Shiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.Shiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.Shiftless playboy Tom Collier meets photographer Christie Sage, takes over ownership of a liberal magazine, proposes to Christie but she declines. Scheming Cecelia Henry marries Tom.
John Alvin
- Announcer
- (uncredited)
Sig Arno
- Poppa Diaduska
- (uncredited)
Lynn Baggett
- Party Guest
- (uncredited)
William 'Billy' Benedict
- Stakey
- (uncredited)
Edward Biby
- Newspaper Buyer
- (uncredited)
Gertrude Carr
- Party Guest
- (uncredited)
Frank Coghlan Jr.
- Telegraph Boy
- (uncredited)
Storyline
Did you know
- TriviaOlivia de Havilland rejected this project and was put on suspension by Warner Bros. for the fifth time in three years. She would soon file a lawsuit against the studio that would eventually result in the De Havilland Law (California Labor Code Section 2855).
- GoofsChristie says she has written the articles exposing manufacturers who sell faulty products to the government. She is a photographer, not a writer, much less an investigative reporter, and does not have the skills or the contacts to write such articles.
- Quotes
Aunt Edna Collier: I wasn't born yesterday you know.
Pat Regan: Well certainly the day before.
- ConnectionsVersion of The Animal Kingdom (1932)
Featured review
Warner Bros. apparently tried to buy up and/or surpress all existing prints of the zingy pre-code classic THE ANIMAL KINGDOM (1932) when they decided to remake it as ONE MORE TOMORROW (1946). And no wonder--this turgid remake definitely suffers the comparison. While adding a bit of the Warner Bros. panache and moving a bit more quickly (the earlier version was more faithful to the original stage play, and thus more talky), ONE MORE TOMORROW takes out all the zing, bite, and--most disturbingly--the very real human grappling with opposite desires--that THE ANIMAL KINGDOM managed to transpose so successfully to the screen from Philip Barry's equally successful play. Barry, the author of such gems as HOLIDAY and THE PHILADELPHIA STORY, seemed fascinated with the moral dilemmas faced by the rich and the not so rich as they struggle to come to terms with who--and what--is the most important guiding force in their lives. Unfortunately, the production code forced Warner Bros. to temper the life out of Barry's still timely ideas about the perils of "selling out" in love and business. The result is, sadly, a film that plays as a standard Warner Bros. soaper, with little emotional or mental involvement involved. If you're a fan of stars Smith, Morgan, and Sheridan (who all do the best they can with the material), you'll want to see this one. If you're more interested in the idea behind it, or in Philip Barry, check out the infinitely superior THE ANIMAL KINGDOM--an unjustly forgotten precode classic guaranteed to appeal to both the heart and mind.
- How long is One More Tomorrow?Powered by Alexa
Details
Box office
- Budget
- $869,000 (estimated)
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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