IMDb RATING
7.4/10
1.9K
YOUR RATING
Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.Stan fakes receiving a telegram so he can go to a club with Ollie and a bottle of his unsuspecting wife's liquor, but she overhears his plans.
Baldwin Cooke
- Waiter
- (uncredited)
Jean De Briac
- Shopkeeper
- (uncredited)
Dick Gilbert
- Phone Booth Gawker
- (uncredited)
Vladimir Gueteron
- Orchestra Leader
- (uncredited)
Charlie Hall
- Cabdriver
- (uncredited)
Jack Hill
- Man in Rainbow Club
- (uncredited)
Frank Holliday
- Rainbow Club Singer
- (uncredited)
Bob Minford
- Phone Booth Gawker
- (uncredited)
Tiny Sandford
- Headwaiter
- (uncredited)
Harry Wilde
- Nightclub patron
- (uncredited)
Storyline
Did you know
- TriviaThe number Oliver Hardy calls to reach Stan Laurel (OXford-0614) was Laurel's real phone number.
- GoofsFrom where they were standing, it would have been impossible for the laughing crowd to have actually seen Ollie at the phone booth.
- Alternate versionsThere is also a colorized version.
- ConnectionsAlternate-language version of La vida nocturna (1930)
- SoundtracksThe Curse of an Aching Heart
(1913) (uncredited)
Music by Al Piantadosi
Lyrics by Henry Fink
Performed by Frank Holliday
Featured review
Ollie hatches a plan to sneak henpecked Stan out for a night on the town with Mrs. Laurel's hidden bottle of liquor. Unfortunately, Mrs. Laurel, played by the always reliable Anita Garvin, overhears the plot and substitutes the liquor for a distasteful combination of her making.
Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.
The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!
Others may disagree, but I consider this a classic Laurel & Hardy short.
Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.
The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!
Others may disagree, but I consider this a classic Laurel & Hardy short.
- hausrathman
- Nov 21, 2011
- Permalink
Details
- Runtime26 minutes
- Color
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