Olympia Part Two: Festival of Beauty

Original title: Olympia 2. Teil - Fest der Schönheit

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Olympia Part Two: Festival of Beauty (1938)

The document of the 1936 Olympics at Berlin, orchestrated as Nazi propaganda.The document of the 1936 Olympics at Berlin, orchestrated as Nazi propaganda.The document of the 1936 Olympics at Berlin, orchestrated as Nazi propaganda.

See production info at IMDbPro

IMDb RATING

7.6/10

4.5K

YOUR RATING

See production info at IMDbPro

Awards
- 1 win total

Trivia
Leni Riefenstahl's visit to the United States in 1938 was mainly aimed at finding a US distributor for the film. Faced with fierce protests from many American organizations, in particular the 'Anti-Nazi League', her plan never came to fruition. The first screening in the United States was organised in Chicago in November 1938 by Avery Brundage, president of the US Olympic Committee and an ardent Nazi sympathiser. The private reception was hosted by Mrs. Claire Dux Swift, ex-wife of the German film star Hans Albers. The second screening (also private) took place on 14th December 1938 at the California Club in presence of Olympic medalists and screen Tarzans Johnny Weissmuller and Glenn Morris (Riefenstahl's ex-lover), as well as Olympic diver Marjorie Gestring. For this screening, Riefenstahl submitted a copy where she had edited out almost all the scenes featuring Hitler.

Goofs
Just after Speer's 'Lichtdom' or Cathedral of Light is revealed, there is a procession of flags. The 7th flag, that of Portugal, is hung upside down on its pole. The same mistake is shown again a few seconds later as the wreaths are placed on the finials.

Alternate versions
It is well known that both parts of Olympia were made in three language versions - English, French, and German. Less well known is that each version is slightly different from one another. Additionally, at least with the English version, Riefenstahl frequently altered prints. The prints distributed on 16mm film in the 1960s did not have a boxing sequence, whereas current prints do (although the dialogue for the boxing sequence is in German). Even less well known is that upon its original release in the United States (1940), the Diving Sequence was about 1 minute longer than its current version (attentive soundtrack listeners can clearly hear the abrupt break in the music). This longer version of the Diving Sequence can be seen at the Anthology Film Archives (whose print comes from Raymond Rohauer) and the Museum of Modern Art, both in New York City.

Connections
Featured in Ai yori ai e (1938)

User reviews23

Review

Featured review

9/10

Template for other documentaries, yet much more beautiful.

I watched this film in my International Cinema class, and it was quite interesting. The movie starts out rather oddly, with naked bathing men and about 8 dialogue-free minutes of various people working out. The best part of this film (for me) is near the end. It was the men's high-dive section. Leni set the camera up under the divers and, as they fall, they look as if they're flying. The viewer loses almost all sense of which way is down as they watch the diver tumbling/soaring through the air.

Another enjoyable part is the horse-riding section, which plays out similar to an ESPN blooper reel, with riders falling from their horses on difficult jumps. But in this film, it's much more gorgeous through the help of slow motion and fairly tight framing.

All in all, a well crafted documentary.