A Legionnaire in love with an aspiring opera singer is expected to marry the general's daughter, who in turn is in love with another soldier.A Legionnaire in love with an aspiring opera singer is expected to marry the general's daughter, who in turn is in love with another soldier.A Legionnaire in love with an aspiring opera singer is expected to marry the general's daughter, who in turn is in love with another soldier.
Max Barwyn
- Bellini's Theatrical Manager
- (uncredited)
Lionel Belmore
- Cafe Manager
- (uncredited)
Gino Corrado
- Gino - Orchestra Leader in Cafe
- (uncredited)
George Davis
- Cafe Waiter
- (uncredited)
Eleanor Gutöhrlein
- Specialty Dancer
- (uncredited)
Karla Gutöhrlein
- Specialty Dancer
- (uncredited)
Armand Kaliz
- M. Bachegalupé
- (uncredited)
August Tollaire
- Milan Opera Fan
- (uncredited)
Ellinor Vanderveer
- Reception Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlthough originally released in 2-strip Technicolor, the film only survives in black and white. The narrower surviving sound on film version is apparently the sole source of today's television prints, resulting in a loss of image on the left hand side which becomes all too apparent in the lop-sided musical numbers and cropped newspaper headline inserts.
- GoofsA poster advertises the opera Carmen by Bellini. Carmen is actually by Bizet.
- Quotes
Mme. Cecile: [Finding her employee, Fifi, smooching with Legionnaire Paul] Fifi! So this is the way you waste your time - canoodling!
Paul de St. Cyr: [Paul and Fifi get up, looking guilty] Don't blame Fifi, madame. It's my fault.
Mme. Cecile: Don't tell me what to do, you... you canoodler! Come, Fifi.
- ConnectionsVersion of Mademoiselle Modiste (1926)
- SoundtracksClothes Parade
(1905) (uncredited)
Music by Victor Herbert
Lyrics by Henry Martyn Blossom
Sung and danced by a chorus at Cecile's Modiste's shop
Featured review
Victor Herbert's tune-filled 1905 operetta "Mlle. Modiste" is cut to about half its length and drastically rewritten by the Hollywood know-it-alls, but it's still a melodic and lighthearted little picture. Benefit-of-hindsight bonuses include Edward Everett Horton butching it up as a soldier and Frank McHugh mincing around in the effeminate-comic role (maybe they should have switched parts), a stolid Walter Pidgeon warbling a little, and most of the unsung Herbert songs at least surviving as background score. Bernice Claire, who might have supplanted Jeanette MacDonald as First Diva of the Screen if her career timing were better, is a charmer -- spirited, pretty (she looks like Julie Andrews) and with a bell-clear soprano, nicely captured by the early sound equipment.
It was one of the last operettas made in the genre's first cycle, and too many musicals spoiled the box-office. But it's better-paced and less pretentious than most of its kind.
It was one of the last operettas made in the genre's first cycle, and too many musicals spoiled the box-office. But it's better-paced and less pretentious than most of its kind.
Details
- Release date
- Country of origin
- Language
- Also known as
- Toast of the Legion
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 15 minutes
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