A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.A flapper with a dubious reputation enjoys a vivacious night of dancing and finds herself romantically linked to her boss.
- Awards
- 1 win
John St. Polis
- Pa Kelly
- (as John Sainpolis)
Mischa Auer
- Man Dancing at The Boiler
- (uncredited)
Bobby Burns Berman
- Night Club Show Host
- (uncredited)
Phyllis Crane
- Salesgirl
- (uncredited)
Andy Devine
- Young Man at The Boiler
- (uncredited)
Phil Harris
- Drummer in Band at The Boiler
- (uncredited)
Earl McCarthy
- Party Guest
- (uncredited)
Jack O'Shea
- Man at Dance Contest
- (uncredited)
Storyline
Did you know
- TriviaThe film was lost for decades until it was found in the late 1990s. The sole known 35mm nitrate print was discovered in an Italian archive. The print had been donated by actor Antonio Moreno who starred in Colleen Moore's Synthetic Sin (1929). The following message is included at the end of the newly preserved film--"Warner Bros. gratefully acknowledges the following people who made the re-discovery and preservation of this film possible: Joseph Yranski, Ron Hutchinson, The Vitaphone Project, Matteo Pavesi of Cineteca Italiana de Milano, Gian Luca Farinelli of Cineteca de Bologna."
- GoofsWhen Peabody, Sr. enters the Store Manager's office, he calls him Ralph, but the name on the Manager's door is H.B. Lewis.
- Quotes
Jimmy Alexander: Well, Mama - now that I'm tea'd up - let's neck.
- ConnectionsFeatured in Why Be Good? Sexuality & Censorship in Early Cinema (2007)
- SoundtracksI'm Thirsty for Kisses - Hungry for Love
(uncredited)
Music by J. Fred Coots
Lyrics by Lou Davis
Sung during the opening credits, beginning scenes and at the end by Eddie Willis, Carlton Boxeil, Stanley McClelland and Fred Wilson
Played often throughout the picture as Pert and Junior's theme
Featured review
With stellar jazz-age tunes this movie starts on fire and never fades.
It's funny. It's sexy. It challenges the boundaries of the day.
I kept thinking: I was born several decades too late.
Makes me sad Colleen Moore didn't make many movies after this, before retiring in the mid-30s. Also fun to see ''Commissioner Gordon'' in the silent era. Supporting cast is well above average. And maybe most surprising of all it's all so natural. None of that ham- boned silent-era acting. It's almost as if the actors were delivering their lines in a talkie.
Thank heavens for TCM, or we'd never see this great movie.I could watch this movie over and over again.
It's funny. It's sexy. It challenges the boundaries of the day.
I kept thinking: I was born several decades too late.
Makes me sad Colleen Moore didn't make many movies after this, before retiring in the mid-30s. Also fun to see ''Commissioner Gordon'' in the silent era. Supporting cast is well above average. And maybe most surprising of all it's all so natural. None of that ham- boned silent-era acting. It's almost as if the actors were delivering their lines in a talkie.
Thank heavens for TCM, or we'd never see this great movie.I could watch this movie over and over again.
- ArtVandelayImporterExporter
- Dec 4, 2016
- Permalink
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Details
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.33 : 1
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