A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.
Storyline
Did you know
- Trivia"Baby, Take a Bow," which Shirley Temple performs early in the film, was shot six years earlier for "Stand Up and Cheer" (1934). It was cleverly re-edited and inter cut with new shots of Jack Oakie and the chorus, with a double for Temple standing in for the long shots. Similarly, the brief excerpt of Temple's hula number, originally shot for "Curly Top" (1935), was superimposed behind Oakie in the vaudeville montage.
- GoofsIn the colourised version, young Wendy's polka dot dress during 'Baby, Take a Bow' is blue. However, in the same original footage shown in 'Stand Up and Cheer!' (1934), the dress was colourised red and off-white. The dress itself is red and off-white in reality, as documented in auction photographs and museum displays.
- ConnectionsFeatured in Biography: Shirley Temple: The Biggest Little Star (1996)
- SoundtracksFifth Avenue
(1940) (uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Sung and Danced by Shirley Temple, Jack Oakie and Charlotte Greenwood
Reprised by them in their home
Featured review
Joe and Kitty, a couple who perform on the vaudeville circuit, take in an orphaned baby named Wendy (Shirley Temple), who they raise as their own and eventually incorporate into their act. Eventually, she becomes the star of their trio, The Ballantines, until Joe and Kitty decide to quit the business and put down roots in New England. Their timing is prompted somewhat by the fading of Vaudeville, caused by the popularity of films.
Jack Oakie and Charlotte Greenwood capture the spirit of vaudeville extremely well. He is a perfect "second banana" and she is the prototypical specialty act. When Joe and Kitty arrive in the New England town of Stonefield, their show biz bluster makes them fish out of water. Daughter Wendy, always the upbeat optimist, helps them negotiate with some social situations. But Stonefield is a town of staid citizenry who like tradition; those in power resist any concessions to modernity. In the end, circumstances arise that demonstrate that the Ballantines are valuable citizens of the community.
Miss Temple carries this film and provides the center of the story. And due to some remarkably edited sequences, we see her performing from ages six to twelve, roughly.
As a musical, this film is not a tremendous success, but it is worth seeing due to Shirley.
Jack Oakie and Charlotte Greenwood capture the spirit of vaudeville extremely well. He is a perfect "second banana" and she is the prototypical specialty act. When Joe and Kitty arrive in the New England town of Stonefield, their show biz bluster makes them fish out of water. Daughter Wendy, always the upbeat optimist, helps them negotiate with some social situations. But Stonefield is a town of staid citizenry who like tradition; those in power resist any concessions to modernity. In the end, circumstances arise that demonstrate that the Ballantines are valuable citizens of the community.
Miss Temple carries this film and provides the center of the story. And due to some remarkably edited sequences, we see her performing from ages six to twelve, roughly.
As a musical, this film is not a tremendous success, but it is worth seeing due to Shirley.
Details
- Release date
- Country of origin
- Language
- Also known as
- Unga människor
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.37 : 1
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