User reviews

Laurel and Hardy's earliest foray into Horror comedy is by no means their best,with a rather awkward opening scene with a mad doctor(Richard Carle,his only known appearance with L & H)which leads to the boys' attempted grave-robbing.There's plenty of opportunities for much comic panic here,some of which is very funny but is occasionally over-prolonged and a trifle predictable.The scenes in the graveyard recall the previous year's DO DETECTIVES THINK(1927)which didn't take up as much running time as it does here.It is sometimes thanks to Stan and Ollie's sheer and unparallelled comic brilliance that such potentially obvious gags are made fresh and inventive;for many years,a synchronised soundtrack with music and sound effects to accompany the film was thought to be lost,but has turned up in recent years and is now available on DVD.The only L&H silent now known to have lost it's music and effects recording is WE FAW DOWN,made several months after HABEAS CORPUS.

When I first read about this Laurel & Hardy comedy in Randy Skretvedt's book "Laurel and Hardy: The Magic Behind the Movies", it revealed that it was the first to have music and sound effects on disc, courtesy of the Victor Talking Machine Company. Skretvedt also mentioned that that disc was lost though according to this site, it's now been found. Maybe that music and sound effects I heard on the Hulu print as linked from IMDb were indeed from that disc. If that was it, then it was a pretty good choice to use for this film especially when what would become the theme for "Alfred Hitchcock Presents" was used. Okay, Stan & Ollie happen to stop at a house in which the owner there (Richard Carle) offers $500 if they dig up a dead body for him. They accept though Stan gets scared when he seems to have to do all the work. I'll stop there and just say this was quite a funny scare comedy though the unfilmed or deleted scenes Skretvedt mentions in his book might have made it even more funny. Certainly the sound effects contribute mightily to the atmosphere though I did notice some spots when they weren't used that could've used them. Besides Carle-who has an amusing bit concerning his pocket and what he feeds into it-there's also Charley Rogers as a butler/detective that adds immensely to the fun. So on that note, Habeas Corpus is another worthy L & H comedy.

A professor needs a body to experiment on and Laurel & Hardy are the persons to get that body from the graveyard. The police knows what they are about to do and tries to stop that.

This short is a little boring in the first half, although there are some nice moments with white paint. The second half is better and starts with some very funny scenes involving a wall Laurel & Hardy have to climb. That wall is the main object in another great scene a little later. Because of the second half this is a very good one.

Mad scientist Richard Carle is musing that he needs a human brain for his research. There's a knock on the door, and it's Laurel and Hardy. So he sends them to the graveyard to dig one up.

It had been more than a years since DO DETECTIVES THINK had contained a funny graveyard scene, and there's a lot here to suggest that. There's a tremendous amount of spooky shadows by the wall, the Boys are terrified, ad so forth. There are also plenty of new gags, and a long, fully ornamented scene of them trying to get over a wall. Stan was a great gag technician who could direct his own movies. Here he's working with James Parrott, who also was a fine gagman.

This silent Laurel & Hardy short is a very forgettable one. It has very little slapstick and comedy present in the movie, which doesn't make this movie a very entertaining one but rather a disappointing one.

It more gets a bit of an horror movie at times, rather than a comedy. But of course the presence of Mr. Laurel and Mr. Hardy is reason enough to find this movie still watchable. I don't think I'll be ever able to rate a Laurel & Hardy movie any lower than a 6 out of 10. The chemistry and timing of those two is absolutely phenomenal to watch, no matter how bad and forgettable the rest of the movie is.

Only recommendable to the true fans of Laurel & Hardy I guess.

6/10

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This Laurel and Hardy silent film has a very, very slim plot--with almost the entire film taking place at a cemetery. The film begins with a truly balmy professor paying Stan and Ollie to do a bit of grave robbing (an odd plot idea, I know). So the greedy boys head to the grave yard and spend most of the film being scared out of their wits over a drunk who has gotten wrapped up in a sheet. While this is all very contrived, the worst part of this is that it took Stan and Ollie almost half the film to figure a way into the cemetery. Some of this was very funny (such as when Ollie finally tried climbing the wall), but most of it was just tedious and overplayed. While this is far from funny and lacking the number of laughs of most of their shorts, the film is still worth a peek because even when sub-par, the team can still be very funny.

