Hollywood director John L. Sullivan sets out to experience life as a homeless person in order to gain relevant life experience for his next movie.Hollywood director John L. Sullivan sets out to experience life as a homeless person in order to gain relevant life experience for his next movie.Hollywood director John L. Sullivan sets out to experience life as a homeless person in order to gain relevant life experience for his next movie.
- Awards
- 2 wins total
Charles R. Moore
- Colored Chef
- (as Charles Moore)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCinematographer John Seitz admired Preston Sturges' unconventional approach to his work. The opening scene comprised ten pages of dialogue to cover about four and a half minutes of screen time. It was scheduled for two complete days of shooting. On the morning of the first day, Seitz found Sturges inspecting the set with a viewfinder, looking for where he could cut the scene and change camera set-ups. Seitz dared him to do it all in one take. Never one to refuse a dare, Sturges took him up on it, although the nervous Seitz had never attempted to complete a two-day work schedule in one day. With the endorsement of McCrea and the rest of the actors, Sturges pressed on, determined to set a record. The first take was fine, but the camera wobbled a little in the tracking shot following the men from screening room to office, so they tried again. They did two or three takes at the most and that was it - two full days work by 11 a.m. on the first day, a feat that had the entire studio buzzing.
- GoofsWhen Sullivan and the Girl jump off the train and walk to the lunch stand, nothing is visible around the outside of the lunch stand--not a car, tree or anything. When Sullivan asks if the proprietor had seen a land yacht (a big RV), the proprietor points to the side and they look out the window and see the big land yacht parked there. Of course, if it had been there in the first place, Sullivan would have seen it right away and not gone into the lunch stand.
- Quotes
[last lines]
John L. Sullivan: There's a lot to be said for making people laugh. Did you know that that's all some people have? It isn't much, but it's better than nothing in this cockeyed caravan.
- Crazy creditsThe Paramount logo appears as a seal on a package.
The package is opened to reveal a book with the film title on it and the opening credits appear on pages in the book.
- ConnectionsFeatured in The Cinematographer (1951)
- SoundtracksSpring Song
(1844) (uncredited)
Written by Felix Mendelssohn
Played as part of the score when Sullivan starts his experiment
Reprised when he starts a second time
Featured review
As a TV Producer of "entertainment" shows, I make a point of watching this film at least once a year and giving DVDs of it to all who may disparage what I do.
Preston Sturges achieves the impossible in this movie: he has his cake and eats it too. He makes a perfect film - he manages to make a socially significant statement while wrapping it up in a comedy confection.
His hero, John L. Sullivan (Joel McCrea - a very underestimated actor) is a
succcessful director of frivolous musicals and comedies who, one day, decides he needs to make a Capra-esque "serious"film. His studio chiefs and immediate staff are against it and point out that he is rich and privileged, what does he know about the less fortunate? Sullivan retorts with an ingenious plan:
Sullivan: "You're perfectly right...but I'll tell you what I'm going to do first: I'm going to get some old clothes and some old shoes from wardrobe and start out with ten cents in my pocket...and I'm not coming back till I know what trouble it..I'm going out on the road to find out what it's like to be poor and needy and then I'm going to make a picture about it."
Burrows(his butler): If you'll permit me to say so, sir, the subject is not an interesting one. The poor know all about poverty and only the morbid rich would find the topic glamorous.
Nevertheless, Sullivan does it and unwittingly (and hilariously) discovers the true value comedy has in the lives of those with little else to laugh about...
It's genius. Exquisitely written, directed and acted (Sturges uses his usual ensemble plus the ever watchable Veronica Lake, even here in her most improbable disguises [I met her, professionally, in England in the 70s, she was still a class act and her "rider" demanded her drink of choice - vodka and cranberry juice).
Sullivan's Travels is a true gem of American Cinema. Ten out of ten.
Preston Sturges achieves the impossible in this movie: he has his cake and eats it too. He makes a perfect film - he manages to make a socially significant statement while wrapping it up in a comedy confection.
His hero, John L. Sullivan (Joel McCrea - a very underestimated actor) is a
succcessful director of frivolous musicals and comedies who, one day, decides he needs to make a Capra-esque "serious"film. His studio chiefs and immediate staff are against it and point out that he is rich and privileged, what does he know about the less fortunate? Sullivan retorts with an ingenious plan:
Sullivan: "You're perfectly right...but I'll tell you what I'm going to do first: I'm going to get some old clothes and some old shoes from wardrobe and start out with ten cents in my pocket...and I'm not coming back till I know what trouble it..I'm going out on the road to find out what it's like to be poor and needy and then I'm going to make a picture about it."
Burrows(his butler): If you'll permit me to say so, sir, the subject is not an interesting one. The poor know all about poverty and only the morbid rich would find the topic glamorous.
Nevertheless, Sullivan does it and unwittingly (and hilariously) discovers the true value comedy has in the lives of those with little else to laugh about...
It's genius. Exquisitely written, directed and acted (Sturges uses his usual ensemble plus the ever watchable Veronica Lake, even here in her most improbable disguises [I met her, professionally, in England in the 70s, she was still a class act and her "rider" demanded her drink of choice - vodka and cranberry juice).
Sullivan's Travels is a true gem of American Cinema. Ten out of ten.
- merseymasala
- Dec 3, 2004
- Permalink
Details
Box office
- Budget
- $689,665 (estimated)
- Gross worldwide
- $10,249
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.37 : 1
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