A wealthy and powerful industrialist changes his identity to avenge himself on the wife that spurned him on their wedding night.A wealthy and powerful industrialist changes his identity to avenge himself on the wife that spurned him on their wedding night.A wealthy and powerful industrialist changes his identity to avenge himself on the wife that spurned him on their wedding night.
- Awards
- 2 wins total
Claud Allister
- Fred Wyndham
- (as Claude Allister)
Nicholas Bela
- Undetermined Role
- (uncredited)
Carrie Daumery
- Dowager at Dress Salon
- (uncredited)
Neal Dodd
- Wedding Celebrant
- (uncredited)
Mary Foy
- Marie - Elinor's Maid
- (uncredited)
Paul Porcasi
- Monsieur Durand
- (uncredited)
Rolfe Sedan
- Charity Bazaar Auctioneer
- (uncredited)
Storyline
Did you know
- TriviaThe making of this film ended in appalling tragedy: On January 2, 1930, at Santa Monica, with the film already completed, director Kenneth Hawks embarked on a series of retakes for a flying scene with which he was dissatisfied. The scene was to have been based off the disappearance of Alfred Loewenstein, a Belgian financier, from a plane crossing the English Channel on July 4, 1928. Two airplanes carrying the film crew to photograph a third that features in the film collided in the air, burst into flame, and hurtled into the Pacific Ocean off the Southern California coast below. Ten people were killed in the accident, including director Hawkes, along with assistant director Max Gold and four cameramen - George Eastman, C. Otho Jordan, Conrad Wells, and Ben Frankel - as well as two property men, and the two pilots. A third pilot, Roscoe Turner, two other crew members, and the stunt performer designated to do the parachute jump doubling for the lead character were unharmed in the accident, as they were directly below the collision and swerved a safe distance away from the burning flames resulting from the crash. Three bodies were hurled out of the planes and into the sea below. Hoot Gibson witnessed the crash from on the shore, and Turner saw the crash from his plane. Turner, who was good friends with Hawks, reportedly "cried like a child" in the aftermath of the accident, and claimed that his only explanation was that one or both of the pilots had been blinded for a moment by the glare of the sun, which might have caused the fatal collision. Hawks' brother, Howard, was going to board the plane with him, but backed out at the last second on a "whim". An excessive search for the bodies was conducted; only five were recovered. Kenneth Hawks was cremated and his ashes were scattered over the site of his death.
- Crazy creditsNo director is listed in the credits; the actual director Kenneth Hawks was killed in a midair collision along with nine other crewmen and pilots during filming.
- ConnectionsReferenced in TopTenz: The 10 Most Dangerous Movie Productions in History (2023)
Featured review
... at least at first, the man in question being Ludwig Kranz (Warner Baxter). The film opens on the wedding day of Ludwig and Elinor (Catherine Dale Owen). If Elinor's sister Muriel (Hedda Hopper) were any happier, she'd fly out the window, because Ludwig is one of the wealthiest men in the world, and she figures she and her milquetoast husband will benefit financially from the new union almost as much as Elinor.
The two people with the flattest emotions on this day seem to be bride and groom. The bride is as such because she does not love Ludwig - she is marrying him only to satisfy her sister's wishes. Ludwig is very happy if you listen to the words coming out of his mouth, but he is stuffy beyond description, even delivering gifts to his new bride via servants. That night, after the guests have left and before Ludwig enters their bridal suite, Elinor realizes she cannot go through with it and runs out the door, leaving behind the jewelry Ludwig gave her, as well as her wedding ring. Ludwig looks in the mirror, realizes his ugliness has repelled her, and plans that night to leave London.
Let me say one thing here - I was quite confused by this talk of ugliness, because Ludwig is not horribly deformed or truly ugly at all. At worst he is nondescript looking, and I've seen much worse looking men with quite a flock of pining women about them. Now, back to the story. Ludwig fakes his own suicide, even going as far as leaving a suicide note on his private plane out of which he parachutes to a boat waiting below. Having transferred his money into the name of Pierre Villard, he assumes that identity and goes to a famous surgeon, played by Bela Lugosi, and asks him to make him unrecognizable and therefore handsome. A year later and numerous surgeries later, Ludwig has his wish - on the outside he is handsome, but on the inside he still wants revenge on the wife that humiliated him. He tracks her down to Paris where she seems to be living a life of luxury and respectability as the widow Kranz, presumably on the one million pound wedding gift he gave her. What kind of revenge does Ludwig have in mind? Is all as it seems with his "widow"? Watch and find out.
The main attraction here is Baxter's acting, which is excellent as always as he really does seem to be two people - the stuffy Kranz as well as the suave and confident Villard. Catherine Dale Owen's fate is typical of leading ladies of this early talkie period. She was in demand for a couple of years after the transition to sound just because her diction was perfect, but as studios managed to sift through new talent and find actresses that could both project personality and speak clearly, she was passed over for parts and was out of motion pictures completely by 1932. Her performance here shows the cause of her downfall as it is as flat as a pancake.
Also note the weird little Cinderella musical number at the picture's midpoint. As with many musical numbers in Fox films of the early 30's, it is irresistibly awful.
Recommended for those curious about some of the more obscure early talkies.
The two people with the flattest emotions on this day seem to be bride and groom. The bride is as such because she does not love Ludwig - she is marrying him only to satisfy her sister's wishes. Ludwig is very happy if you listen to the words coming out of his mouth, but he is stuffy beyond description, even delivering gifts to his new bride via servants. That night, after the guests have left and before Ludwig enters their bridal suite, Elinor realizes she cannot go through with it and runs out the door, leaving behind the jewelry Ludwig gave her, as well as her wedding ring. Ludwig looks in the mirror, realizes his ugliness has repelled her, and plans that night to leave London.
Let me say one thing here - I was quite confused by this talk of ugliness, because Ludwig is not horribly deformed or truly ugly at all. At worst he is nondescript looking, and I've seen much worse looking men with quite a flock of pining women about them. Now, back to the story. Ludwig fakes his own suicide, even going as far as leaving a suicide note on his private plane out of which he parachutes to a boat waiting below. Having transferred his money into the name of Pierre Villard, he assumes that identity and goes to a famous surgeon, played by Bela Lugosi, and asks him to make him unrecognizable and therefore handsome. A year later and numerous surgeries later, Ludwig has his wish - on the outside he is handsome, but on the inside he still wants revenge on the wife that humiliated him. He tracks her down to Paris where she seems to be living a life of luxury and respectability as the widow Kranz, presumably on the one million pound wedding gift he gave her. What kind of revenge does Ludwig have in mind? Is all as it seems with his "widow"? Watch and find out.
The main attraction here is Baxter's acting, which is excellent as always as he really does seem to be two people - the stuffy Kranz as well as the suave and confident Villard. Catherine Dale Owen's fate is typical of leading ladies of this early talkie period. She was in demand for a couple of years after the transition to sound just because her diction was perfect, but as studios managed to sift through new talent and find actresses that could both project personality and speak clearly, she was passed over for parts and was out of motion pictures completely by 1932. Her performance here shows the cause of her downfall as it is as flat as a pancake.
Also note the weird little Cinderella musical number at the picture's midpoint. As with many musical numbers in Fox films of the early 30's, it is irresistibly awful.
Recommended for those curious about some of the more obscure early talkies.
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Mask of Love
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Sound mix
- Aspect ratio
- 1.20 : 1
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Top Gap
By what name was Such Men Are Dangerous (1930) officially released in Canada in English?
Answer