A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.A man in mid-life crisis befriends a young woman, though her fiancé persuades her to con him out of the fortune they mistakenly assume he possesses.
- Awards
- 3 nominations
Anita Sharp-Bolster
- Mrs. Michaels
- (as Anita Bolster)
Richard Abbott
- Critic at Gallery
- (uncredited)
John Barton
- Hurdy-Gurdy Man
- (uncredited)
Rodney Bell
- Barney
- (uncredited)
Ted Billings
- Vendor
- (uncredited)
Richard Cramer
- Principal Keeper
- (uncredited)
Dick Curtis
- Detective
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaTwelve paintings done for the film by John Decker were sent to the Museum of Modern Art in New York City for exhibition in March of 1946.
- GoofsThe story takes place in 1934, but all of Margaret Lindsay's and Joan Bennett's clothes, shoes, and hairstyles are strictly in the 1945 mode; fashions had changed considerably during the intervening eleven years. The featured taxicab is a late-1930s vintage, about three years too new.
- Quotes
Adele Cross: Next thing you'll be painting women without clothes.
Christopher Cross: I never saw a woman without any clothes.
Adele Cross: I should hope not!
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into This Is It (2009)
Featured review
It's hard to see that your youth has escaped you. It happens to us all. The sad personage of Christopher Cross is very touching. He has seen his life pass with a nice gold watch all he has to show for it. His wife is ugly and mean spirited, his work is dull. He is quite a good painter but hasn't time to do anything about it. Them "she" comes into the picture. All those charms, sexy, vulnerable, and evil, with a connection to Dan Duryea (what a cad) to boot. When the Robinson Character comes to her rescue, it's Johnny (Duryea) who is slapping her around. She is perceptive enough to believe that the well dressed older man must have money, and, if she plays her cards right, she can squeeze him for money. He falls, hook, line, and sinker, and really believes she cares about him. Not only is she an opportunist, she even uses his art as her own to get more money. Because he is moonstruck, he lets her go on and on. There is a subplot concerning his wife's first husband and some other things, but he slowly descends the path to destruction. Everyone watching the movie knows that the poor sap is going to get his at some point. The way it happens is a bit of a stretch. Chris should really feel very little guilt; he is victimized all long the way. But in film noir, the dark elements demand their pound of flesh. He is paid for his foolishness and trust.
Details
Box office
- Budget
- $1,202,007 (estimated)
- Runtime1 hour 42 minutes
- Color
- Aspect ratio
- 1.37 : 1
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