A passerby witnesses a murder through the windows of a passing train, then tries to track down the killer.A passerby witnesses a murder through the windows of a passing train, then tries to track down the killer.A passerby witnesses a murder through the windows of a passing train, then tries to track down the killer.
Howard Douglas
- Hotel Manager
- (uncredited)
Cameron Hall
- Hotel Doorman
- (uncredited)
Allan Jeayes
- Sir Edward
- (uncredited)
Storyline
Did you know
- TriviaThe construction of Waterloo Bridge filmed before the Second World War is shown with men working on it. During the war it was mainly constructed by women, and was known as the ladies' bridge.
- GoofsShadow of camera falls on balustrade as it pans Michael Redgrave and Sally Gray moving downstairs after leaving Zoltini's apartment.
- ConnectionsRemake of Métropolitain (1939)
- SoundtracksLet's All Sing Like The Birdies Sing
(uncredited)
Written by Tolchard Evans, Stanley Damerell and Robert Hargreaves
Performed by Michael Redgrave
Featured review
This is an amazing thriller mainly consisting of surprises all the way. It starts like a comedy , and the comedy mood seems to be its dominating element, but then enter the abyss of jealousy. Sally Field is the wife of a magician whose life is a tempestuous roller-coaster of failures and redemptions, and into this messy life of an incalculable jealous artist of some diabolical talent (Paul Lukas, fresh from "The Lady Vanishes") comes Michael Redgrave clumsily interfering in what he believes is a murder attempt of Lukas on his wife. Well, Michael is also married, but his wife gets sacked from her job, while Michael gets mixed up with the jealous husband, and it all seems to go really bad for everybody. But you are still in for many surprises.
It's a wonderfully witty film, almost heralding the best moments of Powell & Pressburger and with some definite elements of Hitchcock, the scene at the night club is a highlight, and the theatre scenes with some extras are also hilarious with an expected tragic climax, trigging quite a few catastrophes - but never mind, this is first class entertainment all the way, and afterwards you will feel kind of upside down. The script is by Ian Dalrymple, and I think that's where most of the credit should go. An additional asset, though, is a very accomplished music score by Bretton Byrd.
It's a wonderfully witty film, almost heralding the best moments of Powell & Pressburger and with some definite elements of Hitchcock, the scene at the night club is a highlight, and the theatre scenes with some extras are also hilarious with an expected tragic climax, trigging quite a few catastrophes - but never mind, this is first class entertainment all the way, and afterwards you will feel kind of upside down. The script is by Ian Dalrymple, and I think that's where most of the credit should go. An additional asset, though, is a very accomplished music score by Bretton Byrd.
Details
- Runtime59 minutes
- Color
- Aspect ratio
- 1.37 : 1
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