An Irish-American street punk tries to make it big in the world of organized crime.An Irish-American street punk tries to make it big in the world of organized crime.An Irish-American street punk tries to make it big in the world of organized crime.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
Robert Emmett O'Connor
- Paddy Ryan
- (as Robert O'Connor)
Lev Abramov
- Goon
- (uncredited)
Clark Burroughs
- Dutch
- (uncredited)
Mae Clarke
- Kitty
- (uncredited)
Frank Coghlan Jr.
- Tom as a Boy
- (uncredited)
George Daly
- Machine Gunner
- (uncredited)
Frankie Darro
- Matt as a Boy
- (uncredited)
Snitz Edwards
- Miller
- (uncredited)
Rita Flynn
- Molly Doyle
- (uncredited)
Dorothy Gee
- Nails' Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOn the set one day, James Cagney stared at Jean Harlow's nipples and asked, likely in perfect innocence and good humor, "How do you keep those things up?" "I ice them," Harlow said, before trotting off to her dressing room to do just that.
- GoofsIn 1915, when Tom meets Putty Nose at the pool hall, the sign on the wall says "Don't spit of the floor. Remember the Jamestown Flood". It was the city of Johnstown, not Jamestown than had the historic flood.
- Quotes
Tom Powers: [Tom stumbles from a gun fight gone wrong with the rival gang. He's barely walking and soaked from the rain] ... I ain't so tough.
[Tom collapses in the gutter]
- Crazy creditsIt is the ambition of the authors of "The Public Enemy" to honestly depict the environment that exists today in a certain strata of American life, rather than glorify the hoodlum or the criminal. While the story of "The Public Enemy" is essentially a true story, all names and characters appearing herein, are purely fictional.
- Alternate versionsFor a 1941 re-release, three scenes in "The Public Enemy" were censored to comply with the Production Code. These censored segments (including an extended edit of the scene involving the gay tailor) were restored for the 2005 DVD release.
- ConnectionsEdited into Three on a Match (1932)
- SoundtracksI'm Forever Blowing Bubbles
(1919) (uncredited)
Music by James Kendis, James Brockman and Nat Vincent
Played at various times throughout the film
Featured review
"The Public Enemy" is one of the starting points of the great season of gangster movies, a very interesting work. It is not the story of the rise and fall of some big boss of crime. Tom Powers (James Cagney) and Matt Doyle (Edward Woods) are just small time crooks, and so they remain throughout the movie. Only, they make the big money that the circumstances of prohibition offer to any criminal. Tom is just a semi-illiterate, naturally violent thug. He is not even professional. He kills just out of stupidity or desire of a pointless revenge, that ultimately will severely damage himself. Further evidence of his cheap personality is shown when he instantly falls for the vulgar, tasteless girl Gwen (Jean Harlow). By the way, Harlow looks remarkably unattractive (to our modern eyes, at least). Was it a choice of director Wellmann? Matt is slightly better than Tom, but clearly he has not the guts to cross his mate.
In my opinion a major credit of the film is that it systematically avoids cliché. Neither Tom nor Matt are outcomes of poverty and social injustice. They come from simple but honest, decent and loving families. But they are both bad (that's the word) and they use the freedom and opportunities of their democratic country to make evil.
In "The Public Enemy" we find probably the first instances of the beautiful stylish cinematography and clever camera-work that will become the trade-mark of later gangster and noir movies. Some scenes are unforgettable, like the final one, or that under the rain, or that of Cagney abusing the girl. The brief scene of the killing of the horse is pure cinematic genius.
In the film there are also some naiveness and clumsiness, though. The way Tom undergoes the personality of his good brother is far-fetched. It is not clear why a gangster in a hospital, wounded in a gun-fight, is not under strict police control. The behavior of Tom's boss in the ending is illogical. Moreover, the part where Tom and Matt are kids is too long (we audience are all eager to see Cagney!), and action is a bit scarce for a gangster movie.
"The Public Enemy" was Cagney's breakout film, and really he makes a powerful and accurate job. Actually, a strong acting is provided by the whole cast. The director William A. Wellmann handles the movie with sound talent.
"The Public Enemy" is a beautiful and historically important movie. I recommend it to any cinema-lover
In my opinion a major credit of the film is that it systematically avoids cliché. Neither Tom nor Matt are outcomes of poverty and social injustice. They come from simple but honest, decent and loving families. But they are both bad (that's the word) and they use the freedom and opportunities of their democratic country to make evil.
In "The Public Enemy" we find probably the first instances of the beautiful stylish cinematography and clever camera-work that will become the trade-mark of later gangster and noir movies. Some scenes are unforgettable, like the final one, or that under the rain, or that of Cagney abusing the girl. The brief scene of the killing of the horse is pure cinematic genius.
In the film there are also some naiveness and clumsiness, though. The way Tom undergoes the personality of his good brother is far-fetched. It is not clear why a gangster in a hospital, wounded in a gun-fight, is not under strict police control. The behavior of Tom's boss in the ending is illogical. Moreover, the part where Tom and Matt are kids is too long (we audience are all eager to see Cagney!), and action is a bit scarce for a gangster movie.
"The Public Enemy" was Cagney's breakout film, and really he makes a powerful and accurate job. Actually, a strong acting is provided by the whole cast. The director William A. Wellmann handles the movie with sound talent.
"The Public Enemy" is a beautiful and historically important movie. I recommend it to any cinema-lover
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Beer and Blood
- Filming locations
- Wilshire Blvd, Los Angeles, California, USA(convertible ride with Jean Harlow)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,011,520
- Gross worldwide
- $1,214,260
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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