Ethnic comedy of a nightclub entertainer trying to train a boxer.Ethnic comedy of a nightclub entertainer trying to train a boxer.Ethnic comedy of a nightclub entertainer trying to train a boxer.
Fanny Brice
- Fannie Field
- (as Fannie Brice)
Marjorie Kane
- Lola
- (as Marjorie 'Babe' Kane)
One-Eye Connelly
- Bit Role
- (uncredited)
Chuck Hamilton
- Club Patron
- (uncredited)
Anderson Lawler
- Patron in Night Club
- (uncredited)
Jimmy Tolson
- Blues Singer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast.
- Quotes
Harry Field: A verbal agreement...
Fannie Field: ...is not worth the paper it's written on.
- ConnectionsFeatured in Broadway: The American Musical (2004)
- SoundtracksWhen a Man Loves a Woman
(1930) (uncredited)
Music by Ralph Rainger
Lyrics by Billy Rose
Sung twice by Fanny Brice, first time with
chorus including Patsy 'Babe' Kane, Gertrude Astor
Featured review
Fanny Brice was a great Broadway star and starred in 3 films between 1928 and 1930. Be Youself is the last of her starring films, although she would make "guest appearances" in several more through 1945.
In this one she is a nightclub star in love with a has-been fighter (Robert Armstrong). She decides to become his coach (along with her brother) and he becomes a success, but he falls for a gold-digging babe (Gertrude Astor). That's all the plot there is.
The film is badly directed and edited, with abrupt cuts and lousy continuity. But Brice is energetic and fun and sings a few numbers, the best of which is "For the One I Love." She also does a bizarre Dante number and a operatic spoof in close-up which is very funny. Brice may not have been a beauty but she was a great talent and had charm and talent to spare.
Armstrong (best known for King Kong) is pleasant as a palooka, and Astor is okay as the floozie. Harry Green is not funny as a lawyer brother. Marjorie Kane is good as a boop-a-doop girl, and G. Pat Collins is the other fighter. The red cap is radio star Jimmy Tolson.
Certainly worth a look to see the legendary Fanny Brice in action.
In this one she is a nightclub star in love with a has-been fighter (Robert Armstrong). She decides to become his coach (along with her brother) and he becomes a success, but he falls for a gold-digging babe (Gertrude Astor). That's all the plot there is.
The film is badly directed and edited, with abrupt cuts and lousy continuity. But Brice is energetic and fun and sings a few numbers, the best of which is "For the One I Love." She also does a bizarre Dante number and a operatic spoof in close-up which is very funny. Brice may not have been a beauty but she was a great talent and had charm and talent to spare.
Armstrong (best known for King Kong) is pleasant as a palooka, and Astor is okay as the floozie. Harry Green is not funny as a lawyer brother. Marjorie Kane is good as a boop-a-doop girl, and G. Pat Collins is the other fighter. The red cap is radio star Jimmy Tolson.
Certainly worth a look to see the legendary Fanny Brice in action.
Details
- Release date
- Country of origin
- Language
- Also known as
- El punto flaco
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 5 minutes
- Color
- Aspect ratio
- 1.20 : 1
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