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That doesn't mean "Hell's Kitchen" isn't worth a viewing though. The cast is fantastic, where you have the Dead End Kids, Ronald Reagan, the gorgeous Margaret Lindsey, and other familiar faces. Stanley Fields is a decent mug leaving the rackets, and Grant Mitchell also plays a fantastic evil head of the reform school.

Fields plays Buck, who is on probation and wants to clean up the school. There are some decent curiosities, like hockey footage that resembles a 1939 version of "Slap Shot," and Frankie Burke, the Cagney lookalike (and soundalike) first seen as a young Rocky Sullivan in "Angels with Dirty Faces." His film career lasted only four years but he managed to appear in no less than eighteen films.

As good as Stanley Fields is, it's tough to beat Cagney in "The Mayor of Hell," which also had the advantage of being pre-code. The Dead End Kids take over the movie, with Billy Halop and Leo Gorcey getting the most lines.

Overall, a decent enough movie, but not one you'll be in a rush to view again. Still, decent.

The first of two films in which Ronald Reagan was featured with the Dead End Kids was Hell's Kitchen where after one stint of time in reform school in Crime School, the boys are back in the juvenile joint. The adult players take a distinct back seat to the boys in both these films.

Crime School was an out and out remake of the James Cagney classic The Mayor Of Hell and this one also has aspects of those films in it as well. We've got a self righteous warden of the school in Grant Mitchell who's once again skimming off the tops and treating the kids like dirt. His infamous cooler is an old meat locker where he locks the kids in to 'cool' them off. When one of them dies, it all hits the fan.

Challenging him for control of the institution is paroled racketeer, Stanley Fields who is playing his role like a cut rate Wallace Beery. Ronald Reagan is his nephew and Margaret Lindsay is the secretary of the school under Mitchell and who is ready to quit when Caesar arrives on the scene.

Jack Warner must have really been in a bind here because he even acknowledges a hit film from another studio. One of the reforms that Fields wants to bring in is a kind of self governing institution by the kids like Father Flanagan's Boys Town. In fact I'm sure that's why this film was made, to cash in on the success of Boys Town.

No Oscar winning performances here though like Spencer Tracy's. Still it's entertaining enough.

Once again RONALD REAGAN is involved with The Dead End Kids, only this time the romantic interest is supplied by MARGARET LINDSAY rather than ANN SHERIDAN. Otherwise, the plot here resembles the studio's other Dead End Kids entry, ANGELS WASH THEIR FACES produced the same year, in that the Kids put the bad man on trial and eventually put him out of business.

GRANT WITHERS is the corrupt principal of a reform school who uses dirty tactics to keep his kids in line, even to the point of punishing a sick kid who fails to survive solitary confinement. It's up to Ronald Reagan, on the good side of the law with Margaret Lindsay, to urge the boys not to take vigilante justice.

Warner Bros. apparently intended this to be a showcase, not for Reagan or Lindsay, but The Dead End Kids who get all the prominence in the script. It's all got a familiar ring, but is directed in brisk style by Lewis Seiler and is lively enough to hold the interest.

Nevertheless, it never rises above the ordinary and the overall impression is that of a formula crime melodrama, the kind that Warners churned out pretty frequently in the late '30s and early '40s.

The Dead End Kids are unfortunate residents of the crookedly run Hudson Boys Shelter. Paroled gangster Buck Ceaser is advised by his lawyer nephew that making a contribution to the shelter would be good for his image. For a while conditions at the shelter improve, but Krispen, the shelters warden, fears the contributions from Caeser might raise suspicion, and lead to an audit. An audit is the last thing Krispen wants. Krispen fears an audit would certainly expose his clever graft scheme. Krispen arranges for Ceaser to get into a fight, thus violating his parole. With Caeser out of the way, Krispen returns to his iron fist rule over the boys. Krispens favorite punishment is locking unruly boys in "the cooler." When Joey (Bobby Jorden) causes Krispens wrath, he locks Joey in the cooler. Joey, a weak sickly boy dies as result of his stretch in the cooler. Krispen arranges a private funeral. At the funeral the arrogant Krispen delivers an eulogy that blames the boys. This causes the boys to revolt and take control of the shelter. The boys put Krispen on a mock trial. The Verdict: Krispen is to "join Joey." This is my favorite Dead End Kids film. The boys are all in top form and they overshadow the films star lead Ronald Reagan. Frankie Burke, who played James Cagney as a boy in ANGELS WITH DIRTY FACES, plays a member of the gang in this one. His resemblance to James Cagney was uncanny.

