IMDb RATING
7.1/10
4.3K
YOUR RATING
After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.After marrying her long-lost love, a musician finds the relationship threatened by a wealthy composer who is besotted with her.
John Alban
- Concertgoer
- (uncredited)
Russell Arms
- Music Student
- (uncredited)
Lois Austin
- Norma - Wedding Guest
- (uncredited)
Patricia Barry
- Music Student
- (uncredited)
Brandon Beach
- Concertgoer
- (uncredited)
Lulu Mae Bohrman
- Restaurant Diner
- (uncredited)
Paul Bradley
- Concertgoer
- (uncredited)
James Carlisle
- Restaurant Diner
- (uncredited)
Gertrude Carr
- Wedding Guest
- (uncredited)
James Conaty
- Well-Wisher at Concert
- (uncredited)
Marcelle Corday
- Hat Check Woman
- (uncredited)
Gino Corrado
- Waiter
- (uncredited)
Suzi Crandall
- Music Student
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul Henreid could not play the cello. While he was able to fake it in the long shots, to achieve the illusion in closeup, he wore a special jacket with no sleeves and holes for two real cellists to insert their arms - one to bow, and one to accurately finger the music - while seated behind him, out of shot.
- GoofsWhile Christine, alone in her studio, is talking to Alexander Hollenius on the telephone, the highly visible shadow of a crew member is moving back and forth across the piano behind her.
- Quotes
Alexander Hollenius: [to Christine] Good evening, my dear. Why, you look positively majestic. I think I'd better remain seated.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksHollenius' Cello Concerto
Music by Erich Wolfgang Korngold
Performed by Paul Henreid (dubbed by Eleanor Slatkin)
Featured review
On a recent Turner Classic Movies broadcast, I finally caught up with all of this one, having seen only snippets of it before. Everybody involved was obviously given free rein, from the lead actors all the way through to every behind-the-scenes artisan, the best that Warner Brothers could muster at the time. Claude Rains and Bette Davis spar in magnificent style, with Rains, stroking the fur of his pet Siamese cat, winning by default, since he was given a role which is so over-the-top that, in the hands of a lesser actor, it would have verged on outrageous camp. (Check out the rococo New York brownstone mansion in which he's ensconced, more magnificent than anything a lesser studio could provide for a monarch in a story involving royalty!)
Poor Paul Henreid has a particularly thankless role to play, swinging like an erratic pendulum between jealous tantrums and thoroughly deceived naïveté, but his simulations of the movements of a top-flight cello musician are convincing enough to allow all to be forgiven.
Erich Wolfgang Korngold's music is probably the film's chief asset and it probably sounded superb over the monophonic sound systems when this film was released, since Warners' sound technicians were the best in Hollywood back then. (Unfortunately the soundtrack during the telecast I heard was very wobbly - a real disappointment. Wonder what the problem was, since this certainly isn't the case with many films dating even further into the past.)
While it may not be a delicacy fit for a cinematic gourmet, it's more than passably entertaining for its nearly two-hours running time.
Poor Paul Henreid has a particularly thankless role to play, swinging like an erratic pendulum between jealous tantrums and thoroughly deceived naïveté, but his simulations of the movements of a top-flight cello musician are convincing enough to allow all to be forgiven.
Erich Wolfgang Korngold's music is probably the film's chief asset and it probably sounded superb over the monophonic sound systems when this film was released, since Warners' sound technicians were the best in Hollywood back then. (Unfortunately the soundtrack during the telecast I heard was very wobbly - a real disappointment. Wonder what the problem was, since this certainly isn't the case with many films dating even further into the past.)
While it may not be a delicacy fit for a cinematic gourmet, it's more than passably entertaining for its nearly two-hours running time.
- gregcouture
- Nov 9, 2004
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Details
- Runtime1 hour 55 minutes
- Color
- Aspect ratio
- 1.37 : 1
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