Phantom Ship

Watching this film one wonders if the scene of the discovery of the Mary Celeste was actually supposed to come at the beginning rather than at the end, since as a whole it would have worked far better in flashback.

Film historians often regard old movies with the benefit of hindsight; and this little curiosity has always caught the eye of researchers since it represents the intersection of the careers of Bela Lugosi and Hammer Films (Gibson Gowland even plays a character called 'Gilling'). Watching the thing is another matter however, since for most of it's length - apart a few outdoor scenes shot in Folkestone - it consists almost entirely of talk, obviously shot in a studio.

Shirley Grey wears a sleek thirties bob totally wrong for film set in 1872. Lugosi spends the entire film looking and sounding as if he's just woken up; but when it eventually comes his final scene is a beaut!