A love triangle in a circus troupe,A love triangle in a circus troupe,A love triangle in a circus troupe,
- Awards
- 2 wins total
Eric Mayne
- Wharf Spectator
- (uncredited)
Eugene Pallette
- Party Guest
- (uncredited)
Billy Seay
- Little Boy
- (uncredited)
Ellinor Vanderveer
- Theatre Audience Spectator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film was previously thought lost until 2001, when a 35mm positive film print was discovered in the Library of Congress.
Featured review
I wasn't expecting this film to be as much fun to watch as it is. The backstage storyline features extravagant costumes, sets and makeup, and delightful comic bits. The audience cheered when a painting on a curtain "came to life" in a comical way. Some of the bits used were obviously stolen from Houdini, but it's always fun to see them filmed, even if Harry isn't there. A favorite player was the performing goose, who wears prop spectacles and hats when onstage. Director William Wellman knows how to put activity into a frame, so even during some of the slower conversational parts, there are often acrobats whirling by in the background. But he also knows when to tone this sort of thing down; the dramatic, emotional moments are allowed to have space. A scene where someone is trying to flee danger is shot in an effective, film-noir manner.
The players acquit themselves admirably. Florence Vidor is luminous, and, as Jeanine Basinger has written, created a heroine who is an interesting hybrid of the independent flapper and the traditional damsel-in-distress. Clive Brook is highly sympathetic as the intelligent lover. I was less sure of Lowell Sherman's casting: I couldn't figure out what Vidor's character would have seen in him. However, it's possible that a more appealing actor would have stacked the deck too heavily against Brook; both leading men were about 40 at the time of filming. (I was surprised to find that Vidor was close to 30; she appears 15-20 years younger than the men, perhaps partly due to makeup and lighting.)
The one thing I didn't like about the film was the suggestion that women who don't love the "right" man should be punished for it. I think the storyline did a decent job of resolving this issue--I can't explain without spoilers--but given the murderous intentions of some incel types, that's not a good idea to champion (which was also true then).
The lighting was magnificent in many scenes. The version I saw also had some beautiful tinting. I hope the film will be played often, so more people can enjoy it.
The players acquit themselves admirably. Florence Vidor is luminous, and, as Jeanine Basinger has written, created a heroine who is an interesting hybrid of the independent flapper and the traditional damsel-in-distress. Clive Brook is highly sympathetic as the intelligent lover. I was less sure of Lowell Sherman's casting: I couldn't figure out what Vidor's character would have seen in him. However, it's possible that a more appealing actor would have stacked the deck too heavily against Brook; both leading men were about 40 at the time of filming. (I was surprised to find that Vidor was close to 30; she appears 15-20 years younger than the men, perhaps partly due to makeup and lighting.)
The one thing I didn't like about the film was the suggestion that women who don't love the "right" man should be punished for it. I think the storyline did a decent job of resolving this issue--I can't explain without spoilers--but given the murderous intentions of some incel types, that's not a good idea to champion (which was also true then).
The lighting was magnificent in many scenes. The version I saw also had some beautiful tinting. I hope the film will be played often, so more people can enjoy it.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Love--The Magician
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 12 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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