IMDb RATING
6.7/10
2.6K
YOUR RATING
In New York, a woman who partially witnesses a killing from a train window seeks the aid of a crime novelist to solve the murder.In New York, a woman who partially witnesses a killing from a train window seeks the aid of a crime novelist to solve the murder.In New York, a woman who partially witnesses a killing from a train window seeks the aid of a crime novelist to solve the murder.
- Nominated for 1 Oscar
- 1 nomination total
Jacqueline deWit
- Miss Fletcher
- (as Jacqueline de Wit)
Jane Adams
- Circus Club Photographer
- (uncredited)
Fred Aldrich
- Cop in Lock-up
- (uncredited)
Ernest Anderson
- Train Porter
- (uncredited)
Carl Andre
- Man at Newsreel Theatre
- (uncredited)
Bobby Barber
- Man at Newsreel Theatre
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDeanna Durbin and director Charles David were wed in 1950 and retired to a life in rural France. They remained married until his death in 1999.
- GoofsWhen Mr. Haskell leaves Grand Central Station with Nikki Collins, they call for a taxi. When a taxi pulls up, however, Nikki's luggage is already piled in the front seat though she did not walk out with any bags nor did a porter load any luggage into the taxi. The taxi wasn't there waiting for them; it was just a random taxi that happened to pull up. The sequence, therefore, doesn't make any sense, and it interrupts the flow of the story.
- Quotes
Nikki Collins: I just saw a murder.
- ConnectionsEdited into Christmas Hymns (1954)
- SoundtracksSilent Night
Original lyrics by Joseph Mohr (uncredited)
Melody by Franz Xaver Gruber (uncredited)
English translation by John Freeman Young (uncredited)
Featured review
Talents as diverse as Deanna Durbin's charm and singing ability, Edward Everett Horton's flair for screwball comedy, and Dan Duryea's knack for portraying impish, enigmatic characters, are brought together here in a pretty good comic mystery. Neither the mystery story nor the comedy would have been enough to sustain a movie by itself, but they fit together well, with the help of an assortment of interesting characters and some well-chosen settings.
The mystery story is rather like a simplified (and less plausible) version of an Agatha Christie-style plot, and it seems likely that the similarity was intended. As you watch, you do want to see how it comes out, but in itself it's relatively insubstantial. The settings and characters provide more of the material for the cast to use. A couple of the settings were done quite nicely, especially the night club/dressing room set, which allowed for some interesting possibilities, and which also fits in pretty well with the story.
While it is true that nothing about "Lady On A Train" is exceptional, at the same time it has a lot of small strengths that add up to an enjoyable movie.
The mystery story is rather like a simplified (and less plausible) version of an Agatha Christie-style plot, and it seems likely that the similarity was intended. As you watch, you do want to see how it comes out, but in itself it's relatively insubstantial. The settings and characters provide more of the material for the cast to use. A couple of the settings were done quite nicely, especially the night club/dressing room set, which allowed for some interesting possibilities, and which also fits in pretty well with the story.
While it is true that nothing about "Lady On A Train" is exceptional, at the same time it has a lot of small strengths that add up to an enjoyable movie.
- Snow Leopard
- Jul 20, 2004
- Permalink
Details
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1
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