A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.
- Awards
- 1 win
John St. Polis
- Pa Kelly
- (as John Sainpolis)
Mischa Auer
- Man Dancing at The Boiler
- (uncredited)
Bobby Burns Berman
- Night Club Show Host
- (uncredited)
Phyllis Crane
- Salesgirl
- (uncredited)
Andy Devine
- Young Man at The Boiler
- (uncredited)
Phil Harris
- Drummer in Band at The Boiler
- (uncredited)
Earl McCarthy
- Party Guest
- (uncredited)
Jack O'Shea
- Man at Dance Contest
- (uncredited)
Storyline
Did you know
- TriviaThe film was lost for decades until it was found in the late 1990s. The sole known 35mm nitrate print was discovered in an Italian archive. The print had been donated by actor Antonio Moreno who starred in Colleen Moore's Synthetic Sin (1929). The following message is included at the end of the newly preserved film--"Warner Bros. gratefully acknowledges the following people who made the re-discovery and preservation of this film possible: Joseph Yranski, Ron Hutchinson, The Vitaphone Project, Matteo Pavesi of Cineteca Italiana de Milano, Gian Luca Farinelli of Cineteca de Bologna."
- GoofsWhen Peabody, Sr. enters the Store Manager's office, he calls him Ralph, but the name on the Manager's door is H.B. Lewis.
- Quotes
Jimmy Alexander: Well, Mama - now that I'm tea'd up - let's neck.
- ConnectionsFeatured in Why Be Good? Sexuality & Censorship in Early Cinema (2007)
- SoundtracksI'm Thirsty for Kisses - Hungry for Love
(uncredited)
Music by J. Fred Coots
Lyrics by Lou Davis
Sung during the opening credits, beginning scenes and at the end by Eddie Willis, Carlton Boxeil, Stanley McClelland and Fred Wilson
Played often throughout the picture as Pert and Junior's theme
Featured review
Why Be Good? was shown at the Silent Film Festival 2015 in San Francisco, in a 1920's movie house with a live orchestra. You can't get better than that! The line to get in went around the block, but it was sooo worth it: a rediscovered and just-restored silent film at a packed art-house theater which happened to be built a few years before this film's original theatrical release, with live musicians playing along so marvelously, it's hard to top it.
We were given brochures and there was a pre-screening talk. It was there I learned that the film's star, Colleen Moore, died thinking all copies of the movie had been forever lost, including her reels which she'd given to a museum for preservation. But just like with Metropolis recently, someone at a cinematheque found a copy and after years of painstaking restoration work it was brought again to the world.
I loved it. Colleen was so great portraying a flapper, and in a full house she and the other actors sure made us laugh a lot. I was very impressed with the Art Deco sets, the ingenious Boiler Room scene, and the moral of the story which I won't spoil. But yes there was a moral in the midst of all the dancing and comedy, and it was one that made all the women in the theater cheer!
So big kudos to the restoration folks, and the Mont Alto Motion Picture Orchestra for the superb live accompaniment. It makes me wish every movie I attended had live musicians now.
We were given brochures and there was a pre-screening talk. It was there I learned that the film's star, Colleen Moore, died thinking all copies of the movie had been forever lost, including her reels which she'd given to a museum for preservation. But just like with Metropolis recently, someone at a cinematheque found a copy and after years of painstaking restoration work it was brought again to the world.
I loved it. Colleen was so great portraying a flapper, and in a full house she and the other actors sure made us laugh a lot. I was very impressed with the Art Deco sets, the ingenious Boiler Room scene, and the moral of the story which I won't spoil. But yes there was a moral in the midst of all the dancing and comedy, and it was one that made all the women in the theater cheer!
So big kudos to the restoration folks, and the Mont Alto Motion Picture Orchestra for the superb live accompaniment. It makes me wish every movie I attended had live musicians now.
- SanFranciscoCinephile
- Apr 7, 2016
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- How long is Why Be Good??Powered by Alexa
Details
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.33 : 1
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