Bumbling clerk fired from Marriage License Bureau starts matchmaking business, personally gets involved with clients, faces challenges due to his meddling.Bumbling clerk fired from Marriage License Bureau starts matchmaking business, personally gets involved with clients, faces challenges due to his meddling.Bumbling clerk fired from Marriage License Bureau starts matchmaking business, personally gets involved with clients, faces challenges due to his meddling.
- Director
- Writers
- Stars
Richard 'Skeets' Gallagher
- Bramwell Van Dusen
- (as 'Skeets' Gallagher)
Berton Churchill
- 'Big' Barney Nolan
- (as Burton Churchill)
Clarence Wilson
- District Attorney Clement Graftsman
- (as Clarence H. Wilson)
William Augustin
- Man Wanting a Match
- (uncredited)
Amelia Batchelor
- Van's Secretary
- (uncredited)
Lynton Brent
- Photographer
- (uncredited)
Phil Dunham
- Wilson - Graftsman's Assistant
- (uncredited)
Hazel Forbes
- Margery the Receptionist
- (uncredited)
Otto Hoffman
- Postal Clerk
- (uncredited)
Paul Kruger
- Newspaper Reporter
- (uncredited)
Ethan Laidlaw
- Policeman
- (uncredited)
Tom London
- Detective
- (uncredited)
Bruce Mitchell
- Policeman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a moderately interesting time-passer and nut much else. Now it started pretty well with hard working Stu Erwin opening a matrimonial agency and helping many lonely bachelors find mates--so far so good. But later, when a pushy gold digger appears and insinuates herself into the life of a lonely millionaire (who Erwin is trying to find a partner for), the film loses steam. It's really a shame, as up until then, Erwin was a likable character and the plot was moderately engaging. But with the introduction of the woman, the film became a bit annoying--after all, she is so pushy and unlikable that you soon tire of her. Fortunately, the film ends pretty well and is generally very inoffensive and typifies the word "mediocre".
Stuart Erwin plays William Watts, a clerk at the Marriage License Bureau who loses his job then starts a matrimonial agency. Watts is an affable guy with an unerring intuition for matching singles.
This good-natured film feels like it was adapted from a short story. The characters are enjoyable and the plot has a pleasant denouement.
Watts' right-hand gal, Cynthia Douglas, is played charmingly by Rochelle Hudson. While Erwin is the cornerstone of the comedy, Hudson is the linchpin that secures the romance.
Some excellent supporting characters help to make this film a pleasant diversion.
This good-natured film feels like it was adapted from a short story. The characters are enjoyable and the plot has a pleasant denouement.
Watts' right-hand gal, Cynthia Douglas, is played charmingly by Rochelle Hudson. While Erwin is the cornerstone of the comedy, Hudson is the linchpin that secures the romance.
Some excellent supporting characters help to make this film a pleasant diversion.
William Watts (Stuart Erwin) is the pushover clerk at the Marriage License Bureau. His boss fires him after a misunderstood overheard conversation. He starts a dating-marriage matching business. He immediately gets a lot of letters from men. He falls for his secretary Cynthia Douglas (Rochelle Hudson) but sets her up with a wealthy client.
I thought the opening start is interesting. I am going with the bumbling pushover character. He gets fired and the story starts losing me. I'm not that intrigued with his romantic potential which never heats up. The comedy never gets that funny. It runs out of steam.
I thought the opening start is interesting. I am going with the bumbling pushover character. He gets fired and the story starts losing me. I'm not that intrigued with his romantic potential which never heats up. The comedy never gets that funny. It runs out of steam.
Stu Erwin usually played in supporting roles, but here he's given a lead in a comedy with a promising storyline. Unfortunately, his comic shoulders are just not broad enough to carry the load alone. He plays Bill Watts, an ex-employee of the Marriage License Bureau who decides to go into business as a matchmaker. Bill may have a bland exterior, but he has the soul of a romantic and it turns out that he is very good at what he does, thus his business booms. His problems begin when a millionaire shows up at his office (Grady Sutton) looking for a mate. Bill picks out his own secretary (Rochelle Hudson) as a potential wife, but an obnoxious and loud golddigger (Pert Kelton) inserts herself into the situation. From this point forward the story bogs down, not just because of the plot itself, but the gold digger gets tiresome in a hurry. This is the kind of role that could have been handled with skill by someone like Patsy Kelly, but Ms. Kelton's voice and presence soon becomes as irksome as fingernails on a blackboard.
This movie was made shortly after the production code came in, and I think that went a long way in sinking it. Movies were so completely sterilized in 1934 and 1935 that comedies that ventured anywhere near the topics of sex and romance often come across like the musical comedies of 1931 and 1932 that had all of their songs stripped out of them due to the hostility of the public toward movie musicals. Something is just missing.
This movie was made shortly after the production code came in, and I think that went a long way in sinking it. Movies were so completely sterilized in 1934 and 1935 that comedies that ventured anywhere near the topics of sex and romance often come across like the musical comedies of 1931 and 1932 that had all of their songs stripped out of them due to the hostility of the public toward movie musicals. Something is just missing.
"Bachelor Bait" is a fun and well executed little picture, kind of a gentle B+ level movie. It has good dialogue, well thought-out direction, sharp set decoration and lighting, and a fun cast of characters delivering their lines nicely. With all that, however, it somehow doesn't have anything really great going for it. But it is generally enjoyable and I am glad to have seen it. If you are a film buff of the era, you probably will be glad, too.
Did you know
- TriviaThe father who barges on in his son applying for a marriage license in the beginning of the film was played by the actual father of George Stevens, the director of this RKO film.
- Quotes
Mr. Wells - Lionel's Dad: You be in the office at nine o'clock tomorrow morning.
Lionel Pierpont Wells - Marriage License Applicant: But Dad, what about our honeymoon?
Mr. Wells - Lionel's Dad: Alright then, make it nine-thirty.
- Crazy creditsOpening credits are shown over a background of underwater scenery, with ladies sitting on fish-hooks.
- SoundtracksThe Donkey Serenade
(uncredited)
Music by Rudolf Friml and Herbert Stothart
Lyrics by Bob Wright and Chet Forrest
Played as background music at the Ritz
Details
Box office
- Budget
- $120,000 (estimated)
- Runtime1 hour 14 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content