A little girl falls asleep and dreams she is in Toyland, where she and a toy soldier contend with the Beast from "Beauty and the Beast."A little girl falls asleep and dreams she is in Toyland, where she and a toy soldier contend with the Beast from "Beauty and the Beast."A little girl falls asleep and dreams she is in Toyland, where she and a toy soldier contend with the Beast from "Beauty and the Beast."
Photos
Bernard B. Brown
- Mini Soldier
- (uncredited)
- …
The Guardsmen
- Quartet
- (uncredited)
Cy Kendall
- Humpty Dumpty
- (uncredited)
Dudley Kuzelle
- Sandman
- (uncredited)
- …
The Varsity Three
- Vocalists
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis is the second in the Merrie Melodies series made in Cinecolor. Warner Bros. had to use this inferior two-color process because Disney still had an exclusive contract with Technicolor for animation produced in three-color Technicolor.
- GoofsAs the toys shout, "Hi ho, little girl!" the blue duck in the background disappears every few frames, leaving only its feet.
- Quotes
[first lines]
Sandman: It's time, little girl, for a sleep.
- ConnectionsFeatured in Behind the Tunes: Man from Wackyland - The Art of Bob Clampett (2004)
- SoundtracksBeauty and the Beast
(1934)
Music by Harry Ruby (as Ruby)
Lyrics by Bert Kalmar (as Kalmar)
Sung as "Welcome Little Girl" by the three who greet the girl
Also sung by the girl and the toy soldier
Also played after the beast grabs the girl
Featured review
Cinecolor==high quality look to it--mre blue and red than usual but cannot achieve yellow on banana and some other colors
kid eating candy in badroom---fairytale character on wall comes to life and she is transported to dreamland.
IMDB has a nice explanation as to why the colors used in "Beauty and the Beast" are so unusual for a color cartoon. It seems that the new three-color process developed by Technicolor was licensed exclusively to Disney at this time, so other companies making cartoons would usually just make them in black & white. Occasionally (such as with the Fleischer Brothers' version of Cinderella as well as this cartoon), studios used the cheaper and inferior Cinecolor to make color-ish cartoons. Yes, they had colors but mostly variations on reddish-orange and blueish-green. Over time, these cartoons tend to degrade and the colors become very pink or orangy. Fortunately, the copies recently posted to HBOMax have been restored and look great for these sorts of primitive color films.
The story consists of a little girl going to bed and the Sandman comes off the wall and sprinkles fairy dust on her...and she falls asleep and ends up in a fairytale world. There, things are swell until a monster shows up and so it's up to the characters to come to the little girl's rescue.
Like so many Harmon-Ising directed cartoons of the era, the emphasis in this one is on being cute and singing...making it a bit insipid to watch today. Not terrible because the animation is so nice, but lacking the comedy of later Looney Tunes shorts.
IMDB has a nice explanation as to why the colors used in "Beauty and the Beast" are so unusual for a color cartoon. It seems that the new three-color process developed by Technicolor was licensed exclusively to Disney at this time, so other companies making cartoons would usually just make them in black & white. Occasionally (such as with the Fleischer Brothers' version of Cinderella as well as this cartoon), studios used the cheaper and inferior Cinecolor to make color-ish cartoons. Yes, they had colors but mostly variations on reddish-orange and blueish-green. Over time, these cartoons tend to degrade and the colors become very pink or orangy. Fortunately, the copies recently posted to HBOMax have been restored and look great for these sorts of primitive color films.
The story consists of a little girl going to bed and the Sandman comes off the wall and sprinkles fairy dust on her...and she falls asleep and ends up in a fairytale world. There, things are swell until a monster shows up and so it's up to the characters to come to the little girl's rescue.
Like so many Harmon-Ising directed cartoons of the era, the emphasis in this one is on being cute and singing...making it a bit insipid to watch today. Not terrible because the animation is so nice, but lacking the comedy of later Looney Tunes shorts.
- planktonrules
- Nov 19, 2021
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Merrie Melodies #5 (1933-1934 Season): Beauty and the Beast
- Production company
- See more company credits at IMDbPro
- Runtime8 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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