Crime boss Buck Caesar gets a suspended sentence. Supported by his nephew and lawyer Jim Donahue (Ronald Reagan), he decides to go legit. His criminal minions are not so supportive. Jim suggests contributing to a reform school for boys. Unbeknownst to them, the place is a cruel place run by Krispan. He fires caring teacher Beth Avery which happens to be seen by Buck and Jim. Buck is taking over. He intends to reform the reform school.

It's the "Dead End" kids. It's their third movie. The subject matter is still serious with some moments of humor. It has the stiff acting of Ronald Reagan. He's the quintessential square jaw actor. Leo Gorcey and Huntz Hall are still only two of the boys. It's good standard Dead End Kids.

The fact that this is a remake of a 1933 film and a reworking of a film made in 1938 is not that unusual for Warner Brothers. Often they remade films only a year or two or three later. Other studios often did the same but Warner seemed to do it a lot.

In spite of this being a remake, and I usually hate remakes, I found I enjoyed this every bit as much as the other two films--perhaps a little more. This is because instead of the tough guys Cagney or Bogart playing the lead, this one had Stanley Fields who brought an entirely different element. He was much larger and scarier looking but also had a comedic edge to him--sort of like a big criminal teddy bear!! The only part that didn't work for me was the whole hockey team angle--that was weird and the street kids seemed practically like champion skaters almost immediately! Still, this is an enjoyable Warner film and another chance to see the early (and best) incarnation of the Dead End Kids--a group that morphed and changed a lot over the years as the East Side Kids and the Bowery Boys (which were almost like a parody of the Dead End Kids). Well worth seeing.

The Dean End Kids are fine - Led by Billy Halop, the "kids" perform well. In fact, they are better in this "juvenile delinquent" genre than many others. Mr. Halop is strong, with Leo Gorcey, Gabe Dell and the others; they work well as a team. It looks like Bobby Jordan is directed (Lewis Seiler) to overplay, but he is endearing.

The "Adults" are not so good. Stanley Fields is okay, but his performance doesn't belong in this movie. Ronald Reagan isn't very good, with a performance that may not belong in any movie. Margaret Lindsay is pretty. Some of the performances are inappropriately comic.

There is a reference in this film to MGM's "Boys Town" (1938), which invites comparisons. It's direct enough for anyone who as seen the "Boys Town" films. The character played by Ms. Lindsay wants to use the techniques successfully employed by Spencer Tracy's character on the "Dead End" kids of "Hell's Kitchen".

The studio took the cheaper route with the "Dead End" series, obviously. The film is not technically competent. For example, a great "West Side Story"-type moment is ruined when the chanting on the soundtrack doesn't match the marching Dead Enders. Actors don't know how to play their parts - or don't play their parts at all. Still, the Dead End Kids make it enjoyable. Their terrific "Trial" for Headmaster Grant Mitchell is a most complete summation of the American justice system. Through all the bad editing, you'll get some suspense and action, too - including a "foul" hockey game, and a fire.

***** Hell's Kitchen (7/3/39) Lewis Seiler ~ Billy Halop, Bobby Jordan, Leo Gorcey

When you come down to it, THE DEAD END KIDS were a teenage version of OUR GANG/THE LITTLE RASCALS, only with more trouble on their hands! These guys were a phenom when they all made their debut in the iconic DEAD END (1937) for Warner Brothers. And it's not to say, as I have mentioned in my last review, that they didn't drive ole Jack Warner and company bonkers with their antics, both on and off the screen! That said, the kids had an immense amount of talent, of course lead by the outrageous Leo Gorcey! Gorcey admitted in a 1960s radio interview (on YOUTUBE) that they did a lot of crazy stuff on the lot and were very lucky. No one in Hollywood had ever seen their likes before, and perhaps that was made them so original. Here, the gang goes after distinguished Grant Mitchell, who runs a reformatory like a prison. This scenario is not new by any means, but it makes for some dynamic confrontations, including poor Bobby Jordon being locked in a freezer by Mitchell and eventually dying.

