User reviews

RKO Studios in 1939 made a real honey of a B western in a remake of their earlier classic, The Lost Patrol. This one could easily have been entitled The Lost Posse.

Leading the posse going out into the Bad Lands in pursuit of a fugitive who is also a mixed race white and Indian is sheriff Robert Barrat who normally did not play roles as decent as he is here. He's got a collection of emergency deputies who are not some of the best of God's creations.

The posse after some days in the Arizona desert finally gets to a water hole and they rest up for a spell. They probably needed, surely their horses did. But the Apache Indians gather and soon begin picking off the posse members one at a time. Tension mounts with the men of the posse and we learn quite a bit about the character of the members.

Oh and one other thing. One of the reasons out intrepid band lingers is that while at the oasis, two of them who are normally prospectors, Andy Clyde and Francis Ford, discover a rich vein of silver. That brings the greed out on top of everything else. That's a twist that wasn't in The Lost Patrol.

Besides those mentioned such folks as Noah Beery, Jr., Paul Hurst, Addison Richards, Douglas Walton, Francis McDonald, and Robert Coote are in the cast. This may be a B western, but it's not one for the Saturday matinée kiddie trade. The reason the posse is chasing their culprit is that he's guilty of rape, not a subject normally covered by Roy Rogers or Gene Autry in their films.

The film is directed by B western movie veteran Lew Landers and moves at a nice brisk pace. Bad Lands may not have any marquee movie names, but it does have a great story and a more than competent cast.

To say that "Bad Lands" is a remake of "The Lost Patrol" isn't exactly the case--it's more a case of a reworking of this earlier film. So many things have been changed (the location, the enemy, the discovery of silver, etc.) that it is worth seeing on its own. Oddly, however, I am not sure why I recorded it to watch later--but as long as I did, I decided to give it a try--mostly because I liked the no-name cast. Several of the actors (in particular, Robert Barrat) were very good supporting actors who never got a lot of fame--and it's nice to see him in a starring role. Plus, while it is a B-movie (with a low budget and relatively low production values), it has a more adult theme and style than the average B-western. As another reviewer put it, you won't find this theme in a Roy Rogers or Gene Autry film!

A posse tracks a man who is accused of rape into the desert. Eventually they find an oasis where they strike camp. Soon, a couple in the party discover a huge bein of silver and they imagine great wealth. However, when someone steals their horses and then they are attacked, it looks like their find is in vain (vein....get it? Oh, never mind...it's not that funny). Can any of them escape with their lives...let alone claim the silver?

While there are obvious similarities to "The Lost Patrol", one obvious improvement is in the characterizations. While John Ford was a genius director, in "The Lost Patrol" the characters (particularly the obviously insane Boris Karloff--who chewed scenery unmercifully in this film) were often far from subtle in their portrayals. While it's considered a minor classic, several reviewers (including myself) think it's aged poorly because of this. While lacking originality, at least "Bad Lands" does not have the cartoony characters the other film had. As a result, I actually preferred "Bad Lands"--as it offered more bang for the buck and excelled in its realistic portrayals--even if it is a tad slow.

"Bad Lands" is one of those rare movies that features no big-name actors in the cast ("The Mask of Demetrius" comes to mind as another example). That is not to say that the cast is composed of unknown actors or amateurs. Instead, the entire cast is made up of actors with well-known faces that appeared in hundreds of films, though usually in supporting roles. However, it is probably just as well that no well-known star, such as John Wayne or Randolph Scott, was placed at the head of this cast, because their presence would only have served to overbalance things, and ruin the ensemble nature of the story.

Yes, it is granted that "Bad Lands" is a western redo of John Ford's famous 1934 film, "The Lost Patrol". The basic plot of "The Lost Patrol", which is so well known that it scarcely needs mention, seems to have been a favorite source for story-lines in Hollywood in those days, and particularly during the early days of World War II, when it was recycled in such films as "Bataan" and "Sahara". And yes, it is granted that "Bad Lands" was produced as a relatively low-budget B-picture, and was further handicapped by being limited to a running time of only a little over an hour. Nevertheless, it is definitely a very superior B-picture, and one of the better re- hashes of the now-cliché "The Lost Patrol" story, which was not yet regarded as so much of a cliché in 1939.