By 1928 Laurel & Hardy had finally fully developed their relationship and character traits and already delivered some silent classics -"Battle Of The Century", "Two Tars", etc. Time to explore a new genre -the horror-comedy. While "Habeas Corpus" may not be as memorable as the films mentioned above, it's still interesting to see this tried and trust formula delivered by the boys in their own way. There are no particular brilliant or original gags but I really enjoy the atmosphere - virtually everything of the film was shot at night at a local cemetery, assuring that there's really a "spooky graveyard" feeling in this two reeler.

Laurel & Hardy try to climb over a wall with predictably hilarious results. Nowhere near their best, but still pretty good...

I don't understand the occasional low ratings I've read by viewers of this great '20s silent film.

It's early vintage Laurel & Hardy with a very good demonstration of most aspects of their particular brand of physical humor and emotional reactions to each other and their situations.

Done in 1928 in the Hal Roach studio, a silent film historian said it's the beginning, in a sense--a preview, or first chapter, of what was to become a great series of longer comedy escapades.

One can only downgrade this film by judging it against Laurel & Hardy's other, later, longer and more fully developed films.

Starring Stan Laurel and Oliver Hardy, Habeas Corpus is directed by James Parrott and photographed by Len Powers. Plot finds Stan and Ollie as a couple of drifters short of cash who agree to do a bit of grave robbing to earn themselves $500, courtesy of the mad professor Padilla (Richard Carle). But the cemetery at night is not a fun place to be...

Not so much Burke & Hare, more like Berk & Berk!

Not a prime short from the boys but lots to enjoy. The frenetic organ swirls as Stan & Ollie prat about down at the cemetery. After the tone is set via a fun escapade with wet paint, the spooky shenanigans begin - which constitutes the boys scaring each other even without outside influences!

There's the usual visual ticks, the various looks at the camera, which are supplemented by some animal participation (including the world's fastest cat and a fun tortoise). An extended sequence of them trying to get over the wall of the cemetery is overplayed, but after an Ollie wrecking ball moment and a quite brilliant and hilarious body bag sequence of events, this short is back on track and showing why they would become legends of cinema. 7/10

Before Bela Lugosi, Boris Karloff, in Robert Wise's BODY SNATCHER and also other features like John Gilling's FLESH AND THE FIENDS or Freddie Francis'BURKE AND HARE, I am surprised to see that topic of grave robbers in order to serve rogue medical experiments was used by Laurel and Hardy, in of course the most funniest way. What could I say more? The cemetery setting is also a very easy way to bring scary elements in a comedy scheme and show many gags to the audiences. I am not a Laurel and hardy specialist however but this short film seems pretty good for me, although I have not seen the other ones.

After all those decades and not only years, that is still amusing, entertaining at the most, even for youngest audiences.

But all Laurel and Hardy stuff is not so good.

Habeas Corpus has been described as a routine slapstick not typical Laurel and Hardy comedy. With the dawn of sound, the Hal Roach team must have put some thought on creating a Vitaphone music and effects disks to accompany this 1928 short. When viewed this way, it brings the film new life and is far from typical. The spooky hand clapping scene in the graveyard is a prime example geared toward the novel experimental sound medium. I have seen this film three different ways: Silent, new track added for the British DVD, and the original Vitaphone soundtrack on an out of print US DVD. In my opinion, the Vitaphone version is the best way to see this short. NOTE: One of the music cues "Dance of the Marionettes" later became Alfred Hitchcock's TV theme.

Tonight, it was proved – comedy never dies. Nearly 81 years ago a comedy duo by the name of Laurel and Hardy broke through the sound barrier (quite literally) to bring humor, a dazzling array of both slapstick and intelligent, to the masses. Could today's audiences still laugh at what simple jokes these two men brought to the screen? With a group of friends we put that theory to the ground, and surprisingly our level of entertainment combined with humor was not disappointed. After aging gracefully over eight decades, Laurel and Hardy continue to combine random, interesting scenarios with engaging, well-planned humor. Add to this the fact that "Habeas Corpus" was their first sound film; i.e. sound effects not speaking – yet continued to make our audience laugh hysterically. Their ability to take small gestures, and expand them into laugh-out-loud situations, using merely their facial expressions and their body language would put some modern comedians to shame. Yet, their style didn't seem dated. In one scene in "Habeas Corpus", our duo watches as a man puts his ashes from his cigarette into his pocket. Each time he does this, the camera pans to Laurel and Hardy, as they make these exclusive expressions of confusion. Through just their eyes, they are able to convey this level of humor which had our virgin Laurel and Hardy group in stitches.

