IMDb RATING
7.2/10
4.2K
YOUR RATING
When a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.When a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.When a woman's twin sister is drowned, she assumes her identity in order to be close to the man she feels her sister took from her years before.
- Nominated for 1 Oscar
- 1 nomination total
Charles Ruggles
- Freddie Linley
- (as Charlie Ruggles)
Audley Anderson
- Reel Dancer
- (uncredited)
Sam Ash
- Motor Boat Operator
- (uncredited)
Mary Bayless
- Wedding Reception Guest
- (uncredited)
Edward Biby
- Art Patron
- (uncredited)
Monte Blue
- Mr. Lippencott
- (uncredited)
Harlan Briggs
- Fisherman
- (uncredited)
Lillian Bronson
- Gushy Woman
- (uncredited)
Nora Bush
- Townswoman at Barn Dance
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film, along with his previous post-war picture, Gilda (1946), relaunched Glenn Ford's career after spending two years in the U.S. Marines during World War II.
- GoofsAdmittedly the special effects/trick photography are superb in this film, especially for its time, there is a moment, just after Kate hands Pat a lit match, when Kate turns transparent. It's when she's behind the chair Pat's sitting in, and moves off to our right. As she starts her move, her waist becomes transparent for just a half second, and we can see the bed behind her through her hip and waist area.
- Quotes
Kate Bosworth: Lonely people want friends. They have to search very hard for them. It's difficult for them to find...
Bill Emerson: Other lonely people.
- ConnectionsFeatured in Okay for Sound (1946)
- SoundtracksThe Sailor's Hornpipe
(uncredited)
Traditional
Featured review
Davis fans get to double their fun in this well-crafted soaper. At the same time, the plot remains something of a stretch. Can twin Katie finally find happiness impersonating identical twin Pat. As herself, poor Katie is lonely, timid, and searching for an identity. Most of the time she spends folding her need into art painting. At the same time, twin Pat is outgoing, self-assured and bold; in short, Pat's everything Katie isn't. Nonetheless, Katie's future brightens when she meets what appears her soul-mate, Bill (Ford), on a lighthouse island. But then Bill meets seductive Pat, and they marry leaving poor Katie alone again. Now Katie faces a bleak future until fate intervenes and she must suddenly impersonate her twin. As Pat, however, the timid Katie discovers abilities she didn't know she had. But will these come at the cost of losing the subtle appeal that first charmed Bill. In effect Katie now lives a life stolen from Pat, but at what cost.
What impresses me most is WB's craftsmanship- the howling seas, the ace photography, and especially the undetectable doubling of Davis in the same shot. In those technologically lesser days (1946), I thought doubling in the same shot could only be done by splitting the film so that some distance on screen had to remain between the doubles. Here, however, that distance is often erased. I wish IMDB had some info on how they did it.
Acting-wise it's a Davis showcase, but the studio backs up its star in fine fashion. Speaking of Davis, she's mostly without her sometime theatrics, conveying the twins' personality differences in fairly subtle fashion. Ford too is well cast as an apparently sensitive working man, who nevertheless jilts sensitive Katie for philandering Pat. But I have to wonder about Dane Clark's arrogant role that appears peripheral to the main plot. Perhaps it's the studio's effort at promoting a promising actor before the public.
All in all, the soaper remains a polished production from Hollywood's golden period, even if the story requires quite a swallow. Meanwhile, Davis fans get to double their fun.
What impresses me most is WB's craftsmanship- the howling seas, the ace photography, and especially the undetectable doubling of Davis in the same shot. In those technologically lesser days (1946), I thought doubling in the same shot could only be done by splitting the film so that some distance on screen had to remain between the doubles. Here, however, that distance is often erased. I wish IMDB had some info on how they did it.
Acting-wise it's a Davis showcase, but the studio backs up its star in fine fashion. Speaking of Davis, she's mostly without her sometime theatrics, conveying the twins' personality differences in fairly subtle fashion. Ford too is well cast as an apparently sensitive working man, who nevertheless jilts sensitive Katie for philandering Pat. But I have to wonder about Dane Clark's arrogant role that appears peripheral to the main plot. Perhaps it's the studio's effort at promoting a promising actor before the public.
All in all, the soaper remains a polished production from Hollywood's golden period, even if the story requires quite a swallow. Meanwhile, Davis fans get to double their fun.
- dougdoepke
- Oct 6, 2018
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Una vida robada
- Filming locations
- Laguna Beach, California, USA(Painting scene on oceanside rocks)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 49 minutes
- Color
- Aspect ratio
- 1.37 : 1
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