IMDb RATING
6.6/10
1.4K
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The misadventures of a group of diverse guests at the Waldorf Astoria hotel in Manhattan.The misadventures of a group of diverse guests at the Waldorf Astoria hotel in Manhattan.The misadventures of a group of diverse guests at the Waldorf Astoria hotel in Manhattan.
Storyline
Did you know
- Trivia'The first "on location" movie filmed outside the Hollywood studios sets' according to a plaque at the Waldorf Astoria. The movie continually plays on a monitor near the registration desk at the Waldorf.
- GoofsWhile Chip and Irene argue at the breakfast table in her room, Chip is shown putting butter or jam on his toast with a knife in his right hand. In the next shot, Chip has his right hand in his pocket.
- Quotes
Martin X. Edley: [open's hotel room door] Well, Angel Face, come into my parlor.
Bunny Smith: Yes, Mr Spider.
- Crazy creditsThe opening cast credits display the principal roles by actor, character name and the character's occupation.
- ConnectionsReferenced in The Great Morgan (1946)
- SoundtracksAnd There You Are
Music by Sammy Fain
Lyrics by Ted Koehler
Performed by Xavier Cugat and His Orchestra (uncredited) and sung by Bob Graham (uncredited)
[Bob Graham sings the song as part of Xavier Cugat's musical set at the Starlight]
Featured review
MGM updated its "Grand Hotel" storyline, gave the four principal roles to Walter Pigeon, Ginger Rogers, Lana Turner and Van Johnson, set them in some plush hotel surroundings amid a not too involving weekend situation and just let things coast along merrily. When the story sags a little, they even bring in Xavier Cugat and his Orchestra for a Starlight Roof floor show. None of it seems real, not for a moment, but it's all as light as the frosting on a cake and no one expects you to shed any tears as they did with the original story.
The ladies have the camera in love with them most of the time. Rogers and Turner are both seen at their photogenic best and give assured performances in roles that require a modicum of thespian talent.
Rogers gives the more effortless portrayal, clearly having a good time when she finds herself in a situation not far removed from those she shared with Fred Astaire in many an RKO romantic comedy. Turner is there for eye candy and little else. Van Johnson is enthusiastically boyish as the Army man concerned about his health and Walter Pigeon is as debonair as always as a pipe smoking war correspondent who has marriage on his mind with Rogers as his prospective bride.
It's all photographed in dreamy MGM style, everything smoothly crisp with the story shifting back and forth between a couple of minor sub-plots involving Edward Arnold, Phyllis Thaxter and Keenan Wynn.
Ginger Rogers has never looked more glamorous as the worldly movie star who is not quite sure whether she yearns to be alone and Walter Pigeon is excellent as the man who eventually wins her heart.
Pleasant fluff, but easily forgotten. A nice cast does what it can with stock characters and that's about it.
A warning: The ending is unbelievably theatrical and corny.
The ladies have the camera in love with them most of the time. Rogers and Turner are both seen at their photogenic best and give assured performances in roles that require a modicum of thespian talent.
Rogers gives the more effortless portrayal, clearly having a good time when she finds herself in a situation not far removed from those she shared with Fred Astaire in many an RKO romantic comedy. Turner is there for eye candy and little else. Van Johnson is enthusiastically boyish as the Army man concerned about his health and Walter Pigeon is as debonair as always as a pipe smoking war correspondent who has marriage on his mind with Rogers as his prospective bride.
It's all photographed in dreamy MGM style, everything smoothly crisp with the story shifting back and forth between a couple of minor sub-plots involving Edward Arnold, Phyllis Thaxter and Keenan Wynn.
Ginger Rogers has never looked more glamorous as the worldly movie star who is not quite sure whether she yearns to be alone and Walter Pigeon is excellent as the man who eventually wins her heart.
Pleasant fluff, but easily forgotten. A nice cast does what it can with stock characters and that's about it.
A warning: The ending is unbelievably theatrical and corny.
- How long is Week-End at the Waldorf?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Weekend at the Waldorf
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,561,000 (estimated)
- Runtime2 hours 10 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Week-End at the Waldorf (1945) officially released in India in English?
Answer