IMDb RATING
6.9/10
2.3K
YOUR RATING
Man is haunted by a murder he's committed.Man is haunted by a murder he's committed.Man is haunted by a murder he's committed.
Edith Arnold
- Nastasya
- (uncredited)
Michael Arshasky
- Clerk
- (uncredited)
George Blagoi
- Clerk
- (uncredited)
Nana Bryant
- Madam
- (uncredited)
Davison Clark
- Cop
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaJosef von Sternberg was contractually obligated to make this film, and he disliked it, saying in his autobiography that it was "no more related to the true text of the novel than the corner of Sunset Boulevard and Gower is related to the Russian environment."
- GoofsRaskolnikov asks for "30 rubles, not a penny more, not a penny less". A penny is equal to 1/100th of such currencies as the dollar and the pound. What he meant was "kopek", the Russian unit of currency equal to 1/100th of a ruble, something he and other characters would know.
- Quotes
Landlady: Good afternoon. We haven't seen much of you these past two days. Have you been praying or only fasting?
Roderick Raskolnikov: I've been contemplating life.
Landlady: You better contemplate the rent! I haven't had a penny out of you in six months! How much longer do you expect me to wait?
- Crazy creditsOne of the credits reads "Story by Dostoievsky". There is an asterisk next to this credit, and at the bottom it says, "Feodor Dostoievsky, Russia's foremost author, wrote 'Crime and Punishment' in 1866'".
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "UN UOMO PERDUTO (1951) + CRIME AND PUNISHMENT (Ho ucciso!, 1935)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsReferenced in Love and Death (1975)
Featured review
Crime and Punishment (1935)
*** (out of 4)
Dostoyevsky's classic novel turned into a classic film by the legendary von Sternberg. In the film Peter Lorre plays a brilliant but poverty stricken criminalologist who resorts to murder when his mom and sister are threatened with being homeless. The crime seems to go off without a hitch until his conscience begins to haunt him and his fear of a detective (Edward Arnold) starts to cause more panic. This is an extremely impressive version of the novel and also features a terrific performance by Lorre but the real beauty here is the vision by von Sternberg. His stamp is all over this film and it's easy to see early on with the beautiful lighting, which creates some wonderful atmosphere and real tension. The way the cinematography picks up each and every shadow just makes the tension in the story build and build and this is especially true right after the murder when Lorre panics and tries to get away without being seen. This entire segments contains some great suspense and the director gets most of the credit. I found Lorre's performance to be one of the greatest of his career because he's actually got quite a bit too do here. Not only must he play a genius but he also must show fear, panic and even a comic tone. When Lorre's character loses his fear it turns into some comic touches and he delivers on all the notes. Arnold turns in another strong performance and his laid back approach is perfect opposite Lorre's breakdown. The one weak spot in the film for me is the final act, which seems to be drawn out too long due to Lorre's relationship with a poor woman (Marian Marsh). Mrs. Patrick Campbell is downright wicked in her role of the murdered pawnbroker. With a little bit of editing this movie could have been a real masterpiece of the genre but as it stands, this is a perfectly entertaining "B" movie that has plenty going for it.
*** (out of 4)
Dostoyevsky's classic novel turned into a classic film by the legendary von Sternberg. In the film Peter Lorre plays a brilliant but poverty stricken criminalologist who resorts to murder when his mom and sister are threatened with being homeless. The crime seems to go off without a hitch until his conscience begins to haunt him and his fear of a detective (Edward Arnold) starts to cause more panic. This is an extremely impressive version of the novel and also features a terrific performance by Lorre but the real beauty here is the vision by von Sternberg. His stamp is all over this film and it's easy to see early on with the beautiful lighting, which creates some wonderful atmosphere and real tension. The way the cinematography picks up each and every shadow just makes the tension in the story build and build and this is especially true right after the murder when Lorre panics and tries to get away without being seen. This entire segments contains some great suspense and the director gets most of the credit. I found Lorre's performance to be one of the greatest of his career because he's actually got quite a bit too do here. Not only must he play a genius but he also must show fear, panic and even a comic tone. When Lorre's character loses his fear it turns into some comic touches and he delivers on all the notes. Arnold turns in another strong performance and his laid back approach is perfect opposite Lorre's breakdown. The one weak spot in the film for me is the final act, which seems to be drawn out too long due to Lorre's relationship with a poor woman (Marian Marsh). Mrs. Patrick Campbell is downright wicked in her role of the murdered pawnbroker. With a little bit of editing this movie could have been a real masterpiece of the genre but as it stands, this is a perfectly entertaining "B" movie that has plenty going for it.
- Michael_Elliott
- Jun 10, 2009
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Raskolnikov
- Filming locations
- Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA(pawnbroker's apartment)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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