The kids are aided by Stanley Fields (as Buck) a Runyanesque character if there ever was one, playing a reformed gangster himself who steals a lot of scenes here! Fields was in high demand throughout the 1930s up until his sudden death in 1941. This film marks Ronald Reagan's first appearance with the Dead End Kids, portraying Jim, a social worker who is watching over the boys. It was either Gorcey or Huntz Hall, in later years, that said Reagan (behind the scenes) was originally a bit scared of them and kept his distance! At least in this film. Beautiful Margaret Lindsay plays Beth, the other social worker and, of course, love interest for Reagan. There are some publicity shots of Lindsay and Gorcey kidding around and look like they are genuinely enjoying each others company (she was not married at the time!), so there are two sides to a story! Gorcey also said he had a crush on Ann Sheridan, who he worked with at WB. Also the great Vera Lewis is in the cast as Sarah, who majored in matronly roles for decades, later to appear in the Bowery Boys SPOOK BUSTERS as a mean old lady! She was in many classics. Note the cool names the guys have; Gorcey plays Gyp, Hall plays Bingo and Gabe Dell as Ace. This was directed by veteran German silent film director EA DuPont, who did a superb job, especially with the powerful ending. Always on Warner Brothers box set dvd.

Stanley Fields is convicted of being a racketeer, but gets a suspended sentence, thanks to his nephew, lawyer Ronald Reagan, on the promise he rehabilitate himself. He starts to make good by quitting the rackets, and takes on a reform school inhabited by the Dead End Kids and run by mealy-mouthed bad guy Grant Mitchell. But old associates who don't wish to give up easy money, and the lack of donations once Fields is in charge keep the movie chugging along.

Mark Hellinger's first movie production, nicknamed "Hellinger's Kitchen" by the Hollywood press, had some issues. E. A. Dupont was fired as director after he slapped a kid; he spent most of the next decade as a talent agent. Lewis Sailor finished up the job, but it's a surprisingly violent movie. The most surprising thing about it are the visuals, strikingly lit by the inimitable Charles Rosher. Fields is surprisingly good in a layered role, and the cast is filled out by Warner's usual B list, including Margaret Lindsay.

Dead End kids may get the billing, but it's really Stanley Fields' (Buck) movie. A Wallace Beery look-a-like, his fractured English and Runyonesque manner hit the right notes for what is really a soft hearted gangster. Seems he's got to help out at a boy's home or he's off probation and into the slammer. Trouble is the boys' home is run by cruel supervisor Krispan (Grant Mitchell in a fine performance), who's also skimming money from donors. So Buck uses gang money to buy in and run the home in a more humane manner. But the scheming Krispan's got other ideas.

The subplot here is interesting since it's the wayward boys and the soft-hearted gangster who come across as humane and just, while the politically connected, respectable guy is the real crook. It's sort of a reversal of what is usually expected, but perhaps not unusual for the restive 1930's.

Anyway, Bobby Jordan (Tony) shows his chops in a nicely calibrated emotional scene, while Gorcey (Gyp) does his tough guy bit, and Halop shows leadership abilities. Surprisingly, Huntz Hall (Bingo) has a secondary, non-comedic role, unlike his later dominating role in the long- running series. Reagan fans may be disappointed since his is also a secondary role, but at least he gets the girl as played by the fetching Margaret Lindsey.

All in all, the movie's an entertaining combo of serious themes seasoned with humor. However that hokey hockey game looked anything but real since there was neither officiating nor penalties for roughhousing. But that's a relatively minor point in an otherwise well executed production.

Hell's Kitchen (1939)

** 1/2 (out of 4)

The Dead End Kids star in this remake of The Mayor of Hell and Crime School. This time out (again) a gangster (Stanley Fields) gets out of going to prison but he must do good in the community so he gets involved with a reform school where he soon learns that the owner is abusing the boys. If you've seen either of the previous versions then you won't be shocked by anything that happens here but Fields is good enough to raise the material to a watchable level. There's several failed attempts at humor, which brings the film down some but the drama is pretty strong throughout. Ronald Reagan plays Fields lawyer.