IMDb RATING
7.2/10
2.6K
YOUR RATING
A prince must woo the now-wealthy dancer he once abandoned, to keep her money in the country in order to keep it from crashing economically.A prince must woo the now-wealthy dancer he once abandoned, to keep her money in the country in order to keep it from crashing economically.A prince must woo the now-wealthy dancer he once abandoned, to keep her money in the country in order to keep it from crashing economically.
- Awards
- 3 wins total
Gertrude Bennett
- Hard-Boiled Virginia
- (uncredited)
Bernard Berger
- Boy
- (uncredited)
Sidney Bracey
- Danilo's Footman
- (uncredited)
Estelle Clark
- French Barber
- (uncredited)
Albert Conti
- Danilo's Adjutant
- (uncredited)
D'Arcy Corrigan
- Horatio
- (uncredited)
Joan Crawford
- Ballroom Dancer
- (uncredited)
Xavier Cugat
- Orchestra Leader
- (uncredited)
Anielka Elter
- Blindfolded Musician
- (uncredited)
Dale Fuller
- Sadoja's Chambermaid
- (uncredited)
Clark Gable
- Ballroom Dancer
- (uncredited)
Storyline
Did you know
- TriviaWhile filming the climactic ballroom scene, Erich von Stroheim noticed an extra whose costume was not adjusted to his liking. He stepped off the high camera platform on which he was standing, fell, and broke his leg. He directed the rest of the film from a reclining chair while his leg healed.
- GoofsA title card reads "a prince has a duty to his country higher then [sic] his duty to himself" - a grammatical error unusual for such a prestigious studio as MGM.
- Quotes
Prince Danilo Petrovich: Where the devil did you get these pictures?
Danilo's Adjutant: From my barber--he said he got them in Paris.
- Crazy creditsThe credits state that the film is "personally directed by" Erich von Stroheim.
- Alternate versionsThe version shown on the Turner Classic Movies (TCM) channel has the musical score arranged by Dennis James and performed by him on a Möller pipe organ. It is shown at a proper silent movie speed and runs 137 minutes.
- ConnectionsEdited into Histoire(s) du cinéma: Seul le cinéma (1994)
Featured review
It may be a matter of taste but as much as I like and admire Erich Von Stroheim work before and behind the camera, his reputation as a `genius' doesn't seem justified by the films themselves.
Certainly Merry Widow is filmed with great style and the opulent design is certainly diverting. Also the decision to turn the story from light opera to fairly heavy drama is completely in keeping with Von Stroheim 's own rather cynical outlook. But I find his obsessive dwelling on details can make for a slow and even tedious viewing experience, especially in the first half which seems to spend an inordinate amount of time setting the relationship between the dashing, irreverent but humanist Prince Danilo Petrovich (Gilbert - in wonderful form) and the pompous, tight lipped and distinctly perverse Crown Prince Mirko (Roy D'Arcy).with scenes prolonged far longer than their dramatic weight justifies. Also where the film attempts a lighter tone, the effect is of a concrete soufflé, with every glance and double entendre painfully spelt out.
However this is still a satisfying film as a whole, especially in the second half where we finally have some DRAMA. Here in sequence after sequence we finally start to understand Von Stroheim's reputation as he examines the decaying Royal family under a particularly unflattering microscope. The tryst with the blindfolded musicians is a particularly memorable scene.
Having heard of Mae Murray's terrible treatment of the Von and others in her career, I had a tough time warming to her in this, but I have to admit she gives a great performance as Sally O ' Hara, an innocent who's mistreatment at the hands of the family almost ruins her life. Roy D'Arcy makes an indelible impression as the creepy Mirko, his every gesture filling one with disgust.
But for my money it's Gilbert's work that makes this film worthwhile. One of the very finest of silent actors, the expressiveness of his eyes, the tenderness of his playing and bearing throughout make his character completely convincing and his torment over loosing Sally a felt and poignant loss.
Certainly Merry Widow is filmed with great style and the opulent design is certainly diverting. Also the decision to turn the story from light opera to fairly heavy drama is completely in keeping with Von Stroheim 's own rather cynical outlook. But I find his obsessive dwelling on details can make for a slow and even tedious viewing experience, especially in the first half which seems to spend an inordinate amount of time setting the relationship between the dashing, irreverent but humanist Prince Danilo Petrovich (Gilbert - in wonderful form) and the pompous, tight lipped and distinctly perverse Crown Prince Mirko (Roy D'Arcy).with scenes prolonged far longer than their dramatic weight justifies. Also where the film attempts a lighter tone, the effect is of a concrete soufflé, with every glance and double entendre painfully spelt out.
However this is still a satisfying film as a whole, especially in the second half where we finally have some DRAMA. Here in sequence after sequence we finally start to understand Von Stroheim's reputation as he examines the decaying Royal family under a particularly unflattering microscope. The tryst with the blindfolded musicians is a particularly memorable scene.
Having heard of Mae Murray's terrible treatment of the Von and others in her career, I had a tough time warming to her in this, but I have to admit she gives a great performance as Sally O ' Hara, an innocent who's mistreatment at the hands of the family almost ruins her life. Roy D'Arcy makes an indelible impression as the creepy Mirko, his every gesture filling one with disgust.
But for my money it's Gilbert's work that makes this film worthwhile. One of the very finest of silent actors, the expressiveness of his eyes, the tenderness of his playing and bearing throughout make his character completely convincing and his torment over loosing Sally a felt and poignant loss.
- tom.hamilton
- Feb 18, 2003
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Details
- Release date
- Country of origin
- Language
- Also known as
- Vesela udovica
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $592,000 (estimated)
- Runtime2 hours 17 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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