When a wrongly-accused prisoner barely survives a lynch-mob attack and is presumed dead, he vindictively decides to fake his death and frame the mob for his supposed murder.When a wrongly-accused prisoner barely survives a lynch-mob attack and is presumed dead, he vindictively decides to fake his death and frame the mob for his supposed murder.When a wrongly-accused prisoner barely survives a lynch-mob attack and is presumed dead, he vindictively decides to fake his death and frame the mob for his supposed murder.
- Nominated for 1 Oscar
- 2 wins & 4 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis was Fritz Lang's first film in Hollywood, and he wasn't accustomed to labor laws that require meal breaks. Shortly after filming began, Lang ate a quick lunch between set-ups and resumed filming. Some of the crew members wondering about their lunch break asked Spencer Tracy, who in turn pointed out to Lang that it was "1:30 pm and the crew had yet to take their break". Lang replied that it was his set and that "I will call lunch when I think it should be called." Tracy then smeared his make-up with his hand, knowing that it would take at least 90 minutes to fix it, yelled "Lunch!" and promptly walked off the set with the crew.
- GoofsA newspaper headline features the misspelled word 'Kidnapers'.
- Quotes
Joe Wilson: The mob doesn't think. It has no mind of its own.
- SoundtracksThe Wedding March
(uncredited)
From "A Midsummer Night's Dream"
Written by Felix Mendelssohn
[In the score during the opening scene as Joe and Katherine stand in front of the bridal shop]
Featured review
An idealist sets out to visit his girlfriend, whom he hasn't seen for a year, but he is picked up by the cops for no real reason and thrown into a cell because a flimsy piece of evidence hints that he might be the kidnapper of a young woman. A rumor flares in the small town and soon most of the populace is standing outside the police office demanding retribution.
I won't outline the plot any further, because there are many twists and turns to come. Fury is basically a study in justice, guilt, revenge, and mindless fury. Spencer Tracy and Sylvia Sydney star and are exceptional. The supporting cast is excellent also. Lang's direction is often amazing. It is always stylistic, expressionistic and it challenges you every step of the way. Watch for one scene near the center of the film where Lang cuts together a series of close-ups. His timing is incredible here. The script is imperfect. In fact, there are a lot of instances of unbelievability and silliness in the film. It is a testament to the rest of the script (and the other aspects of the film, too) that Fury ends up being such a great film. I like it nearly as much as M. It may not be quite as good, but it moves at a brisker pace and is thus often more exciting and suspenseful. 9/10.
I won't outline the plot any further, because there are many twists and turns to come. Fury is basically a study in justice, guilt, revenge, and mindless fury. Spencer Tracy and Sylvia Sydney star and are exceptional. The supporting cast is excellent also. Lang's direction is often amazing. It is always stylistic, expressionistic and it challenges you every step of the way. Watch for one scene near the center of the film where Lang cuts together a series of close-ups. His timing is incredible here. The script is imperfect. In fact, there are a lot of instances of unbelievability and silliness in the film. It is a testament to the rest of the script (and the other aspects of the film, too) that Fury ends up being such a great film. I like it nearly as much as M. It may not be quite as good, but it moves at a brisker pace and is thus often more exciting and suspenseful. 9/10.
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Details
Box office
- Gross worldwide
- $11,712
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 1.37 : 1
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