The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.
- Nominated for 4 Oscars
- 4 wins & 4 nominations total
Orson Welles
- Narrator
- (voice)
Edwin August
- Citizen
- (uncredited)
Georgia Backus
- Matron
- (uncredited)
Harry A. Bailey
- Citizen
- (uncredited)
Olive Ball
- Mary - Maid
- (uncredited)
Jack Baxley
- Reverend Smith
- (uncredited)
William Blees
- Young Man at Accident
- (uncredited)
Lyle Clement
- Citizen
- (uncredited)
Bobby Cooper
- George Minafer as a Boy
- (uncredited)
Don Dillaway
- Wilbur Minafer
- (uncredited)
Storyline
Did you know
- TriviaOne of former silent star Dolores Costello's last roles. She was forced to retire from the film business as her face had become badly scarred by early film makeup, which was highly caustic.
- GoofsTowards the end of a long tracking shot with George and Lucy in a horse-drawn carriage, a portion of the rear end of a camera car and some sort of filmmaking equipment briefly enter the left side of frame.
- Crazy creditsAll of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, items are seen, such as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc.
- Alternate versionsFrom "Magnificent Obsession," a Vanity Fair article by David Kamp from April 2000: "On March 11, Robert Wise sent a 132-minute composite print (a print with picture and soundtrack synchronized) to Rio for Orson Welles to review. This is the version that scholars and Wellesophiles consider to be the 'real' Magnificent Ambersons. Curiously enough, the first blow against this version was dealt not by RKO but by Welles himself. Before he'd even received the composite print, he impulsively ordered Wise to cut 22 minutes from the middle of the film, mostly scenes concerning George Minafer's efforts to keep his mother and Eugene apart. Wise complied, and on March 17, 1942, The Magnificent Ambersons, in this form, had its first preview screening, in the Los Angeles suburb of Pomona. Sneak previews are a notoriously unreliable gauge of a film's worth and potential for success, and RKO did The Magnificent Ambersons a particular disservice by previewing it before an audience composed mostly of escapism-hungry teenagers, who had come to see the movie at the top of the bill, The Fleet's In, a feather-light wartime musical starring William Holden and Dorothy Lamour".
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
- SoundtracksThe Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Joseph Cotten, Dolores Costello, Anne Baxter,
Tim Holt, Agnes Moorehead and Ray Collins
Featured review
In many way this is a more brillant film than Kane. Kane was technically advanced, but somewhat distant. This is a much more intimate story. The romance between Eugene and Isabele is one of the most wonderful tales of unrequinted love ever put on film. I especially love the opening sequence which introduces us to the life -styles and habits of the Ambersons. I like the way Wells dwells on their array of evening wear, summer wear etc... He creates a great sense of calmness in a timeless era.
Agnes Moorehead is incredible in the role of Fanny. She has to scream for attension every time, like her character in the film. Tim Holt is great as a young Orson Wells (who was still young at the time). This spoilt brat was I'm sure very similar to Wells, or so he'd have us believe.
Obivously we all know what happened to the final cut. It was, and probably still is the greatest crime in cinema history. Its like painting a moustache on the Mona Lisa. At the end of this version when Eugene and Fanny are walking off into the sunset, and Eugene looks down at Fanny and says that he was "true to his own dear love" (meaning Fanny), its so absurd. Its the worst tacked-on ending I've ever seen. Eugene was never in love with Fanny, it was always Isabele, but Fanny loved Eugene. Hollywood made a joke of it. The Amberson family had finally got their comeuppance only for hollywood to decide it was too grim, and put on an ending that looked like ot came from another movie.
Initally it was such a piece of genius from Wells to film a story about the downfall of a family rather than their or rise to power, to tell the story in reverse.
Its so sad that we can never see the real version. I really feel that we are missing out on what could have been the greatest film ever made.
Agnes Moorehead is incredible in the role of Fanny. She has to scream for attension every time, like her character in the film. Tim Holt is great as a young Orson Wells (who was still young at the time). This spoilt brat was I'm sure very similar to Wells, or so he'd have us believe.
Obivously we all know what happened to the final cut. It was, and probably still is the greatest crime in cinema history. Its like painting a moustache on the Mona Lisa. At the end of this version when Eugene and Fanny are walking off into the sunset, and Eugene looks down at Fanny and says that he was "true to his own dear love" (meaning Fanny), its so absurd. Its the worst tacked-on ending I've ever seen. Eugene was never in love with Fanny, it was always Isabele, but Fanny loved Eugene. Hollywood made a joke of it. The Amberson family had finally got their comeuppance only for hollywood to decide it was too grim, and put on an ending that looked like ot came from another movie.
Initally it was such a piece of genius from Wells to film a story about the downfall of a family rather than their or rise to power, to tell the story in reverse.
Its so sad that we can never see the real version. I really feel that we are missing out on what could have been the greatest film ever made.
- How long is The Magnificent Ambersons?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Der Glanz des Hauses Amberson
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $850,000 (estimated)
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Magnificent Ambersons (1942) officially released in India in English?
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