IMDb RATING
6.1/10
1.3K
YOUR RATING
Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.Dark, romantic, complicated drama about a rowdy merchant mariner and sophisticated librarian who clash over their lifestyles and values - and then fall in love.
Stanley Andrews
- Bit Part
- (unconfirmed)
Florence Auer
- Landlady
- (unconfirmed)
Pedro de Cordoba
- Felipe
- (unconfirmed)
Rex Ingram
- Preacher
- (unconfirmed)
Garry Owen
- Jabbo
- (unconfirmed)
Harry Wilson
- Big Mug
- (unconfirmed)
Richard Abbott
- Clerk
- (uncredited)
Storyline
Did you know
- TriviaReports of this film's failure are false. Variety (January 8, 1947) listed it as the #7 box office hit of 1946 (it was released December 28, 1945). The film earned more than $6M worldwide and earned a profit for MGM.
- GoofsWhen the Buckley's drive away from Emily's house in the country, a clear reflection of the boom microphone can be seen on the right rear passenger window and other areas of the highly-polished car as it drives off.
- Quotes
Harry Patterson: There ain't a dame I can't forget in six months.
- ConnectionsFeatured in Clark Gable: Tall, Dark and Handsome (1996)
- SoundtracksDown in the Valley
(a.k.a. "Birmingham Jail")(uncredited)
Featured review
"Adventure" is an oddly generic title for such a singularly unique motion picture. Its superficial values are appealing enough--the Gable bluster is rarely put to such good use, and Garson is possibly the only actress with enough mettle to match him--but these attributes are hardly unusual and neither, indeed, is the storyline. What makes the effort favorably surprising is the story's aspiration to allegory through the use of poetics, which may occasionally seem overt but which never fail to ring true. It's an ambitious undertaking, and it works.
In its time, the movie was dismissed for being both formulaic and even crude, which in itself betrays either an ignorance of its higher aspirations or, more likely, a reluctance to take them seriously. America in 1945 prided itself on street smarts and industrial might; on its not being taken for a sucker. It had saved Europe from the axis forces and was about to embark on a socioeconomic boom such as the world had never seen: It wasn't interested in philosophical musings about the nature of the soul. The idea that these musings could be given dimension in a simple and often predictable story about a rakish sailor and a repressed librarian drove reviewers to pronounce the script "foolish" and the poetic commentary "gibberish."
But it is these very elements, this oddly ardent coloring, that have somehow deepened and mellowed with time, and which now provide the film with the kind of rich, subtle flavor found in only the most treasured vintages. More unique still is that the movie is less interested in the sentimentality of its story than in the metaphysical questions it poses. Its chief accomplishment is in avoiding any academic exploration of such questions (a choice which parallels the arc of the story itself), and it does so by illustrating with large, colorful brushes. Only the intelligence of the director and the skill of his actors keep the proceedings from veering off into caricature, a tipping point that when straddled with such finesse is delightful viewing indeed.
In its time, the movie was dismissed for being both formulaic and even crude, which in itself betrays either an ignorance of its higher aspirations or, more likely, a reluctance to take them seriously. America in 1945 prided itself on street smarts and industrial might; on its not being taken for a sucker. It had saved Europe from the axis forces and was about to embark on a socioeconomic boom such as the world had never seen: It wasn't interested in philosophical musings about the nature of the soul. The idea that these musings could be given dimension in a simple and often predictable story about a rakish sailor and a repressed librarian drove reviewers to pronounce the script "foolish" and the poetic commentary "gibberish."
But it is these very elements, this oddly ardent coloring, that have somehow deepened and mellowed with time, and which now provide the film with the kind of rich, subtle flavor found in only the most treasured vintages. More unique still is that the movie is less interested in the sentimentality of its story than in the metaphysical questions it poses. Its chief accomplishment is in avoiding any academic exploration of such questions (a choice which parallels the arc of the story itself), and it does so by illustrating with large, colorful brushes. Only the intelligence of the director and the skill of his actors keep the proceedings from veering off into caricature, a tipping point that when straddled with such finesse is delightful viewing indeed.
- How long is Adventure?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Big Shore Leave
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,500,000 (estimated)
- Runtime2 hours 5 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content