In the early 20th century of film there was a monopoly going on with the producers of movies out of the New York City area. The northeast is where movies began in America and many of the brightest talented stars were feeling their wallets and their creative talents limited by the studio system of the time. In 1919, Charlie Chaplin, D. W. Griffith, Mary Pickford and the star of this film, Douglas Fairbanks, the biggest of their time, launched United Artists Corporation and Hollywood was born.
United Artists released three films in 1919. One was actually a carry-over purchase from another studio that they released first, Broken Blossoms (1919), which is one of Griffith's finest. This film was released third, but seems to be the better of the two (the other one being His Majesty, the American (1919). The interesting thing about seeing that second UA release, is the announcement in the very beginning of the credits, when Chaplin, Griffith, Pickford, and Fairbanks announce the start of their new film-making endeavor, with Fairbanks crashing through the curtain with a big hello to the audience. He says, "They made me start the ball rolling". That is what he did. He was the one who launched United Artists Corporation into the future. His first two films for the company in 1919 made a lot of money and started things off.
When the Clouds Roll By (1919), came out later that year in December. It entertained millions, with that classic Fairbanks acrobatic style. My exposure to Fairbanks is still limited. I have seen his drug-induced, wacky short, the Mystery of the Leaping Fish (1916), his romantic adventure, at the height of his popularity, the Gaucho (1927) and there's also that section of Intolerance (1916), that he is in. I knew Fairbanks was a very acrobatic, agile, dancer of an actor (as witnessed by Kevin Kline, as Fairbanks, in the Robert Downey JR. Biopic, Chaplin (1992), but I didn't know he was this good.
The film is also, mostly driven by comedy, as it tries to tackle the life of a man, who is a paranoid, superstitious type. It also tries to delve a little bit into the frights, by opening up the film to a scientist explaining to his fellow professors, that they should consider using a real human being, instead of animals, for their scientific experiments. A ghastly notion, that harbors on the horrors of mad-scientists and science playing with God. However, the approach the doctor decides to take reverts to a more psychological one, where he tries to ruin a man, to the point, that he takes his own life.
He already has a subject he has been working on. A nice, energetic young man, who also is clueless sometimes and can't keep his job, that his Uncle (Ralph Lewis), keeps firing him from, named, Daniel Boone Brown (Fairbanks). The doctor uses Boone's fear of superstitions by using the superstitions to push him towards complete destruction. What the doctor wasn't counting on was Boone running into the woman of his dreams, Lucette (Kathleen Clifford). This however, creates a new set of troubles the doctor can send after Boone to make his life miserable.
United Artists held no money back for this film. You can tell that they hired some of the best filmmaking magicians that they had in 1919. Film was barely 20 years old, but the special effects masters of the time threw everything they could at you, creating images and scenes that have been imitated and inspired by many other auteurs since. As the plot feeds you tiny bits of information about what is about to transpire for the next 80 minutes, they let you into Boone's body, by creating a comedic image of his costumed breakfast, running around in his stomach, creating chaos. Director, Victor Fleming, then goes into Boone's mind to show us his personal terror and emotions combating against each other, as he tries to grasp what his love for Lucette really means.
Fairbanks achieves Buster Keaton levels in this film. Fairbanks gives us some amazing moments of acrobatic joy. Stuff that would be totally CGI today, is done completely with stunts and a talented human being. He also produces some pretty good laughs and one-lined jokes. All of this culminates in a climactic flood that rushes through the town. This film is what is was. An example of what the first blockbuster motion picture, produced by a Hollywood studio, would look like. The one irony of all of this is, the filmmakers wanted so much to be part of Hollywood, California, but the setting for the story still couldn't get away from its roots, being New York City.
6.9 (C MyGrade) = 7 IMDB.
