Directed by
William A. Wellman |
Writing Credits
Lamar Trotti | ... | (screenplay) |
Darryl F. Zanuck | ... | (original story) (as Melville Crossman) |
Laurence Stallings | ... | (contract writer) (uncredited) |
Cast (in credits order) complete, awaiting verification
Produced by
Lamar Trotti | ... | producer |
Darryl F. Zanuck | ... | executive producer (uncredited) |
Music by
David Buttolph |
Cinematography by
Ernest Palmer | ... | director of photography |
Editing by
Walter Thompson |
Art Direction by
James Basevi | ||
Richard Day |
Set Decoration by
Thomas Little |
Costume Design by
Dolly Tree |
Makeup Department
Guy Pearce | ... | makeup artist |
Production Management
William Koenig | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Sid Bowen | ... | assistant director (uncredited) |
Fred Fox | ... | assistant director (uncredited) |
Phil Rosen | ... | second unit director (uncredited) |
Ad Schaumer | ... | assistant director (uncredited) |
Sound Department
Alfred Bruzlin | ... | sound |
Roger Heman Sr. | ... | sound (as Roger Heman) |
Stunts
Paul Mantz | ... | stunt pilot (uncredited) |
Camera and Electrical Department
Harry Jackson | ... | associate director of photography |
E. Truman Joiner | ... | key grip |
Costume and Wardrobe Department
Eugene Joseff | ... | costume jeweller (uncredited) |
Editorial Department
Henri Jaffa | ... | associate color director: Technicolor |
Natalie Kalmus | ... | color director: Technicolor |
Location Management
W.F. Fitzgerald | ... | location manager (uncredited) |
Ray C. Moore | ... | location manager (uncredited) |
Music Department
Leo Arnaud | ... | orchestrator (uncredited) |
Conrad Salinger | ... | orchestrator (uncredited) |
Herbert W. Spencer | ... | orchestrator (uncredited) |
Additional Crew
Harry Brand | ... | director of publicity (uncredited) |
Fred Fox | ... | business manager (uncredited) |
Charles Stallings | ... | business manager (uncredited) |