A song-and-dance man and his comic partner undergo romantic ups and downs when they team up with a female duo and transition from burlesque to vaudeville.A song-and-dance man and his comic partner undergo romantic ups and downs when they team up with a female duo and transition from burlesque to vaudeville.A song-and-dance man and his comic partner undergo romantic ups and downs when they team up with a female duo and transition from burlesque to vaudeville.
Donald Douglas
- Charlie Lucas
- (as Don Douglas)
Gloria Anderson
- Showgirl
- (uncredited)
Billy Bester
- Callboy
- (uncredited)
Eddie Borden
- Comic with Banjo
- (uncredited)
Buster Brodie
- Bald Man
- (uncredited)
Claire Carleton
- Nurse
- (uncredited)
James Carlisle
- Audience Member
- (uncredited)
Russ Clark
- Army Doctor
- (uncredited)
Ann Codee
- French Modiste
- (uncredited)
Barbara Coleman
- Showgirl
- (uncredited)
James Conaty
- Nightclub Patron
- (uncredited)
Louise Currie
- Showgirl
- (uncredited)
Storyline
Did you know
- TriviaBert Gordon, George Jessel, Pat Rooney and Gene Sheldon were definitely filmed in a sequence which was cut before the release of the movie. Also in studio records, but not seen in the film, are Matthew 'Stymie' Beard (Harold), Billy Bester (Call Boy), Marietta Canty (Maid), Don Dillaway (Gambler), Ralph Dunn (Taxi Driver), Edmund Glover (Gambler), Harry Harvey Jr. (Page Boy), Russell Hopton (Gambler), Sam Lufkin (Waiter on Stage), Jerry Maren (Midget), Charles Marsh (Man Eating Peanuts), Chef Milani (Head Waiter), Bert Moorhouse (Desk Clerk), Forbes Murray (Director), William J. O'Brien (Peanut Gag Man), and Joseph Vitale (Caesar).
- Quotes
Cleopatra: Do-eth thou-eth loveth me-eth?
Marc Anthony: Yeth!
- ConnectionsEdited from Waterloo Bridge (1931)
- SoundtracksYou May Not Remember
(1944)
Music by Ben Oakland
Lyrics by George Jessel
Performed by Nancy Kelly (uncredited)
Featured review
SHOW BUSINESS (1944) seems like a rather obscure old film, but it's surprisingly enjoyable. Nothing major, but it's a lot of fun.
The movie is a breezy tale about entertainers on the old vaudeville circuit (~1910s) and it showcases some classic songs like "It Had To Be You", "Dinah", and "Makin' Whoopee".
The cast may not be flashy, but they're a delight. The film is anchored by song and dance men George Murphy and Eddie Cantor. The two partners soon meet up with female showbiz duo Constance Moore and Joan Davis. There's singing, dancing, comedy bits, romance, and some dramatic beats along the way.
(Interestingly, the principal cast all play characters sharing their first names.)
I am not familiar with Joan Davis, but she's very funny as a wisecracking Eve Arden-type. Eddie Cantor plays the comedic sidekick role here, and I think I enjoyed him more than in his earlier starring vehicles. His comedy shtick is actually pretty sharp and he tones down some of his characteristic bug-eyed stuff. Cantor and Davis make an excellent comedy pair.
Eddie Cantor seemed to be in his comfort zone, essentially playing himself, an old-time vaudevillian hopping up and down a stage. Cantor produced the film, which leads one to suspect he might have been retracing his own steps through the glory days of vaudeville. "Makin' Whoopee", sung by Cantor in the film, had actually been popularized by Cantor himself in a Florenz Ziegfeld production.
Leading lady Constance Moore was not a typical fresh-faced beauty, but I thought she was lovely. She reminded me vaguely of other actresses but I'd never seen her in a film before. I'll have to keep an eye out for her.
I had low expectations for this B-musical, but I was pleasantly surprised. Give it a look.
The movie is a breezy tale about entertainers on the old vaudeville circuit (~1910s) and it showcases some classic songs like "It Had To Be You", "Dinah", and "Makin' Whoopee".
The cast may not be flashy, but they're a delight. The film is anchored by song and dance men George Murphy and Eddie Cantor. The two partners soon meet up with female showbiz duo Constance Moore and Joan Davis. There's singing, dancing, comedy bits, romance, and some dramatic beats along the way.
(Interestingly, the principal cast all play characters sharing their first names.)
I am not familiar with Joan Davis, but she's very funny as a wisecracking Eve Arden-type. Eddie Cantor plays the comedic sidekick role here, and I think I enjoyed him more than in his earlier starring vehicles. His comedy shtick is actually pretty sharp and he tones down some of his characteristic bug-eyed stuff. Cantor and Davis make an excellent comedy pair.
Eddie Cantor seemed to be in his comfort zone, essentially playing himself, an old-time vaudevillian hopping up and down a stage. Cantor produced the film, which leads one to suspect he might have been retracing his own steps through the glory days of vaudeville. "Makin' Whoopee", sung by Cantor in the film, had actually been popularized by Cantor himself in a Florenz Ziegfeld production.
Leading lady Constance Moore was not a typical fresh-faced beauty, but I thought she was lovely. She reminded me vaguely of other actresses but I'd never seen her in a film before. I'll have to keep an eye out for her.
I had low expectations for this B-musical, but I was pleasantly surprised. Give it a look.
Details
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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