IMDb RATING
7.5/10
1.6K
YOUR RATING
A successful attorney has his Jewish heritage and poverty-stricken background brought home to him when he learns that his wife has been unfaithful.A successful attorney has his Jewish heritage and poverty-stricken background brought home to him when he learns that his wife has been unfaithful.A successful attorney has his Jewish heritage and poverty-stricken background brought home to him when he learns that his wife has been unfaithful.
John Hammond Dailey
- Charlie McFadden
- (as J.Hammond Dailey)
Robert Gordon
- Henry Susskind
- (as Bobby Gordon)
T.H. Manning
- Pete Malone
- (as T. H.Manning)
Storyline
Did you know
- TriviaAlthough this film is frank about some matters, the Production Code of the Hays Office - i.e., censorship - was still in effect. In one 16mm print there is a curious moment of dead air at the end of Lillian Larue's parting speech to George Simon. She says (approximately), "Well, for God's sake, what do they expect for ten thousand dollars?" John Barrymore keeps looking at Larue (Thelma Todd) as if she is still speaking, and she must be, but there is no sound. Her last words in the text of the play are, "A virgin?"
- GoofsAt 44:10 into the film actress Angela Jacobs who plays the frumpy secretary Goldie Rindskopf is seen walking towards the cameras in the hallway in front of the elevators. She is wearing a black dress with scattered white dots. Much comedy relief is made of men watching her walk away with the spots accenting her motions. However, when the camera angles switches at 44:15 and this time when she is walking away from the camera she is wearing a different dress that is made up of mostly white flowers with very little black seen between the much busier pattern.
- Quotes
Bessie Green: [answering a call] I thought you were dead and buried. Well sure I missed you, like Booth missed Lincoln. What do you think I've been doing, sitting around the house embroidering doilies?
- Crazy creditsThe opening credits cast list has the heading "The Players" preceding a list solely of the actors' names. "A Good Cast Is Worth Repeating... The Players" is the heading of end credits, which solely lists the same actors' names in the same order as the opening credits.
- ConnectionsFeatured in American Masters: Directed by William Wyler (1986)
Featured review
This film is so rare that probably few people have heard of it. What a terrible shame! The only copy I have was taped from cable TV several years ago. I
never dreamed that I would be reading such appreciation of this little treasure by so many others! There should be a movement afoot to try to bring this
wonderful work out of obscurity, at least to get it on video!
I have read that John Barrymore considered himself miscast here. But I think he was the best possible choice for this film role (played on Broadway by Paul
Muni). At a time when Hitler was just coming to power, I wouldn't want to
imagine the response by the average U.S. moviegoer toward an actual Jewish
actor trying to elicit sympathy for the personal struggles of a Jewish man trying to get himself accepted into Gentile society in this way.
As for the office setting, well, I work for a New York law firm, and this film hits the target dead on! It evokes perfectly the scurry of New York office life, as well as the latest technologies, the fashions and the speech patterns of the period, like that adorable switchboard operator! Bravo to William Wyler!
I have seen many, many John Barrymore movies, and I agree with everyone
else writing here that this must certainly be his best surviving performance, his monument, for those of us who never saw his Richard III or Hamlet. It's even
better than "Twentieth Century" and "Grand Hotel". In an era when silent-movie histrionics was still evident in the acting style, his performance is subtle, nuanced, very modern and deeply affecting, especially in that final scene!
never dreamed that I would be reading such appreciation of this little treasure by so many others! There should be a movement afoot to try to bring this
wonderful work out of obscurity, at least to get it on video!
I have read that John Barrymore considered himself miscast here. But I think he was the best possible choice for this film role (played on Broadway by Paul
Muni). At a time when Hitler was just coming to power, I wouldn't want to
imagine the response by the average U.S. moviegoer toward an actual Jewish
actor trying to elicit sympathy for the personal struggles of a Jewish man trying to get himself accepted into Gentile society in this way.
As for the office setting, well, I work for a New York law firm, and this film hits the target dead on! It evokes perfectly the scurry of New York office life, as well as the latest technologies, the fashions and the speech patterns of the period, like that adorable switchboard operator! Bravo to William Wyler!
I have seen many, many John Barrymore movies, and I agree with everyone
else writing here that this must certainly be his best surviving performance, his monument, for those of us who never saw his Richard III or Hamlet. It's even
better than "Twentieth Century" and "Grand Hotel". In an era when silent-movie histrionics was still evident in the acting style, his performance is subtle, nuanced, very modern and deeply affecting, especially in that final scene!
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Der Staranwalt von Manhattan
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
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