IMDb RATING
7.5/10
6.7K
YOUR RATING
Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.
- Nominated for 2 Oscars
- 2 nominations total
G.P. Huntley
- Augustus Brandon
- (as George P. Huntley)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the film's world premiere, the first reel of the 1926 silent version of "Beau Geste" was shown just before the entire 1939 sound version, in an effort to demonstrate how far films had advanced in thirteen years. This almost backfired because the film apparently, followed the 1926 one extremely closely, and some of the first-night critics were annoyed, rather than pleased at this, feeling that this remake should have been more imaginative. However, this did not keep it from becoming a smash hit and a film classic.
- GoofsWhen the "Blue Water" is stolen with the lights out it appears pitch black, but that can't be correct because there is a bright fire burning in the fireplace.
- Quotes
[last lines]
[after she reads the letter Beau had written to explain what happened to the jewel - he has signed the letter with his name - she reads...]
Lady Patricia Brandon: "Beau Geste"
Lady Patricia Brandon: [to John] Beau Geste... gallant gesture. We didn't name him wrong, did we?
- Crazy creditsOpening credits prologue: "The love of a man for a woman wanes and waxes like the moon . . . but the love of brother for brother is steadfast as the stars, and endures like the word of the prophet."
. . . Arabian Proverb.
- ConnectionsEdited into The Last Remake of Beau Geste (1977)
Featured review
Three brothers join the Foreign Legion following the mysterious disappearance of a valuable sapphire.
This movie came out the same year (1939) as that other masterpiece of colonial adventure, The Four Feathers. Both make first-rate use of family bonds and family honor to create a strong emotional context to all the colorful combat. Those bonds really work here, establishing a strong sense of one for all and all for one. Plus the fact that the brothers have been adopted by the kindly Lady Brandon (Thatcher) not only lends poignancy, but makes the central twist work really well.
As good as Cooper-Milland-Foster are, it's really Donlevy's movie. His cruel martinet has stayed with me over the decades—the military haircut, the perfectly squared shoulders, the command voice. He not only commands his legionnaires, he commands the movie, as well. And, when he falls, I still have mixed emotions, despite his many acts of cruelty. It's a crackling good story, but it's his imposing presence that makes the adventure memorable. No wonder Donlevy was Oscar-nominated, a near-perfect blend of character and actor.
Two minor reservations. Cooper's fine in Beau's role, more animated than usual. However, at nearly forty, he appears a shade too old for the youthful part. Also, I've never been able to reconcile to the relative ease with which the mutiny is put down. There's like five guys with guns facing a hundred guys who stand to be executed for their planned mutiny, yet they meekly give up, especially after Schwartz (the great Albert Dekker) has so powerfully roused them to action. To me, director Wellman's staging here is less than convincing.
Nonetheless, the mix of mystery, emotion and action remains superbly entertaining, and is ironically, one of the few movies that actually lives up to its title.
This movie came out the same year (1939) as that other masterpiece of colonial adventure, The Four Feathers. Both make first-rate use of family bonds and family honor to create a strong emotional context to all the colorful combat. Those bonds really work here, establishing a strong sense of one for all and all for one. Plus the fact that the brothers have been adopted by the kindly Lady Brandon (Thatcher) not only lends poignancy, but makes the central twist work really well.
As good as Cooper-Milland-Foster are, it's really Donlevy's movie. His cruel martinet has stayed with me over the decades—the military haircut, the perfectly squared shoulders, the command voice. He not only commands his legionnaires, he commands the movie, as well. And, when he falls, I still have mixed emotions, despite his many acts of cruelty. It's a crackling good story, but it's his imposing presence that makes the adventure memorable. No wonder Donlevy was Oscar-nominated, a near-perfect blend of character and actor.
Two minor reservations. Cooper's fine in Beau's role, more animated than usual. However, at nearly forty, he appears a shade too old for the youthful part. Also, I've never been able to reconcile to the relative ease with which the mutiny is put down. There's like five guys with guns facing a hundred guys who stand to be executed for their planned mutiny, yet they meekly give up, especially after Schwartz (the great Albert Dekker) has so powerfully roused them to action. To me, director Wellman's staging here is less than convincing.
Nonetheless, the mix of mystery, emotion and action remains superbly entertaining, and is ironically, one of the few movies that actually lives up to its title.
- dougdoepke
- Apr 30, 2011
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Details
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1
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