IMDb RATING
6.8/10
6.9K
YOUR RATING
A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.A brilliant surgeon with a morbid obsession for instruments of torture grows dangerously obsessed with a young socialite whose life he's saved.
Boris Karloff
- Edmond Bateman
- (as Karloff)
Bela Lugosi
- Dr. Richard Vollin
- (as Lugosi, Bela Lugosi)
Anne Darling
- Autograph Hound
- (scenes deleted)
June Gittelson
- Autograph Hound
- (scenes deleted)
Joe Haworth
- Drug Clerk
- (scenes deleted)
Mary Wallace
- Autograph Hound
- (scenes deleted)
Raine Bennett
- Actor reading 'The Raven'
- (uncredited)
Al Ferguson
- The Crook
- (uncredited)
Nina Golden
- Dancer
- (uncredited)
Jonathan Hale
- Bedside Dr. at Jerry's Right
- (uncredited)
Arthur Hoyt
- Chapman - Buyer of Poe Memorabilia
- (uncredited)
Storyline
Did you know
- TriviaAccording to Greg Mank's book "Karloff and Lugosi, Karloff received $10,000 for his work, Lugosi $5000, Irene Ware $625, Lester Matthews $1153.76, and Samuel S. Hinds $1333.35.
- GoofsAfter Dr. Vollin regales his house guests on the subject of Edgar Allan Poe, all rise to retire. Jean Thatcher stops, returns to her former place on the couch, and has to free her gown from the cushion. This action causes her to be the last guest to leave the room, allowing her to have a private moment with Bateman. In their subsequent two-shot, she apologizes to him for having been startled earlier when he'd entered the room where she was fixing her hair.
- Quotes
Dr. Richard Vollin: Your monstrous ugliness breeds monstrous hatred. Good! I can use your hate.
- Crazy creditsThe names of Spencer Charters and Ian Wolfe were accidentally reversed in the credits.
- ConnectionsFeatured in House of Horror: The Raven 1935 (1958)
- SoundtracksMusic
(uncredited)
from The Black Cat (1934)
Original Music and Classical Music Arrangements by Heinz Roemheld
Played as background music
Featured review
Dr. Vollin (Lugosi) who's a Neurosurgeon with a large interest in Poe inspired torture comes out of retirement for a wealthy judge to save his daughter that was seriously injured in a auto wreck. During the recovery state the doctor falls for the girl and wants to marry her. Though, the doctor has a plan to torture his guests and with help from an unwillingly on the run murderer Bateman (Karloff) who's face was disfigured by the doctor when he wanted his face changed. So now he must do his biding or the doctor won't restore his face.
"The Raven" is a pretty good BW horror film that truly delivers the goods even though it's not particularly grand or inventive. It holds a fairly entertaining if rather routine narrative of clichés (stormy night in strange house). Though, you can't go wrong with a stormy night in a horror film. Saying that, it's the evoking presence of Karloff and Lugosi when on screen that makes it a great spectacle as there performances overshadow the rather foreseeable material or plot. For a mostly talkative film it doesn't have a sluggish feel and it moves at a rather brisk pace.
It had a ludicrous plot with some far-fetched scenario's (A quick recovery after surgery) and unintentionally humorous moments. After a real talkative first half about these amusing Poe torture designs we get to see them finally in use. It's too bad he used them towards the end, as not much torturing did happen, but mostly talk of these devices. Though, when it did happen there was a lot of imagination and interesting ideas. This is when the sudden thrills pick up in the last 20-mintues and it suddenly gets quite claustrophobic further along the film goes. In which Dr. Vollin really tightens the screws in some energetic and upbeat scenes. These scenes aren't terribly suspenseful, but the confrontations between Bateman and Vollin are vibrantly compelling and the devices achieve such a horrific mood. The climax is rather grand too. The ending was rather sudden and you can say lame for my liking. Dialogue was a mix bad with some engaging dialogue from the leads coming across as poetic and other times it was rather stilted or just plain corny.
A rather enforcing and roaring music score surrounds and captures the terror superbly. The film is well shot and is very atmospheric indeed. There is such great use of shadow and lighting composition in the mansion and a superb layout of the dungeon with its torture devices. The storm helps the atmosphere to be effective too. Karloff's character with the disfiguring is treated with decent make-up effects and it really does keep you glued at staring at it.
Rather mundane performances from the cast except for the two strong central leads and maybe with the exception of Samuel S. Hinds as Judge Thatcher. It's definitely one of Lugosi's best performances as the sadistic Dr. Vollin. Lugosi gives us his usual evil grimaces and at times goes over-the-top in delivering the dialogue. While Borris Karloff gives a solid performance, but I wouldn't class it as one of his greatest. He shines as the demented criminal Edmond Bateman who's lurking around the house with great effect.
For me it was a competent shocker that holds some unforgettable scenes and performances.
"The Raven" is a pretty good BW horror film that truly delivers the goods even though it's not particularly grand or inventive. It holds a fairly entertaining if rather routine narrative of clichés (stormy night in strange house). Though, you can't go wrong with a stormy night in a horror film. Saying that, it's the evoking presence of Karloff and Lugosi when on screen that makes it a great spectacle as there performances overshadow the rather foreseeable material or plot. For a mostly talkative film it doesn't have a sluggish feel and it moves at a rather brisk pace.
It had a ludicrous plot with some far-fetched scenario's (A quick recovery after surgery) and unintentionally humorous moments. After a real talkative first half about these amusing Poe torture designs we get to see them finally in use. It's too bad he used them towards the end, as not much torturing did happen, but mostly talk of these devices. Though, when it did happen there was a lot of imagination and interesting ideas. This is when the sudden thrills pick up in the last 20-mintues and it suddenly gets quite claustrophobic further along the film goes. In which Dr. Vollin really tightens the screws in some energetic and upbeat scenes. These scenes aren't terribly suspenseful, but the confrontations between Bateman and Vollin are vibrantly compelling and the devices achieve such a horrific mood. The climax is rather grand too. The ending was rather sudden and you can say lame for my liking. Dialogue was a mix bad with some engaging dialogue from the leads coming across as poetic and other times it was rather stilted or just plain corny.
A rather enforcing and roaring music score surrounds and captures the terror superbly. The film is well shot and is very atmospheric indeed. There is such great use of shadow and lighting composition in the mansion and a superb layout of the dungeon with its torture devices. The storm helps the atmosphere to be effective too. Karloff's character with the disfiguring is treated with decent make-up effects and it really does keep you glued at staring at it.
Rather mundane performances from the cast except for the two strong central leads and maybe with the exception of Samuel S. Hinds as Judge Thatcher. It's definitely one of Lugosi's best performances as the sadistic Dr. Vollin. Lugosi gives us his usual evil grimaces and at times goes over-the-top in delivering the dialogue. While Borris Karloff gives a solid performance, but I wouldn't class it as one of his greatest. He shines as the demented criminal Edmond Bateman who's lurking around the house with great effect.
For me it was a competent shocker that holds some unforgettable scenes and performances.
- lost-in-limbo
- Jun 8, 2005
- Permalink
Details
Box office
- Budget
- $115,000 (estimated)
- Runtime1 hour 1 minute
- Color
- Aspect ratio
- 1.37 : 1
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