In Paris, a demented surgeon's obsession with a British actress leads him to secretly replace her concert-pianist husband's mangled hands with those of a guillotined murderer with a gift for... Read allIn Paris, a demented surgeon's obsession with a British actress leads him to secretly replace her concert-pianist husband's mangled hands with those of a guillotined murderer with a gift for knife-throwing.In Paris, a demented surgeon's obsession with a British actress leads him to secretly replace her concert-pianist husband's mangled hands with those of a guillotined murderer with a gift for knife-throwing.
- Awards
- 1 nomination
Sara Haden
- Marie
- (as Sarah Haden)
George Davis
- Chauffeur
- (scenes deleted)
Billy Dooley
- Undetermined Role
- (scenes deleted)
Harold Huber
- Thief
- (scenes deleted)
Isabel Jewell
- Marianne
- (scenes deleted)
Leo White
- Undetermined Role
- (scenes deleted)
Sam Ash
- Detective Arresting Stephen
- (uncredited)
Hooper Atchley
- Train Conductor
- (uncredited)
Agostino Borgato
- Stage Doorman
- (uncredited)
Maurice Brierre
- Taxi Driver
- (uncredited)
Storyline
Did you know
- TriviaCharles Chaplin called Lorre the screen's best actor after seeing his performance in "Mad Love."
- GoofsThroughout the picture, the wax figure moves slightly whenever Frances Drake is subbing for the actual statue. Most noticeable when the bird lands on her shoulder, making the "lifeless" statue sway.
- Quotes
Françoise, Gogol's Housekeeper: [referring to the wax figure of Yvonne] It went out for a little walk!
- Crazy creditsAt the end of the opening credits, the titles are painted on a glass window pane that is broken by a fist punching through it.
- Alternate versionsPhil Hardy's The Overlook Film Encyclopedia: Science Fiction (p. 94) states that there is an 85-minute version of the film, although he provides no details about this.
- ConnectionsEdited into The History of the Hands (2016)
Featured review
Apparently, Peter Lorre only agreed to do this film because he had been promised the lead in "Crime & Punishment" afterwards if he did it. I've seen both films, and though Lorre was magnificent in both, I prefer this one. I'm so glad he agreed to do it.
"Mad Love" is the story of Doctor Gogol, brilliant Parisian surgeon whose reputation for doing surgeries on desperate cases free of charge is well- renowned. But Doctor Gogol is a morbid man as well, gleefully attending public beheadings and taking orgasmic delight in the Grand Guignol Theatre de Horreur, which stages realistic horror plays. The star of the Theatre is Yvonne, and Doctor Gogol is madly in love with her, hence the title of our film. But Yvonne is already married to Stephen Orlac, a famous concert pianist. Doctor Gogol, with his bald head and buggy eyes, gives her the creeps and her distaste for him is clear. However, when her husbands train crashes and his million-dollar hands are destroyed, it is Doctor Gogol she turns to. Desperate to win the love of Yvonne, Gogol agrees to do the impossible. Stephen Orlac is saved...but only Gogol knows that his hands are no longer his own. They once belonged to a killer, and they want to kill again.
Lorre turns in yet another astonishing performance here; his Gogol is very convincing, quite capable of handling a few lines of cornball dialogue without seeming foolish in the least. And the sympathy he elicits is simply amazing; I found myself cheering for him the whole time instead of for Yvonne, who struck me as a cold, opportunistic gold digger, quite willing to use the Doctor if it served her purpose. I'm sure this was not the intent of the filmmakers, but Lorre emerges as the hero here, at least in my humble opinion. Toward the end of the film, he is completely unleashed, playing mad, wild music on the organ and donning a most hideous metal contraption which looks like something that H. R. Giger might have designed.
This beautiful black-and-white film by MGM rivals the classic monsters of Universal, and placed Peter Lorre alongside such horror movie icons as Bela Lugosi, Boris Karloff and Vincent Price. Reportedly, Lorre detested these horror film roles that made him famous, but his resentment never shows through; he threw himself into this and every role with creativity and zeal. He is truly marvelous to watch. Mad Love should not be missed by fans of old, spooky Gothic tales. It is a masterpiece.
"Mad Love" is the story of Doctor Gogol, brilliant Parisian surgeon whose reputation for doing surgeries on desperate cases free of charge is well- renowned. But Doctor Gogol is a morbid man as well, gleefully attending public beheadings and taking orgasmic delight in the Grand Guignol Theatre de Horreur, which stages realistic horror plays. The star of the Theatre is Yvonne, and Doctor Gogol is madly in love with her, hence the title of our film. But Yvonne is already married to Stephen Orlac, a famous concert pianist. Doctor Gogol, with his bald head and buggy eyes, gives her the creeps and her distaste for him is clear. However, when her husbands train crashes and his million-dollar hands are destroyed, it is Doctor Gogol she turns to. Desperate to win the love of Yvonne, Gogol agrees to do the impossible. Stephen Orlac is saved...but only Gogol knows that his hands are no longer his own. They once belonged to a killer, and they want to kill again.
Lorre turns in yet another astonishing performance here; his Gogol is very convincing, quite capable of handling a few lines of cornball dialogue without seeming foolish in the least. And the sympathy he elicits is simply amazing; I found myself cheering for him the whole time instead of for Yvonne, who struck me as a cold, opportunistic gold digger, quite willing to use the Doctor if it served her purpose. I'm sure this was not the intent of the filmmakers, but Lorre emerges as the hero here, at least in my humble opinion. Toward the end of the film, he is completely unleashed, playing mad, wild music on the organ and donning a most hideous metal contraption which looks like something that H. R. Giger might have designed.
This beautiful black-and-white film by MGM rivals the classic monsters of Universal, and placed Peter Lorre alongside such horror movie icons as Bela Lugosi, Boris Karloff and Vincent Price. Reportedly, Lorre detested these horror film roles that made him famous, but his resentment never shows through; he threw himself into this and every role with creativity and zeal. He is truly marvelous to watch. Mad Love should not be missed by fans of old, spooky Gothic tales. It is a masterpiece.
- How long is Mad Love?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Mad Doctor of Paris
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $257,502 (estimated)
- Runtime1 hour 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content