IMDb RATING
6.2/10
4.7K
YOUR RATING
When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.
Robert Adair
- Turnkey
- (uncredited)
Bunny Beatty
- Maid
- (uncredited)
May Beatty
- Older Woman on Ship
- (uncredited)
Daisy Belmore
- Fat Woman on Beach
- (uncredited)
Carmen Beretta
- Woman
- (uncredited)
Nina Borget
- Minor Role
- (uncredited)
Thomas Braidon
- Minor Role
- (uncredited)
Elsa Buchanan
- Minor Role
- (uncredited)
Colin Campbell
- Minor Role
- (uncredited)
James Carlisle
- Park Scam Onlooker
- (uncredited)
Patricia Caron
- Minor Role
- (uncredited)
Harold Cheevers
- Bobby
- (uncredited)
E.E. Clive
- Customs Inspector
- (uncredited)
Edward Cooper
- Customs Inspector
- (uncredited)
Storyline
Did you know
- TriviaAfter a disastrous preview, director George Cukor and Katharine Hepburn went to RKO producer Pandro S. Berman's home and offered their services for free for another film. Berman, who was furious at the quality of the movie, replied tersely, "Don't bother, please."
- GoofsWhen Sylvester yells for a cop outside the mansion, Henry gets left outside. Jimmy opens the door and pulls Henry in roughly. In doing so, Henry loses a shoe. Inside the mansion, Henry has both shoes, never having retrieved his shoe from outside.
- Quotes
Sylvia Scarlett: Well, we're all fools sometimes. Only you choose such awkward times.
- ConnectionsFeatured in The Men Who Made the Movies: George Cukor (1973)
- SoundtracksHello ! Hello ! Who's your Lady Friend ?
(uncredited)
Music by Harry Fragson
Lyrics by Worton David and Bert Lee (1914)
Sung by Cary Grant and Edmund Gwenn
Featured review
Androgeny is a quality that some of the biggest of our great stars possessed: Garbo, Dietrich, Grant, Vanessa Redgrave, to name a few, and of course, Katharine Hepburn. In "Sylvia Scarlett," she plays a young woman masquerading as a young man for part of this rather strange film that can't make up its mind what it is. The movie also stars Cary Grant, Edmund Gwenn and Brian Aherne. Gwenn is Henry Scarlett, an embezzler who has to high-tail it out of England fast. When his daughter Sylvia insists on going along, he tells her everyone will be looking for him with his daughter, so Sylvia becomes Sylvester by cutting his hair and donning mens' clothes.
On the boat, the two meet Jimmy Monckley, a con man, and eventually team up with him for a series of cons. Then a flirtatious maid friend of Jimmy's joins them and they become vaudevillians in one of the film's more bizarre twists. Henry, a widower, marries said maid and winds up obsessive and jealous (with, one suspects, good reason since she makes a pass at Sylvia as Sylvester). One night at a performance, the cast meets an artist, Michael Fane, whom Sylvia falls for, and she ultimately reveals himself to him as a woman.
The plot of this film changes more than the sexes, with Hepburn inexplicably staying a boy once she and her father have made their escape to France. There are some great scenes - the con in the French park, with Sylvia pretending to be a destitute boy who can't speak English, and the scene where the dress she stole on the beach so she could make her big reveal to Michael is recognized by the owner. Also, the act they perform is amusing. It probably would have been better to stick with the con angle and have the script go from there, but it goes from that to the performance angle to a love triangle etc.
Katharine Hepburn makes both an excellent boy and young woman in the throes of first love, and Cary Grant has an early, uncharacteristic role as an absolute thief and heel who is also somewhat abusive. His persona would change, and he would find it difficult to convince anyone later on to let him go back to this type of character who is not redeemed at the end. But his good looks and charm make him a natural rogue. The underrated Brian Aherne, who it appears wound up taking a back seat to Errol Flynn, is marvelous as Michael. He's romantic, sexy, and gives the role a light touch.
Directed by George Cukor, "Sulvia Scarlett" is a dizzy film that's not a wild comedy (which it probably should have been) or a drama or a love story. It's remembered today for Hepburn's cross-dressing. A shame, because it could have been remembered for more than that.
On the boat, the two meet Jimmy Monckley, a con man, and eventually team up with him for a series of cons. Then a flirtatious maid friend of Jimmy's joins them and they become vaudevillians in one of the film's more bizarre twists. Henry, a widower, marries said maid and winds up obsessive and jealous (with, one suspects, good reason since she makes a pass at Sylvia as Sylvester). One night at a performance, the cast meets an artist, Michael Fane, whom Sylvia falls for, and she ultimately reveals himself to him as a woman.
The plot of this film changes more than the sexes, with Hepburn inexplicably staying a boy once she and her father have made their escape to France. There are some great scenes - the con in the French park, with Sylvia pretending to be a destitute boy who can't speak English, and the scene where the dress she stole on the beach so she could make her big reveal to Michael is recognized by the owner. Also, the act they perform is amusing. It probably would have been better to stick with the con angle and have the script go from there, but it goes from that to the performance angle to a love triangle etc.
Katharine Hepburn makes both an excellent boy and young woman in the throes of first love, and Cary Grant has an early, uncharacteristic role as an absolute thief and heel who is also somewhat abusive. His persona would change, and he would find it difficult to convince anyone later on to let him go back to this type of character who is not redeemed at the end. But his good looks and charm make him a natural rogue. The underrated Brian Aherne, who it appears wound up taking a back seat to Errol Flynn, is marvelous as Michael. He's romantic, sexy, and gives the role a light touch.
Directed by George Cukor, "Sulvia Scarlett" is a dizzy film that's not a wild comedy (which it probably should have been) or a drama or a love story. It's remembered today for Hepburn's cross-dressing. A shame, because it could have been remembered for more than that.
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Details
Box office
- Budget
- $641,000 (estimated)
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1
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