Like a lot of movies produced during the 1930s, "Bad Lands" would never be remade today in the same form because it would be regarded as far too politically incorrect. The "Native Americans" are depicted unequivocally as bad guys, and the only "Latino" in the cast is depicted as being off his head (although the fact that his wife had recently been raped and murdered by the bad guy does provide a plausible excuse for his madness). It is also interesting to note that there are no women in the cast, a comparative rarity even in those days, and something the producers would never be permitted to get away with today. In addition, not one of the cast is African American, something else the producers would never be permitted to get away with today.

Although "Bad Lands" is ostensibly an ensemble production, the leader of the cast is played by Robert Barrat, a veteran actor who portrayed a side variety of different types of characters in hundreds of films from the 1910s to the 1960s. Ironically, perhaps his best-remembered performance was in the titular title-role of the well-known 1936 movie version of "The Last of the Mohicans", in which he portrayed a "Native-American".

"Bad Lands" may not be the best or most famous of Western movies, but is better than most, and is still worth a look. This may have been a "B" picture, but it definitely rates as a "B-Plus".

One would think that if a reviewer that knows the name and face of an actor in a film (when he is seen), then such reviewers would not go to great lengths in adding little tidbits about that actor, in their review, when that actor...John Payne...is not in the film. John Payne did not play "Apache Jack" in this film. That role was played by a one-and-done actor named Jack Payne. Perhaps those reviewers that pointed out the fabrication John Payne is in this film would go back and edit their reviews. But, the chances are very high that, rather than delete/correct their reviews, they will just mark this with a 'don't like'. Be my guest.

It's 1875 Arizona. Sheriff Bill Cummings (Robert Barrat) leads a posse through the bad lands in search of the renegade Apache Jack. Some are more driven to find Jack who leads them into Indian territory where they find silver. Somebody takes their horses and starts shooting.

The thing that I love the most is the outdoor filming. Initially, I am almost mesmerized by the clouds in the big sky and I don't even pay attention to the characters. I do lose track of some of them. It is dusty and sweaty by definition. There is shooting and horse riding. It ends up being an interesting survival story with good isolation.

Apacheria Land of the Apaches is the setting for this remake of the Lost Patrol which was set in... Iraq! Here frontier characters duel the Apaches and each other for survival in a merciless landscape. Except for the setting and the Americanization of the characters it is a scene by scene retelling of John Ford's film. The cast members are all familiar faces film character actors with the emphasis on actor instead of Star. The film was probably a second feature tryout for its director and some cast members. Solid but not top drawer. A nice change would've been showing the warriors of Apache Jack's band of renegades reactions to their own losses. This film and it's predecessors the Ford film and the Soviet film that may have inspired them Ten would be seen in Zoltan Korda's Sahara with Humphrey Bogart, The Seven Samurai, The Magnificent Seven, Duel at Diablo,and Ulzana's Raid.

A posse of cowboys is on the trail of Apache Jack, wanted for the rape of one of said posse - Francis McDonald (Lopez). The film is set in the Arizona desert as the cowboys pursue their target, enduring the harsh conditions of the outdoors and stumbling across an area with deposits of silver which stokes up greed and new dreams. However, the Apache Indians are aware of their location and the posse know it as they can see the smoke signals. They are also losing their men - one by one. Who will be the last man standing?

I like these types of films where you try to guess who will survive and you won't. Unfortunately, these characters just fall short of being interesting enough to care about. We get the obligatory annoying comedy characters and just as one of them was getting really irritating - "Bang". That was a really welcome elimination from the cast. Sheriff Robert Barratt is laughably wooden throughout the film and the appearance of the Indians at the end is somewhat ludicrous as they look like middle-aged inept white guys browned up to look Indian. It's completely unrealistic. I must also mention that Apache Jack is NOT played by John Payne as several reviewers have mentioned. His appearance at the end is what we have been waiting for. Unfortunately, the film ends with the wrong survivor. It sort of makes the whole film not worth it.

