An employee of a record manufacturing company comes up with a hit song.An employee of a record manufacturing company comes up with a hit song.An employee of a record manufacturing company comes up with a hit song.
Photos
Gilbert Russell
- Rex Randall
- (as Val Rosing)
Mike Johnson
- Charlie - 'Fox & Hare' Barman
- (uncredited)
Edie Martin
- Blanche Taylor
- (uncredited)
Storyline
Did you know
- TriviaThe only one of George Formby's A.T.P. films in which he doesn't play a character called "George".
- Quotes
Mrs. Taylor: [to her daughter Mary, about Willie] What you can see in that gump beats me!
- SoundtracksWhen We Feather Our Nest
(uncredited)
Written by George Formby, Harry Gifford & Fred E. Cliffe
Performed by George Formby
Featured review
When Willie (George Formby), a clumsy gramaphone recording technician breaks the wax acetate of a diva recording star Rex Randall (played by BBC Dance Orchestra singer Val Rosing), he breaks into the studio with the help of his fiancee Mary (Polly Ward) to re-record the song 'Leaning on a Lamp-post', expected to be a hit for Randall. Willie is sacked from his job and throws his upcoming marriage to Mary in the air, especially as they have put a deposit down on a new house.
Of course, as in the film, 'Leaning on a Lamp-post' became one of Formby's biggest hits, even though it was written by Noel Gay rather than Formby's usual songwriters Harry Parr-Davis, Fred E. Cliffe or Harry Gifford, a song with fewer of the double-entendres of some of his better other songs. Although it plays on Formby's clumsy goofy character, it is a little less farcical than some of his later films for producer Basil Dean and ATP, with the situations actually having tension and comedy, as well as an interesting sub-plot on home ownership and Higher Purchase. Ward also makes for an attractive co-star.
Of course, as in the film, 'Leaning on a Lamp-post' became one of Formby's biggest hits, even though it was written by Noel Gay rather than Formby's usual songwriters Harry Parr-Davis, Fred E. Cliffe or Harry Gifford, a song with fewer of the double-entendres of some of his better other songs. Although it plays on Formby's clumsy goofy character, it is a little less farcical than some of his later films for producer Basil Dean and ATP, with the situations actually having tension and comedy, as well as an interesting sub-plot on home ownership and Higher Purchase. Ward also makes for an attractive co-star.
- vampire_hounddog
- Aug 3, 2020
- Permalink
Details
- Runtime1 hour 26 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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