IMDb RATING
6.6/10
5.1K
YOUR RATING
A doctor washes ashore on an island inhabited by little people.A doctor washes ashore on an island inhabited by little people.A doctor washes ashore on an island inhabited by little people.
- Nominated for 2 Oscars
- 2 wins & 2 nominations total
Jessica Dragonette
- Princess Glory
- (singing voice)
Lanny Ross
- Prince David
- (singing voice)
Pinto Colvig
- Gabby
- (voice)
- (uncredited)
Cal Howard
- Prince David
- (voice)
- (uncredited)
Jack Mercer
- King Little
- (voice)
- (uncredited)
Joseph Oriolo
- Italian Barber
- (uncredited)
Sam Parker
- Gulliver
- (voice)
- (uncredited)
Tedd Pierce
- King Bombo
- (voice)
- (uncredited)
Livonia Warren
- Princess Glory
- (voice)
- (uncredited)
Storyline
Did you know
- TriviaThis was the first animated film in which any actor's voice is credited. Disney did not give screen credit to any of the actors who voiced the characters in their animated films.
- GoofsWhen Gulliver is at the sea side after he tucks King Little and the others in at the table, you can see a lighthouse to his left. He sits up and puts the lighthouse on his right. All the time Gulliver is seen from the front the lighthouse is there, but when it's moved to a shot from behind him at the end of the scene, the lighthouse disappears completely.
- Quotes
[first title card]
Scroll: I, Lemuel Gulliver, give thee a most faithful history of my most interesting adventure in the south sea. On the 5th day of November, 1699, having reached latitude 30 degrees - two minutes south - a storm of great fury suddenly,
[the rest cannot be seen]
- Alternate versionsMany early UK video prints do not include the scene where Gabby and the townsfolk are standing on a sleeping Gulliver's chest, unaware of their situation and puzzled as to where he has gone. There are also some badly edited UK video prints which run at about 60 minutes.
- ConnectionsEdited into The History of the Hands (2016)
Featured review
I've seen this many times over the years, and it's one of my absolute favorites. Some folks seem to think the Fleischers have to take a back seat to Disney.
NOT !!
They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity.
Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye.
In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s).
"Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters.
I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream.
Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked.
I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".
NOT !!
They were, in many instances ( such as this one), far more inventive than Disney, and their work did not lose touch with common emotions,and had broad-based appeal to all ages, despite technical complexity.
Mickey Mouse will never go off the air. But neither will Betty Boop or Popeye.
In its own special way, "Gulliver's Travels" rivals the Disney features with its complexity, and its lack of laziness. If you really look at it, and keep in mind that this is animation done by hand...the old fashioned way, you will have a keener appreciation for the hard work that went into it. In those days, Disney and the Fleischers had to run the studios like a factory. It took teams of men in units and working shifts to concentrate on just the movements of the characters to make them appear lifelike (not like the computer animation of to-day, or even the TV animation of UPA or Hanna-Barbera in the 1950s).
"Roto-scoping", a process invented by the Fleischers, made the task that much more daunting. But the Fleischers had to be "perfectionists/masochists". The love of their craft shows in the movements, the backgrounds, the stories, and the music...not to mention the characters.
I am truly taken with the score. It is warm and dreamy and romantic....tearful to some. Some folks can't get with it, but it's a shame we don't don't hear much real music like that anymore in the mainstream.
Win Sharples and Victor Young did a very fine job...one of the best of All cartoon scores. Work on this film appears to have gotten Win Sharples the scoring job for the Fleischers, one he held down after the Fleischers were given the gate by Paramount, and which he continued to hold until Famous Studios was padlocked.
I can't recommend this feature highly enough. It's good clean fun, an accurate character study, terrific music, animation...the "whole nine".
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Gulliver'in seyahati
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $700,000 (estimated)
- Runtime1 hour 16 minutes
- Aspect ratio
- 1.37 : 1
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