When assassin Philip Raven shoots a blackmailer and his beautiful female companion dead, he is paid off in marked bills by his treasonous employer who is working with foreign spies.When assassin Philip Raven shoots a blackmailer and his beautiful female companion dead, he is paid off in marked bills by his treasonous employer who is working with foreign spies.When assassin Philip Raven shoots a blackmailer and his beautiful female companion dead, he is paid off in marked bills by his treasonous employer who is working with foreign spies.
- Awards
- 1 win
Olin Howland
- Blair Fletcher
- (as Olin Howlin)
Storyline
Did you know
- TriviaDuring production, stars Alan Ladd and Veronica Lake were interviewed on set during a live broadcast from Paramount's experimental television station W6XYZ. There were fewer than three hundred television receivers in Los Angeles at the time.
- GoofsWhen the old man is pronounced dead, two seconds later his mouth moves.
- ConnectionsEdited into Dead Men Don't Wear Plaid (1982)
- SoundtracksNow You See It, Now You Don't
(1942) (uncredited)
Lyrics by Frank Loesser
Music by Jacques Press
Performed by Veronica Lake (dubbed by Martha Mears)
Featured review
Philip Raven (Alan Ladd) is a gun for hire. He lives alone in a small room and gives milk to a lonely cat every morning. But he doesn't seem to appreciate the company of humans. He never smiles and he won't trust anybody. He is asked by Willard Gates to kill a man and steal documents from him. After Gates paid Raven with hot money, Raven decided to find Gates to settle a score with him. In the meanwhile, a cabaret performer Ellen Graham (Veronica Lake), the girl friend of a Police lieutenant, is secretly charged by a senator to infiltrate a company Nitro that is suspected to sell army secrets to the Japanese. For this, she goes to an audition to be hired by Willard Gates, owner of a cabaret, but also an employee of Nitro. In the train on her way to Los Angeles, Ellen Graham meets Philip Raven, both unaware that they are involved in the same case. When they arrive in Los Angeles, the Police is after him and he has to kidnap Ellen to get away from it. Realizing they have the same enemy Ellen convinces Raven to forget his own interest and start to fight the people of Nitro in the interest of the country.
This is the first Alan Ladd Veronica Lake movie but it is also probably the best. The plot, the acting, the dialogue and the direction are so great that these make This gun for hire' a classic film noir. At the beginning, the credits mention: introducing Alan Ladd. For his first leading role, the least we can say is that Ladd gives a great performance. It is obvious that his character inspired the character of Jeff in Le samourai' by Jean-Pierre Melville with Alain Delon. Both characters have the same attitude and the same clothes. They live alone a small room. They never get involve in any relationship and both are very professional. They are only kind to animals and children (in `Le samourai', Delon had a bird in his room). Also, the sequence on the pedestrian bridge of the railroad has clearly its equivalent in Le Samourai'. I was really impressed by the first sequence, when Ladd execute his contract and also by the sequence where Ladd and Lake are running across the city to escape from the Police (which is much of the movie). How breath-taking! This is truly great cinema, quiet a good surprise for a director (Frank Tuttle) who is not that well known. I've seen The Blue Dahlia', `the Glass key' and `this gun for hire' these last three days (film noir retrospective in Oak Street Cinema, Minneapolis) in this order (reverse of the chronological one) but I must say that the quality increase in this order. This gun for hire' is much darker and less funny than the movie they made together after that but it is a better film noir. Definitely a masterpiece. High recommended 9/10.
This is the first Alan Ladd Veronica Lake movie but it is also probably the best. The plot, the acting, the dialogue and the direction are so great that these make This gun for hire' a classic film noir. At the beginning, the credits mention: introducing Alan Ladd. For his first leading role, the least we can say is that Ladd gives a great performance. It is obvious that his character inspired the character of Jeff in Le samourai' by Jean-Pierre Melville with Alain Delon. Both characters have the same attitude and the same clothes. They live alone a small room. They never get involve in any relationship and both are very professional. They are only kind to animals and children (in `Le samourai', Delon had a bird in his room). Also, the sequence on the pedestrian bridge of the railroad has clearly its equivalent in Le Samourai'. I was really impressed by the first sequence, when Ladd execute his contract and also by the sequence where Ladd and Lake are running across the city to escape from the Police (which is much of the movie). How breath-taking! This is truly great cinema, quiet a good surprise for a director (Frank Tuttle) who is not that well known. I've seen The Blue Dahlia', `the Glass key' and `this gun for hire' these last three days (film noir retrospective in Oak Street Cinema, Minneapolis) in this order (reverse of the chronological one) but I must say that the quality increase in this order. This gun for hire' is much darker and less funny than the movie they made together after that but it is a better film noir. Definitely a masterpiece. High recommended 9/10.
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Details
- Release date
- Country of origin
- Language
- Also known as
- Un alma atormentada
- Filming locations
- Richfield Tower - 555 South Flower Street, Los Angeles, California, USA(Nitro Chemical headquarters building - demolished 1969)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 1.37 : 1
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