Former detective Nick Charles and his wealthy wife Nora investigate a murder case, mostly for the fun of it.Former detective Nick Charles and his wealthy wife Nora investigate a murder case, mostly for the fun of it.Former detective Nick Charles and his wealthy wife Nora investigate a murder case, mostly for the fun of it.
- Nominated for 4 Oscars
- 6 wins & 4 nominations total
Will Aubrey
- Minor Role
- (uncredited)
William Augustin
- Wynant's Butler
- (uncredited)
Polly Bailey
- Janitress
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWilliam Powell spoke of how much he loved working with Myrna Loy because of her naturalness, her professionalism, and her lack of any kind of "diva" temperament. "When we did a scene together, we forgot about technique, camera angles, and microphones. We weren't acting. We were just two people in perfect harmony," he said. "Myrna, unlike some actresses who think only of themselves, has the happy faculty of being able to listen while the other fellow says his lines. She has the give and take of acting that brings out the best."
- GoofsWhen Nick and the coroner look at the body through the Fluoroscope, the bullet, and a piece of shrapnel, appear as bright white. The Fluoroscope uses X-rays except it is viewed on a screen instead of film. Dense objects, such as bones, appear dark, as it appears in the movie. The bullet and shrapnel should then be even darker as it blocks even more of the X-rays. However, this would not have shown up well in the movies, so they were made bright white so the viewers could see them easily.
- Quotes
Nora Charles: Waiter, will you serve the nuts? I mean, will you serve the guests the nuts?
- Crazy creditsOpening credits are shown with the original novel by Dashiell Hammett in the background.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "L'AMANTE SCONOSCIUTA (1934) + THE THIN MAN (L'uomo ombra, 1934)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsFeatured in Hollywood: The Fabulous Era (1962)
Featured review
Often said, but still a marvel to watch, even after 72 years. If you want some intelligent fun with that since long vanished Hollywood class, catch this one. This comic murder mystery introduced the world to one of the most perfect screen matches I know, the incomparable duo William Powell and Myrna Loy. Shot by Woody "one shot" van Dyke in just twelve days with many of the first takes used in the film, it still comes across as wonderfully fresh.
The story revolves around William Powell as detective Nick Charles, who tries to crack the case of a missing scientist, together with his wife Nora (Myrna Loy). But forget about this whodunit aspect of the film, it's not that important. It's just adding to the fun. It's all about the marvellous interaction between Powell and Loy, simply the most wonderful screen pairing ever. Their constant courtship is a marvel to look at and watching the wonderful chemistry burning of the screen leaves me in a pleasant happy daze, slightly intoxicating.
They must be one of the very few boozy characters in the history of cinema, that seem to be drunk all the time and be continuously happy at the same time. On a continuous drinking frenzy, they're either perpetually pixillated or fighting the hang-over. Never marry someone who doesn't join you when drinking. Nora certainly does.
When they meet up in a restaurant Nora asks: 'Say, how many drinks have you had?'. 'Uhmm, this will make six Martini's.' 'Alright, waiter, will you bring me five more Martini's. You can all line them up right here.'
Between the endless string of cocktail parties their lives seem to consist of, he still needs to crack a murder case, as a journalist remembers him. 'Do you know anything about the case?' 'Yes, it's putting me way behind in my drinking.'
A stellar supporting cast, a witty script with wonderful dialog, style and class to spare, and most importantly, the one of a kind chemistry between Powell and Loy all contribute to the enjoyment of this film. A real winner.
Camera Obscura --- 9/10
The story revolves around William Powell as detective Nick Charles, who tries to crack the case of a missing scientist, together with his wife Nora (Myrna Loy). But forget about this whodunit aspect of the film, it's not that important. It's just adding to the fun. It's all about the marvellous interaction between Powell and Loy, simply the most wonderful screen pairing ever. Their constant courtship is a marvel to look at and watching the wonderful chemistry burning of the screen leaves me in a pleasant happy daze, slightly intoxicating.
They must be one of the very few boozy characters in the history of cinema, that seem to be drunk all the time and be continuously happy at the same time. On a continuous drinking frenzy, they're either perpetually pixillated or fighting the hang-over. Never marry someone who doesn't join you when drinking. Nora certainly does.
When they meet up in a restaurant Nora asks: 'Say, how many drinks have you had?'. 'Uhmm, this will make six Martini's.' 'Alright, waiter, will you bring me five more Martini's. You can all line them up right here.'
Between the endless string of cocktail parties their lives seem to consist of, he still needs to crack a murder case, as a journalist remembers him. 'Do you know anything about the case?' 'Yes, it's putting me way behind in my drinking.'
A stellar supporting cast, a witty script with wonderful dialog, style and class to spare, and most importantly, the one of a kind chemistry between Powell and Loy all contribute to the enjoyment of this film. A real winner.
Camera Obscura --- 9/10
- Camera-Obscura
- Jul 6, 2006
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Details
- Release date
- Country of origin
- Language
- Also known as
- La cena de los acusados
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $226,408 (estimated)
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 1.37 : 1
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