Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.
- Nominated for 3 Oscars
- 3 nominations total
Jean Acker
- Postponed Case Witness
- (uncredited)
Murray Alper
- Yosemite Bartender
- (uncredited)
Leon Belasco
- Waiter - Pacific Club Poolside
- (uncredited)
Joe Cabrillas
- Phillip
- (uncredited)
Bill Cartledge
- Page Boy Paging Burkett
- (uncredited)
Chester Clute
- Shoe Salesman
- (uncredited)
Corky
- Corky the Dog
- (uncredited)
Storyline
Did you know
- TriviaCary Grant and Randolph Scott, who play rivals in this film, lived together on and off between 1932 and 1944.
- GoofsWhen Ellen has her first hot shower in seven years, she's wearing a bathing cap, rather than wash her hair in the shower.
- Quotes
Nick Arden: I came here with my wife... hum... my bride really. Now my wife, not my bride... my wife... Why should I bore you with details?
Hotel clerk: I won't be bored.
Nick Arden: Listen, it's just simple as A B C.
Hotel clerk: Don't tell me you got someone in B?
- Crazy creditsRather than the normal "The End" title as the movie concludes, "Good Night" is drawn in cursive handwriting.
- ConnectionsEdited into Marilyn: Something's Got to Give (1990)
- SoundtracksJingle Bells
(1857) (uncredited)
Written by James Pierpont
Played as part of the score when Cary Grant dons his Santa Claus costume
Featured review
A curious one that leaves a mildly bitter taste in the mouth. It's funny alright (but never hilarious), and the acting from - and chemistry between - Irene Dunne and Cary Crant is exquisite as always. But the film's fundamental problem is that none of the characters are particularly likable. Throughout the film three of the four main characters take their turn to behave despicably, yet the new wife - a woman who's merely unpleasant - is the villain of the piece; constantly the butt of jokes and fair game for ridicule even though she's done absolutely nothing to warrant it. At times it's like watching two spoilt brats from the Hamptons bullying their visiting second-cousin from the Bronx.
The script is also strangely stunted, best witnessed in the scenes before the judge. They really should have been classic screwball moments - the ingredients were there - yet between the lengthy silences and repetitive parrot-dialogue it falls almost completely flat. The gaping plot holes and poor script continuity can't be forgiven either, even allowing for the fact the film's seventy years old.
Don't get me wrong, I laughed, and I enjoyed myself, and I thought it was a decent film. It's just that the character's actions don't stand up too well under scrutiny.
The script is also strangely stunted, best witnessed in the scenes before the judge. They really should have been classic screwball moments - the ingredients were there - yet between the lengthy silences and repetitive parrot-dialogue it falls almost completely flat. The gaping plot holes and poor script continuity can't be forgiven either, even allowing for the fact the film's seventy years old.
Don't get me wrong, I laughed, and I enjoyed myself, and I thought it was a decent film. It's just that the character's actions don't stand up too well under scrutiny.
- I_John_Barrymore_I
- Mar 10, 2009
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Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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