In Shanghai, dragon lady 'Mother' Gin Sling operates a gambling house for wealthy patrons but she clashes with influential land developer Sir Guy Charteris who wants to put her out of busine... Read allIn Shanghai, dragon lady 'Mother' Gin Sling operates a gambling house for wealthy patrons but she clashes with influential land developer Sir Guy Charteris who wants to put her out of business.In Shanghai, dragon lady 'Mother' Gin Sling operates a gambling house for wealthy patrons but she clashes with influential land developer Sir Guy Charteris who wants to put her out of business.
- Nominated for 2 Oscars
- 2 nominations total
- The Appraiser
- (as Mikhail Rasumni)
- The Bartender
- (as Michael Delmatoff)
- Poppy's Escort
- (uncredited)
- Casino Patron
- (uncredited)
Storyline
Did you know
- TriviaThe last Hollywood film that Josef von Sternberg saw through to completion--he was fired from Macao (1952) and Jet Pilot (1957).
- Quotes
'Mother' Gin Sling: [of an ordinance that would outlaw her establishment] I've lived by my own ordinances for a long time now, and I intend to disregard all others.
- Crazy creditsOpening credits: "Years ago a speck was torn away from the mystery of China and became Shanghai. A distorted mirror of problems that beset the world today, it grew into a refuge for people who wished to live between the lines of laws and customs - - a modern Tower of Babel. Neither Chinese, European, British nor American it maintained itself for years in the ever increasing whirlpool of war. Its destiny, at present, is in the lap of the Gods - - as is the destiny of all cities. Our story has nothing to do with the present."
- ConnectionsFeatured in The Society of the Spectacle (1974)
- SoundtracksI'm Always Chasing Rainbows
(1918) (uncredited)
Music by Harry Carroll
Lyrics by Joseph McCarthy
Played on piano by Rex Evans at Gin Sling's dinner party
Set in a fantasy version of the infamous Chinese port, GESTURE gathers a disparate group of international 'types', and sets them down in the multileveled center of inequity, a gambling parlor run by the legendary Chinese 'Mother' Gin Sling (Ona Munson). Ensnared by their debts, the mysterious woman 'owns' them, possessing an extraordinary degree of power.
Then the equally mysterious and powerful Sir Guy Charteris (Walter Huston) arrives in Shanghai, strong enough to control the local government, and with a goal of evicting 'Mother' Gin Sling, and tearing down her property. There is a shared 'skeleton' in both their closets, however, which she will reveal in the film's climactic 'Chinese New Year' dinner party...
While Munson could never 'pass' as Chinese, she does appear exotic and inscrutable, and is actually quite good, as is Huston, displaying a sensitivity masked in arrogant smugness. The true joy of the film, however, is watching the film's younger stars, early in their careers. Victor Mature, at 26, a year after his 'breakthrough' role in ONE MILLION B.C., poses more than acts in his role of an Arab gigolo, but clearly displays the sexuality that would make him a major heartthrob in the 40s; and Gene Tierney, not yet 21, occasionally overplays the 'fall' of her character, yet possesses the luminous beauty that would become her trademark.
Josef von Sternberg would only direct a handful of films after THE SHANGHAI GESTURE (receiving 'on screen' credit in even fewer), and this would be the last film he would have any kind of creative control over.
Faults and all, that alone would make THE SHANGHAI GESTURE worth viewing!
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Details
Box office
- Budget
- $1,000,000 (estimated)
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1