For 20 minutes, this short film kept us entertained. The level of the humor, the fact that what they were doing seemed original for the time made us question what modern comedians are doing today. Laurel and Hardy are still present in today's group of comedians. See John Candy or Chris Farley within Hardy, or even Rowan Atkinson's work influenced from Laurel. These guys were at the top of their game in the late 20s and beyond, and what makes this impressive is that they have not fallen from their trade. "Habeas Corpus" is a prime example of this. Their first sound film, it pits the two as guys who need to dig up a body for a scientist for money. As they attempt to get the body, everything imaginable occurs. The body is second nature to actually getting to the grave site. Everything they do, from jumping up poles, to continually trying to get over a troublesome wall, to fighting Laurel's fears of turtles. Everything will make you laugh out loud, like it was 1928.

Overall, I loved this short. This reviewer could have watched another hour and half of Laurel and Hardy's shenanigans with this mad scientist, but twenty minutes was perfect. It left you wanting more and a strong desire to have multiple repeat viewings. It ended on such a high note that the laughter filled the room with a group of friends. This was a delight – a pure joy to experience. A modern day "Tom and Jerry" for a more intelligent and mature audience.

Grade: ***** out of *****

This was by far their funniest of their silent films. The physical comedy and typical slapstick humor made my sides hurt. I would definitley recommend this one for any comedy silent film fan or Laurel & Hardy fan.

What would happen if Dr Frankenstein sent Laurel and Hardy to get a dead body instead of Igor? This is a very funny silent for the boys, and something of a departure. The scared stiff shtick wasn't usually their thing, but they pull it off nicely. They're still developing their chemistry here, but it works very well. The more familiar gags abound along with the Eek! a ghost! bits. Very worth a watch.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first great one with close to flawless execution. 'Habeas Corpus' is not quite as good, but is still among their best and funniest early efforts. Their filmography, apart from a few bumps along the way, was getting better and better and 'Two Tars' and 'Habeas Corpus' exemplifies this.

It may not be "new" material as such and the first part takes a little bit of time to get going.

When 'Habeas Corpus' does get going, which it does do very quickly, it is non-stop fun, not always hilarious but never less than very amusing. There is insane craziness that doesn't get too silly, a wackiness that never loses its energy and the sly wit emerges here, some of the material may not be new but how it's executed actually feels fresh and it doesn't get repetitive. The spookiness is also effective.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Habeas Corpus' we are far from robbed of that.

'Habeas Corpus' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid.

Overall, very good. Not essential or classic Laurel and Hardy, but a good representation of them. 8/10 Bethany Cox

Habeas Corpus (1928)

** 1/2 (out of 4)

Stan Laurel and Oliver Hardy knock on the door of a doctor hoping for a piece of bread but instead he offers them five hundred dollars if they'll steal a body for him from the local cemetery. The boys agree to take the offer but their nerves start to play against them.

HABEAS CORPUS isn't the greatest Laurel and Hardy film you'll ever watch but there are enough funny moments to make it worth viewing. I think the highlights of the film deals with Hardy trying to get Laurel over the wall but when he goes to help the dimwitted Laurel keeps forgetting to actually jump. There's another funny gag dealing with some wet paint that works quite nicely. The stuff inside the cemetery isn't quite as funny as you'd hope for but there's no doubt that fans will still want to watch this one.

This was one of the usual two-reel silent shorts that ran about twenty minutes back in the 1920s. It's reasonably effective, with one or two good laughs.

Laurel and Hardy are sent by a goofy professor to dig up a body at the graveyard, to be used in an experiment. The police, knowing of the plan, have an officer dressed in a white sheet waiting for them.

I think the best gag comes when the boys are trying to climb over the cemetery wall. Hardy cups his palms but Laurel only seems to bounce up and down on them. They try various other ways to get Laurel over the wall and they all fail. Finally, Hardy tells Laurel to bend over. Hardy will make a running jump and leap over the barrier. He doesn't make it. He smashes into the thick brick wall -- and all the way through it. Hardy wasn't too fond of jokes about his weight and that seems to make the gag a little funnier.

Otherwise, it's good but hardly incomparable.