A topnotch ensemble cast and brilliant photography by Frank Redman make this little-known RKO western a sleeper that can only be compared to John Ford's Stagecoach, released the same year.

A posse pursues Apache Jack (played by John Payne) into the dessert, in a western variation of The Lost Patrol. The result is a nice variety of types played by veteran -- and up-and-coming -- character actors.

While Ford had begun using Monument Valley at this time, this movie was shot at Mount Whitney -- after seeing it in a hundred movies from Gunga Din, released the same year, on downward, you get so you can recognize the boulders. But while the prints of Ford's movie are pretty battered, this one is nearly pristine: the beautiful shadows producing shots like Hurrell portraits. See what a black and white movie is supposed to look like!

So this goes to the top of my list of sleepers. If you get a chance to see it, do so and let me know what you think.

The production certainly saves on make-up since there's not a woman in sight. It's all about a 10-man posse setting out after a bad man, but ending up mouse-trapped by Apaches in dry desert badlands. The movie plays much better if you haven't seen The Lost Patrol (1934) of which this is a virtual remake with a transposed setting. The premise is a good one as we get to know the posse members before they get picked off by the shadowy Apaches. Barrat is excellent as the stalwart sheriff, showing why he was such a fixture in movies of the 30's and 40's. Addison Richards shines too, as a tough guy, before becoming the more familiar silver- haired business executive of the 40's and 50's. And, of course, there's the lugubrious Andy Clyde, along with a rather shifty Noah Beery Jr. of Rockford Files fame.

Unfortunately, the wagon-load of tension coming from the premise is not equaled on screen since events unfold rather loosely, without the kind of tension that John Ford gets, for example, in The Lost Patrol. As a result, the movie is more interesting than riveting; at the same time, when pay-off's occur, there's not the involvement that makes for memorable viewing. And I think it a mistake for both this film and the 1934 one to show the attackers in the end. Instead, let them remain an unseen "force of nature" since that's how they're portrayed to that point. Nonetheless, this is a Western that certainly doesn't follow the formula horse operas of the day.

In passing—I don't know if it's the presence of Paul Hurst and Francis Ford or maybe the posse theme, but the movie reminds me in ways of the classic Ox-Bow Incident of 1943.

Western stories are one of my best enjoyments, however, Bad Lands 1939 just did not hold my attention at all, the only two actors in this film who carried the picture on their backs were, Noah Beery Jr.,(Chick Layman) "Riverboat" '59 TV Series, who was the son of veteran actor Wallace Berry. The other actor, John Payne (Apache Jack) "Tin Pan Alley '40 who was a singer in many film musicals in the 20's. John Payne and Noah Beery were just starting out in their film career's and if you like these actors, the film is worth watching.

I am so amazed by this Lew Landers's film, so terrific from such a prolific grade B director. I am still astonished. It looks like an Edward L Cahn from the thirties, his best period. It's a posse western, with a solid and riveting body count, solid characterization and solid story. Yes, I can't realize that Lew Landers made this, for RKO pictures. It is painful to realize that so many lost films from this era still remain in vaults, somewhere in warehouses, in a remote suburb...Movie passion saves so many surprises, and this one is the best example. I won't say it looks like a John Ford's movie but not so far from THE LOST PATROL, which was not exactly a western but not far either.

If you didn't know this was a remake of "The Lost Patrol" it might be passable, but that picture had tension, a better script and had some big Hollywood names in key roles. "Bad Lands" is a pale imitation in every respect - maybe the Foreign Legion is a better setting for the story, instead of the Old West.

The cast of character actors assembled here, especially Robert Barrat and Addison Richards, try mightily but don't have the starpower of Boris Karloff, Victor McLaglen and Reginald Denny. And Robert Coote? what is a Brit with a distinctly British accent doing in the old west? Peculiar, but not enough to offset the steady stream of talk and more talk that riddles the movie. The only repeat performer from "Lost Patrol" to "Bad Lands" is Douglas Walton, who played a young, effete British soldier in the former and here plays a young, effete cowboy - same role, different backdrop.

I am second to no one in my affection for westerns, but this might have needed a different director and screenwriter to punch it up. "The Lost Patrol" was made in 1934 - what a difference four years can make.