A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.A shiftless young man becomes obsessed with a mysterious woman and yearns to find her again.
Frida Richard
- Lubotas Mutter
- (as Frieda Richard)
- …
Hans Heinrich von Twardowski
- Hugo Lubota
- (as H.H. v. Twardowski)
Lya De Putti
- Veronika Harlan
- (as Lya de Putti)
- …
Karl Etlinger
- Buchbinder Starke
- (as Karl Ettlinger)
- …
Ursula Nest
- Little Girl playing near Harlan house
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie was considered lost for a long time but is now available in good condition.
- GoofsWhen Lorenz'a Aunt Schwabe reads his letter of termination, she is wearing gloves, but the close up of the letter shows a bare hand holding it.
- Crazy creditsIn the opening credits Lya De Putti only appears credited as Mellitta. The "actress" who plays the role of Veronika Harlan appears credited only as "x x x".
- Alternate versionsIn 2003, Flicker Alley, LLC copyrighted a new digital version with English intertitles and a new orchestral score composed, arranged and conducted by 'Robert Israel (II)'. It was produced by Jeffery Masino and runs 117 minutes.
- ConnectionsFeatured in Cinema Europe: The Other Hollywood (1995)
Featured review
PHANTOM is a very heavy-handed morality tale of a simple man who inexplicably becomes infatuated with a woman after seeing her only briefly. Despite being a seemingly nice guy, he throws his life away and the film revels in this spiral as well as the parallel story of his sister who becomes a prostitute.
While the film on technical merits isn't bad (it did have some inventive camera work), it was a major letdown since it was directed by the legendary director F. W. Murnau. Had it been done by some studio hack, then I could understand why this film was so hokey and unbelievable--but from Murnau, his fans have come to expect so much more.
Unlike some reviews on IMDb, mine is a bit unusual in that I have now seen just about every known Murnau film in existence today (PHANTOM was the last) and so I can compare it to the body of his work. Clearly, it is the worst of his films and lacks the magic and genius that Murnau is known for having. You might be surprised to hear that although his most famous film is NOSFERATU, it may not be his best film--mostly because NOSFERATU, like PHANTOM, seems a tad old-fashioned and stilted--even for 1922. This can be forgiven in NOSFERATU because despite these lulls, the rest of the film is so transcendent and amazing--making it one of the greatest silent films of all time. There is nothing about PHANTOM that can make you overlook the very dated plot--it's just heavy-handed and not particularly memorable.
As I said, Murnau made some truly amazing films. Aside from NOSFERATU, he is most famous for the Oscar-winning SUNRISE, but neither of these is my favorite. I love and recommend you see FAUST because the camera work and artistry is just amazing--making Goethe's story a freshness and style that just have to be seen to believed. I also liked it because I (unfortunately) have read the very long book "Faust" and found the film actually made me like the story! THE LAST LAUGH and TARTUFF are also simply wonderful films that any serious student of German cinema must see.
So, my advice is to watch PHANTOM if you like, but if you aren't acquainted with F. W. Murnau's films, try any of the others first--otherwise you might not be able to detect his genius and deftness.
While the film on technical merits isn't bad (it did have some inventive camera work), it was a major letdown since it was directed by the legendary director F. W. Murnau. Had it been done by some studio hack, then I could understand why this film was so hokey and unbelievable--but from Murnau, his fans have come to expect so much more.
Unlike some reviews on IMDb, mine is a bit unusual in that I have now seen just about every known Murnau film in existence today (PHANTOM was the last) and so I can compare it to the body of his work. Clearly, it is the worst of his films and lacks the magic and genius that Murnau is known for having. You might be surprised to hear that although his most famous film is NOSFERATU, it may not be his best film--mostly because NOSFERATU, like PHANTOM, seems a tad old-fashioned and stilted--even for 1922. This can be forgiven in NOSFERATU because despite these lulls, the rest of the film is so transcendent and amazing--making it one of the greatest silent films of all time. There is nothing about PHANTOM that can make you overlook the very dated plot--it's just heavy-handed and not particularly memorable.
As I said, Murnau made some truly amazing films. Aside from NOSFERATU, he is most famous for the Oscar-winning SUNRISE, but neither of these is my favorite. I love and recommend you see FAUST because the camera work and artistry is just amazing--making Goethe's story a freshness and style that just have to be seen to believed. I also liked it because I (unfortunately) have read the very long book "Faust" and found the film actually made me like the story! THE LAST LAUGH and TARTUFF are also simply wonderful films that any serious student of German cinema must see.
So, my advice is to watch PHANTOM if you like, but if you aren't acquainted with F. W. Murnau's films, try any of the others first--otherwise you might not be able to detect his genius and deftness.
- planktonrules
- Jul 5, 2008
- Permalink
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Details
- Runtime2 hours 5 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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