The son of the Mikado of Japan, a wandering minstrel, falls for a girl who is engaged to her guardian.The son of the Mikado of Japan, a wandering minstrel, falls for a girl who is engaged to her guardian.The son of the Mikado of Japan, a wandering minstrel, falls for a girl who is engaged to her guardian.
- Awards
- 1 nomination total
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Storyline
Did you know
- TriviaThis is the first three-color Technicolor feature to be released by Universal Pictures in the U.S.A.
- SoundtracksIf You Wonder Who We Are
(1885) (uncredited)
Music by Arthur Sullivan
Lyrics by W.S. Gilbert
Performed by chorus
Featured review
The Mikado is one of Gilbert and Sullivan's best works, and I was most interested in seeing this version after trying to view as many G&S productions as possible. I personally prefer the Lesley Garrett/Eric Idle 1987 version, but while flawed this Mikado is still interesting. Much has been said about the cuts, and I have to agree. I can understand why there were some, but some either didn't make sense to be cut or are just too good, KoKo's Little List number was especially true to this. I also thought the spoken prologue was rather pointless and characters have a tendency in important scenes in drift in and out of range.
However, visually and technically it is splendid, the Technicolour looks gorgeous and the costumes and sets are wonderfully authentic. The music is among G&S's best, and while you do wish it was complete it is beautifully performed and conducted. The comedy is sparkling and witty also, and the story is still charming enough. The performances are generally great, Kenny Baker is not quite as impressive as Nanki-Poo, vocally the singing is bright and clear and he looks the part but his acting is rather bland. On the other hand, Jean Collins sings Yum-Yum beautifully and Constance Willis is wonderfully arrogant and poignant as Katisha. John Barclay is an imposing Mikado, Gregory Stroud is good in the insubstantial role of Pish-Tush and Sydney Granville is delightfully pompous as Pooh-Bah. But the best performance easily comes from the splendid KoKo of Martyn Green, one of the best ever in this role, that's for sure.
All in all, interesting and generally well-made and sung, but at the same time perhaps not the most ideal of versions. 7.5/10 Bethany Cox
However, visually and technically it is splendid, the Technicolour looks gorgeous and the costumes and sets are wonderfully authentic. The music is among G&S's best, and while you do wish it was complete it is beautifully performed and conducted. The comedy is sparkling and witty also, and the story is still charming enough. The performances are generally great, Kenny Baker is not quite as impressive as Nanki-Poo, vocally the singing is bright and clear and he looks the part but his acting is rather bland. On the other hand, Jean Collins sings Yum-Yum beautifully and Constance Willis is wonderfully arrogant and poignant as Katisha. John Barclay is an imposing Mikado, Gregory Stroud is good in the insubstantial role of Pish-Tush and Sydney Granville is delightfully pompous as Pooh-Bah. But the best performance easily comes from the splendid KoKo of Martyn Green, one of the best ever in this role, that's for sure.
All in all, interesting and generally well-made and sung, but at the same time perhaps not the most ideal of versions. 7.5/10 Bethany Cox
- TheLittleSongbird
- Jul 25, 2012
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Details
- Runtime1 hour 30 minutes
- Aspect ratio
- 1.37 : 1
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