After Gene discovers copper on his ranch, Bennett tries to get control of the fortune by framing him in a jail-break.After Gene discovers copper on his ranch, Bennett tries to get control of the fortune by framing him in a jail-break.
Julie Bishop
- Taffy
- (as Jacqueline Wells)
Chuck Baldra
- Cowhand
- (uncredited)
Robert Blair
- Tex
- (uncredited)
Stanley Blystone
- Station Agent Jess
- (uncredited)
Buck Bucko
- Rancher
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIncluded among the American Film Institute's 2004 list of 400 movies nominated for the top 100 America's Greatest Music in the Movies for the song "Back in the Saddle Again."
- GoofsAs the character of Duke Winston is chasing the train on horseback, Gene Autry and crew watch his approach from the boxcar. However, the angle of the shot shows Duke and his crew riding straight in the direction of a correspondingly traveling camera along a dirt road - with not a single track of rail in sight. Additionally, the angle of Autry's gaze along with the angle of 'approach' the horseback riders are taking toward train suggests a perpendicular collision, rather than a true chase sequence.
- ConnectionsEdited into Meanwhile, Back at the Ranch (1976)
- SoundtracksBack in the Saddle Again
Words and Music by Ray Whitley
Sung by Gene Autry
Reprised in finale by Gene Autry and Julie Bishop
Featured review
Gene Autry provides a wealth of old-fashioned entertainment in Back in the Saddle, one of the factory-issue B Westerns that played to packed Saturday afternoon movie palaces full of kids who dreamed of life on the open range. Besides crooning the legendary title tune, Autry foils a dastardly mine owner who has been poisoning cattle to drive the local ranchers off their land. An interesting opening section depicts Gene and faithful, hopeless sidekick Smiley Burnette (here in his "Frog" incarnation) retrieving the son of a friend from the decadent big city -- a perfectly set-up showdown between wholesome country and degenerate city played for maximum effect. Back in the Saddle's most prominent set-piece, however, is an exciting shoot-out set in and around a jail with plenty of whizzing bullets and flaming hay-carts to set the heart pounding.
Details
- Runtime1 hour 13 minutes
- Color
- Aspect ratio
- 1.37 : 1
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