Drama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.Drama about three girl graduates of an orphanage whose paths cross.
Horace McMahon
- Gurk, Vince's Henchman
- (as Horace MacMahon)
Jimmy Conlin
- Mr. Hobart Skinner
- (as James Conlon)
John Ridgely
- Master of Ceremonies
- (scenes deleted)
John Alban
- Nightclub Patron
- (uncredited)
Marian Alden
- Floor Nurse
- (uncredited)
Edward Biby
- Nightclub Patron
- (uncredited)
Oscar Blank
- Nightclub Patron
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn his book, "Those Crazy, Wonderful Years When We Ran Warner Brothers," former studio page boy Stuart Jerome recalls a bizarre incident that happened with this film. During the preview screenings, several members of the audience started laughing during a crucial dramatic scene when Dewey Robinson's gangster character slapped Margaret Lindsay. Director John Farrow and studio executive Bryan Foy could not figure out why the audience members were laughing. They set up a private screening of the scene and ran it several times before they discovered the problem. At the moment when Robinson slapped Lindsay, his fly was visibly open! It was the kind of mistake that only a few people in the audience would notice, but which could easily spoil the dramatic effect of the scene. Following the discovery, the entire scene had to be re-shot. The set for the scene was re-built, Margaret Lindsay was borrowed from her current Warner Brothers picture, and Robinson was re-hired at one day's pay. Bryan Foy personally stopped by the set on the day of re-shooting to make sure that Robinson's fly was closed. As Jerome recalled, the incident prompted Foy to send out a memo to all directors and script clerks at Warner Brothers that they should make sure that all male actors had their flies fully zipped up before shooting a scene.
- GoofsPhil writes out a check to Vince for $2,450 on New Years Eve/Day. However, in the next scene where the check has bounced, it is dated June 12th.
- Quotes
Isabel 'Isabelle' Dowling Peyton: [when all three ladies are about to drink a toast] Here's to us. Well?
Miss Connie Todd: May we never have shiny noses.
- ConnectionsReferences Snow White and the Seven Dwarfs (1937)
- SoundtracksWho Said That This Isn't Love?
(uncredited)
Music by M.K. Jerome
Lyrics by Jack Scholl
Played during the opening credits
Sung by Ann Sheridan
Reprised instrumentally by a phonograph record
Played as background music often
Featured review
... says a cop before arresting Ann Sheridan's character for a burlesque dance that doesn't amount to anything. If he's seen enough, all I can say is that this cop is probably a bachelor. Actually, it wasn't long after this scene that I had seen enough, because it is obvious this is a production code remake of "Three on a Match" from six years before, and even with Oomph girl Ann Sheridan, all of the oomph has been taken out of the plot.
The basic outline is the same as the original . This time the three girls grew up in an orphanage rather than having gone to the same elementary school. One has a checkered past and present (Sheridan) but is a good person, one is a rather mousy secretary (Marie Wilson), and one (Margaret Lindsay) has married a rich guy who dotes on her and yet she is not haaappy ( misspelled on purpose).
Lindsay's character takes up with a gambling gold digger, Wilson's character doesn't have that much to do, and Sheridan's character marries the deserted rich guy after the divorce. After her divorce settlement money runs out, Lindsay's gambling man, now her husband, writes bad checks to the mob to cover his gambling debts. Complications ensue.
The precode version of this was a couple of notches better than this for a number of reasons. Like a bunch of Puritan women in a chorus line, it is just too modest and humble for anything to come of it. And finally a warning - Warner Brothers seemed to make a habit of making movies in the mid to late 30s that had the word "Broadway" in the title to imply a vitality and glamour that the film just didn't possess. This is one of those films. The title is preposterous in fact. Although the plot does involve friendship, there is nothing of footlights in this movie.
The basic outline is the same as the original . This time the three girls grew up in an orphanage rather than having gone to the same elementary school. One has a checkered past and present (Sheridan) but is a good person, one is a rather mousy secretary (Marie Wilson), and one (Margaret Lindsay) has married a rich guy who dotes on her and yet she is not haaappy ( misspelled on purpose).
Lindsay's character takes up with a gambling gold digger, Wilson's character doesn't have that much to do, and Sheridan's character marries the deserted rich guy after the divorce. After her divorce settlement money runs out, Lindsay's gambling man, now her husband, writes bad checks to the mob to cover his gambling debts. Complications ensue.
The precode version of this was a couple of notches better than this for a number of reasons. Like a bunch of Puritan women in a chorus line, it is just too modest and humble for anything to come of it. And finally a warning - Warner Brothers seemed to make a habit of making movies in the mid to late 30s that had the word "Broadway" in the title to imply a vitality and glamour that the film just didn't possess. This is one of those films. The title is preposterous in fact. Although the plot does involve friendship, there is nothing of footlights in this movie.
Details
- Runtime1 hour 3 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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